Willem Kalf, 1640 - Ndụ ka nwere Ewer, arịa na pọmigranet - mbipụta nka mara mma.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ihe karịrị 380 ihe osise afọ Still Life with Ewer, Vessels and Pomegranate mere site na Baroque onye na-ese ihe Willem Kalf na 1640. Ụdị ihe osise ahụ nwere nha ndị a: 104,5 × 80,6 cm (41 1/8 × 31 3/4 na) and was crafted with oil on canvas. Nowadays, the work of art can be viewed in in the The J. Paul Getty Museum's collection, which is located in Los Angeles, California, Njikota Obodo Amerika. a ngalaba ọha a na-enye ihe osise site n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty.Moreover, the artwork has the following creditline: . On top of that, alignment is portrait and has an aspect ratio of 1: 1.2, which implies that the length is 20% shorter than the width. The painter Willem Kalf was an artist, whose art style can mainly be classified as Baroque. The Baroque artist lived for 74 afọ, amuru na 1619 in Rotterdam, South Holland, Netherlands and passed away in 1693 in Amsterdam, North Holland, Netherlands.

Nye iwu ihe kacha amasị gị

Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, often named a plexiglass print, changes your favorite original work of art into décor. Besides, the acrylic glass art print forms a distinct alternative to dibond and canvas fine art prints. Your favorite work of art will be made with modern UV print technology. The great benefit of a plexiglass fine art copy is that contrasts as well as color details become recognizeable due to the very subtle gradation. Our real glass coating protects your selected art print against light and external influences for several decades.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with an outstanding depth. A direct Direct Print on Aluminum Dibond is your excellent introduction to art prints with aluminum. The white and bright components of the artpiece shimmer with a silk gloss, however without any glare. The colors are luminous in the highest definition, the details of the print appear crisp and clear.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed sheet of canvas with a nice finish on the surface, that reminds the original work of art. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm round about the print motif in order to facilitate the framing with a custom frame.
  • Mbipụta kwaaji: The canvas print is a printed canvas mounted on a wooden stretcher. How can I hang a canvas print on my wall? Canvas prints are relatively low in weight, which implies that it is easy to hang your Canvas print without any wall-mounts. A canvas print is suitable for all types of walls.

Disclaimer: We try our best to depict the art products with as many details as possible and to demonstrate them visually on the product detail pages. Still, the pigments of the printing material, as well as the printing might differ marginally from the image on your device's screen. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version. Bearing in mind that all art prints are processed and printed by hand, there may as well be slight deviations in the exact position and the size of the motif.

Nkọwapụta ngwaahịa

Nkewa edemede: ọrụ mgbidi
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Production: Germany
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: gallery mmeputakwa nka, mkpokọta nka (mmeputakwa)
Nhazi onyonyo: nhazi ihe osise
Oke akụkụ onyonyo: ogologo ruo obosara 1: 1.2
Nkọwa nha onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ akụrụngwa: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị nha ebipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: mbipụta nka na-enweghị isi

Nkọwa nka ahaziri

Akụkụ nka: "Still Life with Ewer, Vessels and Pomegranate"
Nhazi nka: sere
Category: nka ochie
Century: 17th narị afọ
Year: 1640
Afọ nka: ihe karịrị afọ 380
Usoro nka izizi: mmanụ na kwaaji
Nha izizi nka: 104,5 × 80,6 cm (41 1/8 × 31 3/4 na)
Ụlọ ihe ngosi nka: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
E Nwere na: www.getty.edu
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Tebụl metadata omenkà

Aha onye nka: Willem Kalf
A makwaara dịka: W.m Kalf, Kaalf, Golff, Willem Kalff, Vilen G. Kalf, W. Kalf, Calf Willem, Calfe, Wilh. Calf, G. Kalf, Kelf, W. von Calff, W. Calf, Wilhelm Kalf, Kalfe, Kalse, Kalff, Cal ou Kalf, Wilh. Calf., Kalff Willem, G. Calf, Kalf Guillaume, Wilhelmus Kalf, Willhelm Kalf, Half, Kalfe Willem, Kalb, V.G. Kalf, Guillaume Kalfft, Kalf., Kalf, Kalft, Willem Kalf, Calf, Wilhelm Kalff, Calff, Guillaume Kalff, V. G. Kalf, william kalff, Willhelmus Kalf, Guillam Kalf, Calphe, Guillaume Kalf, William Kalf, Kaalf Willem, Kalf Willem, Guill. Kalf, kalf wilhelm, קאלף וילם, W. Kalff
okike onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo onye nka: mba netherland
Nkewa onye nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Nwụrụ na afọ nke: 74 afọ
Afọ ọmụmụ: 1619
Obodo ọmụmụ: Rotterdam, South Holland, Netherlands
Nwụrụ n'afọ: 1693
Obodo ọnwụ: Amsterdam, North Holland, Netherlands

© nwebiisinka site na - www.artprinta.com (Artprinta)

(© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)

Luxury objects, such as the ornate Mannerist ewer, steeple cup, and elegant glass vessels, are carefully arranged on a table in this Dutch still life. An open pomegranate and a bowl of fruit rest on white drapery. To the right, a lemon and three olives are reflected in a silver plate that rests precariously on the table's edge. Behind this, a platter holds a tankard whose elaborate polished surface reflects the adjacent wineglass. Light falls from the left, playing across these precious objects and causing them to glitter and shine.

Willem Kalf delighted in the play and contrast of transparent and reflective surfaces: the finely wrought metal of the ewer, the representation of smooth glass, the weave of the linen drapery, the dry crumbly texture of the bread, and the wet, shiny insides of the open pomegranate. At first glance, this still life implies an absence of human presence. But a closer look reveals just the opposite. The torn bread, half empty glass of wine, sliced fruit, and overturned glass allude to human intervention, as if these lavish delicacies were abruptly left on the table.

Ị nwere ike na-amasị

Anya na nso nso a