Dirck van der Lisse, 1650 - Nymph ịchụ nta, ụra - ọmarịcha akwụkwọ nka.

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A Hunting Nymph, Asleep onye na-ese ihe mere ya Dick van der Lisse. Ihe gafere 370 a na-ese ihe ochie na nha: elu: 44 cm obosara: 51,8 cm | elu: 17,3 n'obosara: 20,4 inch. Mmanụ na panel was used by the Dutch artist as the technique for the masterpiece. Besides, the artpiece can be viewed in in the Ndị Maurithuis mkpokọta. Site n'ikike nke: Maurithuis, Hague (public domain). Additionally, the artpiece has the creditline: Possibly the estate of the painter; sale Düsseldorf, Pongs, 23-25 March 1939, lot 19, offered for sale by ‘G’; Schwarzenraben Collection (Freiherren van Ketteler-Harkotten), Westphalia, 1939; sale Vienna, Dorotheum, 6 October 1942, lot 75; private collection, Capetown; sale London, Sotheby’s, 3 December 1969, lot 25 (for 1300 pounds to Butôt); F.C. Butôt and heirs, Sankt Gilgen, 1969-1993; gift of Mrs M.A. Stubbé-Butôt from the estate of F.C. Butôt, 1993. The alignment of the digital reproduction is in odida obodo usoro na oke nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Dirck van der Lisse was a politician, painter, whose art style can primarily be attributed to Baroque. The Dutch painter lived for a total of 64 afọ A mụrụ ya n'afọ 1605 wee nwụọ na 1669.

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N'ime ndetu ndetu dị n'akụkụ ngwaahịa a, ị nwere ike họrọ nha na ihe dị ka mmasị gị onwe gị si dị. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding effect of depth - for a modern impression and a non-reflective surface. A direct Direct Print on Aluminum Dibond is your ideal introduction to prints with aluminum. The bright and white parts of the work of art shine with a silky gloss, however without glow. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly contemporary way to display art prints, as it puts all of the viewer’s attention on the whole artwork.
• Mbipụta enyo acrylic: An print on acrylic glass, which is often named as a an art print on plexiglass, will transform the original into wonderful wall décor. Your favorite artwork will be printed with the help of modern UV direct print machines.
• Poster (akwa akwa akwa): Our poster print is a printed cotton canvas with a slight surface finish. Please note, that depending on the absolute size of the poster we add a white margin between 2-6 cm around the painting, which facilitates the framing.
• Kwaaji: The printed canvas, which should not be mistaken with a painting on a canvas, is a digital copy printed from a UV direct printer. Hanging your canvas print: A canvas print has the advantage of being low in weight, which means that it is easy to hang up your Canvas print without the help of any wall-mounts. A canvas print is suited for all types of walls.

Important information: We try our utmost to depict our products as accurately as possible and to demonstrate them visually on the different product detail pages. However, some pigments of the print products, as well as the printing may diverge to a certain extent from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors will be printed one hundret percent realistically. In view of the fact that the fine art prints are processed and printed manually, there might also be minor variations in the motif's exact position and the size.

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What does the Mauritshuis state about the 17th century work of art created by Dirck van der Lisse? (© Copyright - by Mauritshuis - Maurithuis)

Possibly the estate of the painter; sale Düsseldorf, Pongs, 23-25 March 1939, lot 19, offered for sale by ‘G’; Schwarzenraben Collection (Freiherren van Ketteler-Harkotten), Westphalia, 1939; sale Vienna, Dorotheum, 6 October 1942, lot 75; private collection, Capetown; sale London, Sotheby’s, 3 December 1969, lot 25 (for 1300 pounds to Butôt); F.C. Butôt and heirs, Sankt Gilgen, 1969-1993; gift of Mrs M.A. Stubbé-Butôt from the estate of F.C. Butôt, 1993