Cornelis Troost, 1738 - Harlequin, Magician na Barber: Ndị Rivals ekpughere - mbipụta nka mara mma.

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Ihe karịrị 280 onye na-ese ihe mere afọ ọrụ nka Cornelis Troost. Ihe osise ahụ tụrụ nha elu: 62 cm obosara: 50 cm | elu: 24,4 n'obosara: 19,7 inch. Pastel, gouache on paper was used by the European painter as the medium of the work of art. The painting has the following text as inscrption: signed and dated: C. Troost / 1738inscription: Chirurgijn / a La / mode. E wezụga, artwork gụnyere na dijitalụ collection nke Maurithuis. The nka ochie ngalaba ọha masterpiece na-gụnyere na n'ikike nke Maurithuis, Hague. Additionally, the artpiece has the creditline: Jan Jacob de Bruyn, Amsterdam (not in his sale, Amsterdam, 12 September 1798); Jan Isaak de Neufville Brants (1768-1807), Amsterdam; his son, Jan Isaak de Neufville Brants (1800-1828); his sale, Amsterdam, 28 March 1829 (Lugt 11974), no. 9 (for 100 guilders [together with inv. no. 185] to Jeronimo de Vries for the Mauritshuis, together with inv. nos. 179-182, 184-185, 191-193); purchased, 1829; on long-term loan to the J. Paul Getty Museum, Los Angeles (inv. no. L.2002.63.2), since 2002. Further, the alignment of the digital reproduction is portrait with an image ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The actor, painter Cornelis Troost was a European artist, whose style can mainly be assigned to Baroque. The Baroque artist was born in 1696 ma gafee na afọ nke 54 n'afọ 1750.

Ihe ngosi nka nke Mauritshuis (© Nwebiisinka - Mauritshuis - Maurithuis)

Jan Jacob de Bruyn, Amsterdam (not in his sale, Amsterdam, 12 September 1798); Jan Isaak de Neufville Brants (1768-1807), Amsterdam; his son, Jan Isaak de Neufville Brants (1800-1828); his sale, Amsterdam, 28 March 1829 (Lugt 11974), no. 9 (for 100 guilders [together with inv. no. 185] to Jeronimo de Vries for the Mauritshuis, together with inv. nos. 179-182, 184-185, 191-193); purchased, 1829; on long-term loan to the J. Paul Getty Museum, Los Angeles (inv. no. L.2002.63.2), since 2002

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In the product dropdown lists you can select the material and sizeaccording to your preferences. The following sizes and materials are the options we offer you for individualization:

• Ugogbe acrylic ebipụtara: The print on acrylic glass, which is often described as a fine art print on plexiglass, transforms your favorite artwork into beautiful décor. The major benefit of an acrylic glass print is that contrasts and also painting details will be more recognizeable because of the precise tonal gradation. Our real glass coating protects your chosen art print against light and external influences for between 40-60 years.
• Kwaaji: The canvas print, which should not be mistaken with a canvas painting, is a digital copy printed directly on cotton canvas fabric. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without additional wall-mounts. A canvas print is suitable for any kind of wall.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster is a printed sheet of canvas with a granular surface structure. Please note, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the artwork to facilitate the framing with your custom frame.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive depth effect. For our Aluminium Dibond option, we print your favorite artpiece right onto the surface of the aluminum material. The white & bright components of the artpiece shine with a silk gloss but without glare. Colors are vivid and luminous in the highest definition, fine details appear very clear, and the print has a a matte look you can literally feel.

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Disclaimer: We try our best in order to describe our products with as many details as possible and to demonstrate them visually. Nonetheless, the tone of the printed materials and the print result might differ to a certain extent from the representation on your screen. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as realistically as the digital version depicted here. In view of the fact that all the art reproductions are printed and processed manually, there might also be slight deviations in the size and exact position of the motif.

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