Jan Steen, 1651 - The Tooth-Puller - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ihe nka "The Tooth-Puller"esere ya Jan Steen dika nka nka nke gi
The more than 360 year-old artwork was painted by the Dutch artist Jan Steen na 1651. The mbụ tụrụ nha: elu: 32,5 cm obosara: 26 cm | elu: 12,8 n'obosara: 10,2 inch and was manufactured with the techinque oil on canvas. Dated: 1651 was the artwork's inscription. The artpiece is in the the digital collection of Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of: Mauritshuis, The Hague (public domain license). : Bernard Wannaar; Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 252 (for 160 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese format ya na oke onyonyo nke 1: 1.2, meaning that the length is 20% shorter than the width. Jan Steen was a painter of Dutch nationality, whose artistic style can be attributed mainly to Baroque. The Dutch painter was born in the year 1626 na Alkmaar, North Holland, Netherlands na nwụrụ anwụ mgbe ọ dị afọ 53 na 1679 na Alkmaar, North Holland, Netherlands.
(© Nwebiisinka - Mauritshuis - Maurithuis)
Bernard Wannaar; Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 252 (for 160 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822
Nkọwapụta nka
Aha nka nka: | "The Tooth-Puller" |
Nhazi nka: | sere |
Nhazi nka: | nka ochie |
Time: | 17th narị afọ |
Emepụtara na: | 1651 |
Afọ nka: | karịa afọ 360 |
Ihe osise izizi: | mmanụ na kwaaji |
Nha izizi: | elu: 32,5 cm obosara: 26 cm |
Ederede ihe osise izizi: | ụbọchị: 1651 |
Egosiputara na: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
Ibe weebụ: | www.mauritshuis.nl |
License: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
Ebe E Si Nweta: | Bernard Wannaar; Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 252 (for 160 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822 |
Ozi izugbe na onye na-ese ihe
Ihe nkiri: | Jan Steen |
Aha nka ndị ọzọ: | Jan Steen de Alkmaarsche, Steen Jan, Jan Steen de Alkmaarsche, Steen Jan 'de Alkmaarsche, Jan Steen |
Gender: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Mba onye si: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Akwụsị: | 53 afọ |
Afọ ọmụmụ: | 1626 |
Ebe amụrụ onye: | Alkmaar, North Holland, Netherlands |
Afọ ọnwụ: | 1679 |
Nwuru na (ebe): | Alkmaar, North Holland, Netherlands |
Nhọrọ akụrụngwa ngwaahịa
For every fine art print we offer different materials and sizes. Pick your favorite size and material between the subsequent preferences:
- Poster (akwa akwa akwa): The poster is a printed flat canvas with a slightly roughened surface finish. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm round about the painting to facilitate the framing with a custom frame.
- Kwaaji: A canvas print is a printed canvas mounted on a wood frame. A canvas generates the plastic look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an impressive depth - for a modern look and a non-reflective surface. A direct Direct Print on Aluminum Dibond is your perfect introduction to the sophisticated world of art reproductions with aluminum. The white & bright sections of the original work of art shimmer with a silk gloss, however without glow. The colors of the print are bright and luminous, the fine details of the print appear crisp.
- Mbipụta enyo acrylic: An print on acrylic glass, often denoted as a print on plexiglass, will convert the original into great home décor. In addition to that, it makes a distinct alternative option to canvas or dibond prints. The artwork will be printed with modern UV printing technology. The acrylic glass protects your selected art replica against light and heat for many decades.
Ozi ederede ahaziri
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Nlụpụta: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | mgbidi mma, art ebipụta gallery |
Ndozi onyonyo a: | nhazi ihe osise |
Ụdị anya: | 1: 1.2 - ( Ogologo: obosara) |
Mmetụta akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | adịghị |
Ozi dị mkpa: We try everything to depict our products as closely as we can and to exhibit them visually on the different product detail pages. Although, the colors of the printed materials and the imprint can vary to a certain extent from the presentation on your device's screen. Depending on the screen settings and the nature of the surface, not all colors will be printed one hundret percent realistically. Since all the fine art prints are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.
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