Otto Marseus van Schrieck, 1670 - Ndụ ka na Poppy, ụmụ ahụhụ, na anụ ufe - ọmarịcha nka.

39,99 €

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"Still Life with Poppy, Insects, and Reptiles" is a work of art made by Otto Marseus van Schrieck in the year 1670. Ụdị nke ọrụ nka tụrụ nha: 26 7/8 x 20 3/4 na (68,3 x 52,7 cm). Oil on canvas was used by the Dutch artist as the medium of the masterpiece. Moveover, this artwork can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are happy to state that this work of art, which is part of the ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1953. : Rogers Fund, 1953. The alignment is in Eserese format ya na oke nke 3: 4, which means that the length is 25% shorter than the width. The painter Otto Marseus van Schrieck was an artist, whose artistic style can be classified as Baroque. The painter lived for 59 years - born in 1619 in Nijmegen, Gelderland, Netherlands and deceased in the year 1678.

Kedu ihe kacha mma ebipụta nka nka?

Maka mbipụta nka ọ bụla anyị na-enye ụdị nha & ihe dị iche iche. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

  • Mbipụta kwaaji: The canvas print, which shall not be mistaken with a painting on a canvas, is a digital copy applied onto cotton canvas fabric. Additionally, a canvas print generates a nice and warm appearance. Your canvas of your favorite work of art will allow you to transform your custom fine art print into a large size collection piece like you would see in a real gallery. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of extra wall-mounts. Therefore, a canvas print is suitable for all kinds of walls.
  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The print on acrylic glass, which is sometimes labelled as a fine art print on plexiglass, makes the original work of art into beautiful décor. With an acrylic glass art print contrasts and smaller color details become more recognizeable with the help of the delicate gradation. Our acrylic glass protects your custom art replica against sunlight and heat for many more years.
  • Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an outstanding depth, which creates a contemporary look throuch a surface , which is not reflective. The Direct Print on Aluminum Dibond is the ideal introduction to the sophisticated world of fine art prints with aluminum. The bright and white parts of the artwork shimmer with a silk gloss, however without the glare. Colors are bright and vivid, fine details of the print appear clear and crisp.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): A poster print is a UV printed canvas paper with a fine structure on the surface, that reminds the actual masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm around the work of art in order to facilitate the framing with your custom frame.

Ederede iwu dị mkpa: We try to describe the products as accurate as we can and to illustrate them visually. Although, the pigments of the print materials, as well as the print result might differ slightly from the representation on your screen. Depending on your settings of your screen and the condition of the surface, not all colors are printed 100% realistically. Bearing in mind that the art prints are printed and processed manually, there may also be slight differences in the exact position and the size of the motif.

Nkọwa akụkọ ahaziri ahazi

Nkewa edemede: mmepụta nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro nhazi: mbipụta dijitalụ (Mbipụta UV ozugbo)
Mmalite nke ngwaahịa a: German mere
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: art ebipụta gallery, mgbidi ịchọ mma
Nhazi nke ihe nka: usoro eserese
Oke akụkụ: ogologo: obosara - 3: 4
Nsonaazụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium dibond ebipụta (ihe aluminium) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: ngwaahịa anaghị emebi emebi

Iberibe ozi nka

Aha nka: "Still Life with Poppy, Insects, and Reptiles"
nhazi ọkwa: sere
Otu izugbe: nka ochie
Narị afọ nka: 17th narị afọ
Afọ okike: 1670
Afọ nka: 350 afọ
Usoro nka izizi: mmanụ na kwaaji
Nha izizi nka: 26 7/8 x 20 3/4 na (68,3 x 52,7 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Webụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1953
Ebe E Si Nweta: Rogers Fund, 1953

Banyere onye na-ese ihe

Ihe nkiri: Otto Marseus van Schrieck
Aha utu aha: Marseus van Schrieck Otto, Otto Masseus, Schreck Otto Marseus van, Otho Matyas, Otto Marchelis, O. Massaeus, Marseus van Schrieck, Otto Marseus van Schrieck gen. Snuffleaer, Schrieck Otto Marcellus van, Otto Macheus, Massaeus, Marseus Otto, O. Masseus, Massaeus Otto, Otho-Marseus, Otho Massoeus, Otho Masseius, Otho Massacus, Otto mar Seus, Otho Matheuis, Otto Matseus, marcelis otto, Schrieck Marcellis, Van Schrieck Otto Marseus, Monsieur Ottone olandese, Otho Maseus, Monsu` Otto, Otto Mattheus, Otto Masse, otto marsaus van schrieck, Otto Marselis, Matseus, O. Matthias, Otho Marseo, Otte Marseus, Otto Maerceus, Matteus, Otho Mateus, Otto Mateus, Monsù Otto, Otho Marcias, Marcellis, Otho Masseo, Schrieck Otto Marcellis van, otto marcellis schrieck, Marcelis, Otho Mathias, O. Mathers, O. Massues, Otho Matthias, Otto Matsens, Otto Mathers, Otto Marsaeus, Otto Marseus van Schrieck gen. Snuffelaer, Otto Matseus and D. Schreck, Marcellus, O. Marsenus, Otto-Marceus, Otto Marseus van Schrieck, O. Mathaeus, Marseus, Schriek Otto Marcelus Van, Otho Marcellis, Otho Massaeus, Otho Masseus, O. Marseus, o. m. schrieck, otto van marseus. schrieck, Otto Marcens, Marcellis Otto, Marceus, Monsieur Otto, Otto Marcellis, O. Marcellis, Otho Mathers, O. Mattheus, Ottomoseures, Otho Masacus, Otho Matheas, van Schriek gen. Snuffelaer, Marcelis Otto, Otto Mathaeus, Ottho Matthius, Otto Marseus von Schrieck gen. Snuffelaer, Massen, Otto Merselis, Matthias, Schrieck Otto Marseus van, O. Marceus, Mascellus, Otho Marsaeus, Msù Otto, Otho Mattheus, Otto Matthias, Otho Masaeus, Otto Messeeus, Marseus Snuffelaer, Hotto Mariellis, Ottomarcelli, O. Massius, Otto Merceus, Otto Marcelis, Otho Matthews, Mascellus Otto, otto marseus van schriek, Otto-Musius, Otton, Otto Marseus, Matthias Otto, otto marcellis van schrieck, Otto Marcelus, Marcellis van Schrieck Otto, O. Matheus, Otho Mathius, O. Massens, Ottho Mattheus, Snuffelaer, Otho Marseus, Marcellis Van Schrieck Snuffelaer, Otto Marceus, Otto Marsus, O. Marcelis, O. Massaus, Schrieck Marcellis van, Otho Marcelis ou Marseus, Otto Merseus
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Mba onye si: mba netherland
nhazi ọkwa: nna ukwu ochie
styles: Baroque
Ndụ: 59 afọ
Amụrụ n'afọ: 1619
Ebe omuma: Nijmegen, Gelderland, Netherlands
Nwuru: 1678
Ebe ọnwụ: Amsterdam, North Holland, Netherlands

Nwebiisinka © - Artprinta.com (Artprinta)

(© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

Known to contemporaries as "The Snuffler" due to his apparent penchant for rooting around in the undergrowth, Marseus van Schrieck had close ties with the seventeenth-century culture of scientific investigation. This picture of the forest floor bristles with interactions between a lizard, snake, snails, and butterflies, all in the shadow of a poppy. Rather than painting flowers elegantly arranged in a vase, Marseus locates his blooms in a natural setting touched with an element of menace.

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