Jacob Ochtervelt, 1663 - Onye na-azụ azụ n'ọnụ ụzọ - mbipụta nka mara mma

Họrọ ihe gị

Maka akwụkwọ nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a UV printed canvas with a granular surface finish. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing.
• Mbipụta kanvas: A UV printed canvas material mounted on a wooden frame. It produces a plastic effect of three-dimensionality. A printed canvas produces a familiar and positive feeling. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without additional wall-mounts. A canvas print is suitable for all kinds of walls.
• Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on alu dibond material with an outstanding depth. The bright and white sections of the artwork shine with a silky gloss, however without glow. The colors of the print are bright and luminous in the highest definition, fine details of the print are clear and crisp. This print on Aluminum Dibond is the most popular entry-level product and is a contemporary way to display fine art prints, as it draws attention on the image.
• Bipụta na iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, often described as a UV print on plexiglass, will change the original into gorgeous décor and forms a viable alternative to canvas and aluminidum dibond prints. The work of art is being made with state-of-the-art UV direct printing machines. The acrylic glass protects your selected art print against sunlight and heat for many years to come.

Ozi dị mkpa: We do all that we can to depict our art products as clearly as possible and to exhibit them visually in our shop. At the same time, the pigments of the printed materials and the printing may vary marginally from the representation on the device's screen. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version shown here. Since all our art reproductions are printed and processed by hand, there might as well be minor differences in the motif's size and exact position.

Nkọwa n'ozuzu dị ka enyere site na ụlọ ngosi nka (© Nwebiisinka - Mauritshuis - www.mauritshuis.nl)

Simon Stinstra, Harlingen, until 1782; his sale, Amsterdam, 26 March 1783 (Lugt 3535), no. 191 (to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1783; Gerrit van der Pals, Rotterdam; his sale, Rotterdam, 30 August 1824 (Lugt 10723), no. 39 (for 875 guilders to Van den Bergh); A.B. Roothaan et al. sale, Amsterdam, 29 March 1826 (Lugt 11115), no. 109 (for 1,109 guilders to Jeronimo de Vries); Eiser Gallery, Amsterdam; purchased, 1826; exhibited at the Prince William V Gallery, The Hague, since 2010

Nkọwapụta ngwaahịa

The 17th century piece of art was made by Jacob Ochtervelt in 1663. Ihe gafere 350 e ji nha ya see ụdị mbụ dị afọ afọ: elu: 55 cm obosara: 44 cm | elu: 21,7 n'obosara: 17,3 inch. Oil on canvas on panel was applied by the Dutch painter as the technique for the artwork. Signed and dated: J. Ochtervelt.f: / 1663 was the artpiece's inscription. This artpiece forms part of the Mauritshuis's art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of: Maurithuis, Hague (ikike - ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Simon Stinstra, Harlingen, until 1782; his sale, Amsterdam, 26 March 1783 (Lugt 3535), no. 191 (to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1783; Gerrit van der Pals, Rotterdam; his sale, Rotterdam, 30 August 1824 (Lugt 10723), no. 39 (for 875 guilders to Van den Bergh); A.B. Roothaan et al. sale, Amsterdam, 29 March 1826 (Lugt 11115), no. 109 (for 1,109 guilders to Jeronimo de Vries); Eiser Gallery, Amsterdam; purchased, 1826; exhibited at the Prince William V Gallery, The Hague, since 2010. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ ihe osise ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Jacob Ochtervelt was a painter, whose art style was primarily Baroque. The Dutch artist lived for 48 years - born in the year 1634 ma nwụọ na 1682 na Amsterdam, North Holland, Netherlands.

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