Emile-Antoine Bayard, 1879 - Cambronne - mbipụta nka mara mma

Original artwork specifications by the museum (© - by Maison de Victor Hugo - Hauteville House - www.maisonsvictorhugo.paris.fr)

Illustration for an older version of Hugh Victor Hugo's novel "Les Miserables" Part "Cosette" Book I "Waterloo", Chapter XV "Cambronne", the design offers a heroic portrait of General Cambronne corresponding to the text: "The reader French wanting to be respected, the most beautiful word perhaps a French ever said it can not be repeated. Defense to file the sublime in histoire.À our peril, we violate this défense.Donc among all these giants, there was a titan, Cambronne.Dire this word, and then die, what's bigger? for it is to die than to want it, and it's not the fault of this man, so being fired, he survécu.L'homme who won the Battle of Waterloo, Napoleon is not routed, not folding Wellington at four, five desperate, not Blücher who has beaten the point; the man who won the battle of Waterloo is Cambronne.Foudroyer of such a word thunder that kills you, it's vaincre.Faire this response to the disaster, saying that fate, give this basis lion future, discard the reply to the night rain, the traitor Hougomont wall, the hollow road of Ohain, Grouchy delay in the arrival of Blücher, the irony being in the grave, ensure to stay standing after it has fallen, drown in two syllables the European coalition, offering kings those already known latrines Caesars, to the last words first by mixing the glory of France, close Waterloo insolently by Mardi Gras , complete Leonidas Rabelais, summarize this victory in a supreme word unpronounceable, losing the field and keep the story after the carnage have the laugh is immense. "

The work is the model illustration engraved by Gillot (by the method of the ets gillotage he inventor) to the volume of French-speaking Victor Hugo "Les Miserables" in Hugues edition, p. 53.Elle part of the inaugural clash Museum, in the hall of paintings from the first floor.

Ndị na-adịghị mma (V.Hugo)

In 1879 Emile-Antoine Bayard created the modern art masterpiece. The version of the piece of art had the following size: Ogologo: 46,3 cm, obosara: 29,3 cm e were kwa ihe-ọcha tee ya Mmanụ, Canvas (ihe). Ederede ihe osise mbụ bụ nke a: Signature - Bottom right "Emile Bayard". Ugbu a, ihe osise a dị na nchịkọta dijitalụ nke Maison de Victor Hugo - Ụlọ Hauteville. With courtesy of Maison de Victor Hugo - Hauteville House (ọha na eze).Besides, the work of art has the following creditline: . Moreover, alignment is in Eserese usoro ma nwee akụkụ nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara.

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• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, often referred to as a an art print on plexiglass, will transform your favorite original work of art into marvellous home decoration and forms a viable alternative to canvas and dibond art prints. Your work of art is being printed with state-of-the-art UV direct print machines. This creates the image effect of intense, sharp colors. The great advantage of a plexiglass fine art print is that sharp contrasts and also minor painting details will be identifiable with the help of the precise tonal gradation of the print. Our acrylic glass protects your chosen fine art print against light and heat for between 40-60 years.
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