François Nicolas Chifflart, 1868 - Ihe osise - mbipụta nka mara mma

General specifications as provided by the museum's website (© Copyright - Maison de Victor Hugo - Hauteville House - www.maisonsvictorhugo.paris.fr)

Victor Hugo Guernsey, background sky and cloud, is shown leaning on a rock, his head resting on his left hand, the right crept into his waistcoat.

The agenda of Victor Hugo recorded in the February 9, the posing session: "I asked all afternoon for the portrait that made me Mr. Chifflart - he gave me four drawings". It is unlikely that Chifflart has painted a portrait of this format during the stay he made in Guernsey while working in illustration of the novel "Toilers of the Sea". Based on a photograph preserved in the archives of the museum, Pierre Georgel suggests that this version is very different from that which was presented at the Salon of 1868: "507. - Portrait of Victor Hugo" .This version remained in the studio of the artist, the portrait went to his legacy after his death in 1901. It was acquired one year by Paul Meurice. The museum's archives contain a letter from A. Chifflart Paul Meurice dated 28 January 1902 indicating that it has lowered the price of the portrait in 3000 Fr and a receipt of the same, dated October 6, 1902, the sum 1 200 Gb for the purchase of the table. It was presented from the accrcohage the museum, in the second chamber of intimate museum on the third floor.

Hugh, Victor

Eserese (Isiokwu egosiri)

Nchịkọta ihe osise akpọrọ aha sere

Ihe karịrị 150 afọ nka nka sere was painted by the master François Nicolas Chifflart in the year 1868. The masterpiece nwere ndị a size: Ogologo: 115 cm, obosara: 99,8 cm. Mmanụ, Canvas (ihe) e ji onye na-ese ihe mee ihe dị ka ihe eji eme ihe. Signature - Bottom right "F.C." is the painting's inscription. This piece of art can be viewed in in the art collection of Maison de Victor Hugo - Ụlọ Hauteville. Obi dị anyị ụtọ ịkpọ nke a ngalaba ọha A na-etinye ihe osise na nkwanye ùgwù nke Maison de Victor Hugo - Ụlọ Hauteville.The creditline of the artpiece is the following: . The alignment is in portrait format na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Ngwa ngwaahịa ndị ahịa anyị nwere ike ịhọrọ

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Bipụta na iko acrylic na-egbuke egbuke: The print on acrylic glass, which is often described as a UV print on plexiglass, will transform an original work of art into home décor. Your work of art is being printed thanks to state-of-the-art UV printing machines.
• Mbipụta kwaaji: A printed canvas mounted on a wood stretcher frame. The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without additional wall-mounts. A canvas print is suitable for any type of wall.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print with an impressive depth effect. For the Direct Aluminium Dibond option, we print the chosen artwork right onto the aluminium surface. The bright and white parts of the work of art shimmer with a silk gloss, however without the glow. Colors are vivid and luminous in the highest definition, the fine details of the print appear clear and crisp.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed cotton canvas with a slightly rough surface finish. The print poster is used for putting the fine art print using a special frame. Please note, that depending on the size of the poster we add a white margin of around 2-6cm round about the painting in order to facilitate the framing with your custom frame.

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Nkwupụta iwu: We try whatever we can in order to describe our products with as many details as possible and to illustrate them visually in our shop. At the same time, the pigments of the print materials, as well as the printing might diverge somehwat from the image on the monitor. Depending on your screen settings and the nature of the surface, color pigments might not be printed 100% realistically. Given that all the are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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