Juan van der Hamen y Léon, 1622 - Ndụ na Sweets - ọmarịcha nka

73,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Original artwork specifications by The Cleveland Museum of Art (© - The Cleveland Museum of Art - www.clevelandart.org)

Placed on a simple stone ledge, this bold arrangement includes a wooden box, a dark glass bottle, some walnuts, an elaborate Venetian glass, and several sweets called turrones. These delicacies are a mixture of pine nuts, honey, almonds, and hazelnuts. The picture may not represent an actual meal or snack. Rather, the artist played with contrasts and harmonies of shapes, textures, and colors. During his short career van der Hamen, whose father was from the Netherlands, worked at the Spanish royal court and created biblical pictures, history paintings, allegories, and landscapes. He is best known for his portraits and still lifes.

Ozi ndabere na nka

Aha nke ọrụ nka: "Still Life with Sweets"
Nhazi: sere
Okwu nche anwụ: nka ochie
Nhazi oge: 17th narị afọ
Emepụtara na: 1622
Afọ nka: gbara afọ 390
Usoro izizi: mmanụ na kwaaji
Akụkụ nke ọrụ nka mbụ: Nhazi: 83 x 122 x 7,5 cm (32 11/16 x 48 1/16 x 2 15/16 na); Edebereghị: 58 x 97 cm (22 13/16 x 38 3/16 na)
Ederede nka nka izizi: signed lower left: "Ju Vander Hamen/ de Leon fa[t], 1622"
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Weebụsaịtị nke ihe ngosi nka: Velọ ihe ngosi nka nke Cleveland
Ụdị ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Ụgwọ nke ụlọ ọrụ John L. Severance Fund

Ozi ndabere gbasara onye na-ese ihe

Ihe nkiri: Juan van der Hamen na Léon
Obodo onye nka: spanish
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo onye nka: Spain
Otu nka: nna ukwu ochie
Ndụ: 35 afọ
Afọ amụrụ: 1596
Nwụrụ n'afọ: 1631

Banyere ihe a

Nkewa ngwaahịa: mmepụta nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: UV kpọmkwem obibi
Ihe ngosi: Germany
Ụdị ngwaahịa: a na-achọ
Ihe eji eme atụmatụ: mgbidi mma, mgbidi gallery
Ndozi onyonyo a: nhazi odida obodo
Oke akụkụ: (ogologo: obosara) 16: 9
Nsonaazụ nke akụkụ onyonyo: ogologo bụ 78% ogologo karịa obosara
Akụrụngwa dị: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 90x50cm - 35x20", 180x100cm - 71x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 90x50cm - 35x20", 180x100cm - 71x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 90x50cm - 35x20"
Mpempe akwụkwọ Dibọn (ihe alumnium): 90x50cm - 35x20"
ụba: mbipụta nka na-enweghị isi

Họrọ ngwa ngwaahịa ọkacha mmasị gị

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often described as a an art print on plexiglass, transforms your selected artwork into gorgeous wall decoration. Above all, the acrylic glass art print is a distinct alternative option to dibond and canvas art prints. Your favorite artwork is made thanks to the help of modern UV printing machines. It makes sharp, vibrant color hues. The major advantage of an acrylic glass print is that contrasts as well as small color details become more identifiable due to the very fine tonal gradation.
  • Mbipụta kanvas: A UV printed canvas material mounted on a wood stretcher frame. Further, a canvas produces a charming, comfy ambience. A canvas print of this artpiece will allow you to transform your into a large size work of art as you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without the support of extra wall-mounts. A canvas print is suited for any type of wall.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a material with a true effect of depth. The Aluminium Dibond Print is your excellent start to prints made with aluminum. Colors are luminous and bright, details of the print are crisp and clear, and the print has a a matte look that you can literally feel.
  • Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster print is a UV printed sheet of canvas with a fine surface texture, that reminds the original artwork. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the painting to facilitate the framing with your custom frame.

Ngwaahịa nka

Nke a na narị afọ nke 17 ka e kere ya spanish onye na-ese ihe Juan van der Hamen na Léon in 1622. The 390 years old version of the painting was made with the size: Nhazi: 83 x 122 x 7,5 cm (32 11/16 x 48 1/16 x 2 15/16 na); Edebereghị: 58 x 97 cm (22 13/16 x 38 3/16 na) e tekwara ya na ọkara mmanụ na kwaaji. Ihe nka izizi nwere ihe odide a: signed lower left: "Ju Vander Hamen/ de Leon fa[t], 1622". The artwork forms part of the The Cleveland Museum of Art's digital art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The nka ochie ngalaba ọha a na-enye artpiece na nkwanye ùgwù nke Velọ ihe ngosi nka nke Cleveland. : John L. Severance Fund. In addition to that, the alignment is odida obodo na nwere akụkụ ruru nke 16: 9, nke na-egosi na ogologo bụ 78% ogologo karịa obosara.

Disclaimer: We try everything to depict our products as precisely as possible and to exhibit them visually in our shop. Please keep in mind that the pigments of the printing material, as well as the printing can diverge somehwat from the presentation on your screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as realistically as the digital version shown here. Bearing in mind that our art prints are printed and processed manually, there may as well be minor deviations in the motif's exact position and the size.

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