Severin Roesen, 1855 - Ndụ ka dị: Mkpụrụ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
"Still Life: Fruit" as an art copy
Ihe nka nka Still Life: Fruit was created by the male American painter Severin Roesen na 1855. The 160 ọrụ nka dị afọ na-atụ nha: 36 x 50 n'ime (91,4 x 127 cm). Mmanụ na kwaaji was used by the North American painter as the technique for the artpiece. Besides, the artwork can be viewed in in the digital collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Nke a ngalaba ọha A na-enye ọrụ nka site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1963. Ọzọkwa, ihe nkiri ahụ nwere kreditline: Rogers Fund, 1963. Nhazi nke mmepụta dijitalụ dị na odida obodo format ya na oke onyonyo nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.
Nye iwu ihe ịchọrọ ịkwanye na mgbidi gị
In the dropdown selection next to the article you can select your favorite size and material. Thus, we allow you to choose among the following options:
- Mbipụta kwaaji: The UV printed canvas applied on a wooden frame. It has the typical effect of three dimensionality. Canvas Prints have the advantage of being low in weight. This means, it is easy to hang your Canvas print without the help of any wall-mounts. Canvas prints are suitable for any kind of wall.
- Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond material with a true depth effect, which creates a contemporary look thanks to a non-reflective surface. The Direct Print on Aluminum Dibond is the ideal start to fine art replicas with alu. The print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely modern way to showcase fine art reproductions, because it puts all of the viewer’s attention on the whole artwork.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed flat canvas paper with a granular surface finish. The print poster is particularly used for framing the art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the print to facilitate the framing.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The print on acrylic glass, often referred to as a an art print on plexiglass, will convert the original artwork into brilliant décor and forms a viable alternative option to canvas or aluminium dibond art prints. The major upside of a plexiglass fine art copy is that contrasts and also granular color details become more identifiable with the help of the delicate tonal gradation.
Nkwupụta iwu: We try in order to describe our art products in as much detail as we can and to exhibit them visually on the product detail pages. However, some pigments of the printing material, as well as the print result can differ to a certain extent from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Bearing in mind that our fine art prints are processed and printed manually, there might as well be slight variations in the size and exact position of the motif.
Banyere akụkọ
Bipụta ngwaahịa: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Ihe ngosi: | German mmepụta |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | art ebipụta gallery, mgbidi ịchọ mma |
Ndepụta: | nhazi odida obodo |
Njikwa oyiyi: | 1.4: 1 |
Mmetụta akụkụ onyonyo: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ akwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Mpempe aluminom (aluminium dibond ihe) nha: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi mbipụta nka: | agunyeghi |
Ozi ndabere na nka nka izizi
Iberibe aha nka: | "Still Life: Fruit" |
nhazi ọkwa: | sere |
Okwu mkpokọta: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Emepụtara n'afọ: | 1855 |
Afọ nka: | karịa afọ 160 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 36 x 50 n'ime (91,4 x 127 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Dị n'okpuru: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1963 |
kreditline ọrụ nka: | Rogers Fund, 1963 |
Tebụl metadata omenkà
Aha onye nka: | Severin Roesen |
Aha ndi ozo: | Roesen Severus, Rösen Severin, Severin Roesen, Roesen Severin |
okike nke onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Country: | United States |
Nhazi nke onye nka: | omenkà nke oge a |
Nwụrụ anwụ: | 57 afọ |
A mụrụ: | 1815 |
Amụrụ na (ebe): | Boppard am Rhein, Rhineland Palatinate, Germany |
Afọ ọnwụ: | 1872 |
© Nwebiisinka nke - www.artprinta.com (Artprinta)
Ihe ngosi nka sitere na Museumlọ ihe ngosi nka nke Obodo ukwu (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
Originally a porcelain painter, Roesen came to New York around 1848, possibly as a result of political upheavals in his native Germany. His lavish, highly detailed still-lifes celebrate nature’s bounty while showcasing his technical virtuosity. Such depictions of abundance reflected the increasing availability and variety of fruit in this period, the result of improvements in cultivation and transportation.