Jan Steen, 1651 - The Tooth-Puller - ọmarịcha nka

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ihe nka "The Tooth-Puller"esere ya Jan Steen dika nka nka nke gi

The more than 360 year-old artwork was painted by the Dutch artist Jan Steen na 1651. The mbụ tụrụ nha: elu: 32,5 cm obosara: 26 cm | elu: 12,8 n'obosara: 10,2 inch and was manufactured with the techinque oil on canvas. Dated: 1651 was the artwork's inscription. The artpiece is in the the digital collection of Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of: Mauritshuis, The Hague (public domain license). : Bernard Wannaar; Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 252 (for 160 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese format ya na oke onyonyo nke 1: 1.2, meaning that the length is 20% shorter than the width. Jan Steen was a painter of Dutch nationality, whose artistic style can be attributed mainly to Baroque. The Dutch painter was born in the year 1626 na Alkmaar, North Holland, Netherlands na nwụrụ anwụ mgbe ọ dị afọ 53 na 1679 na Alkmaar, North Holland, Netherlands.

(© Nwebiisinka - Mauritshuis - Maurithuis)

Bernard Wannaar; Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 252 (for 160 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

Nkọwapụta nka

Aha nka nka: "The Tooth-Puller"
Nhazi nka: sere
Nhazi nka: nka ochie
Time: 17th narị afọ
Emepụtara na: 1651
Afọ nka: karịa afọ 360
Ihe osise izizi: mmanụ na kwaaji
Nha izizi: elu: 32,5 cm obosara: 26 cm
Ederede ihe osise izizi: ụbọchị: 1651
Egosiputara na: Maurithuis
Ebe ngosi nka: Hague, South Holland, Netherlands
Ibe weebụ: www.mauritshuis.nl
License: ngalaba ọha
Site n'aka: Maurithuis, Hague
Ebe E Si Nweta: Bernard Wannaar; Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 252 (for 160 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

Ozi izugbe na onye na-ese ihe

Ihe nkiri: Jan Steen
Aha nka ndị ọzọ: Jan Steen de Alkmaarsche, Steen Jan, Jan Steen de Alkmaarsche, Steen Jan 'de Alkmaarsche, Jan Steen
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Mba onye si: mba netherland
Otu nka: nna ukwu ochie
Ụdị nka: Baroque
Akwụsị: 53 afọ
Afọ ọmụmụ: 1626
Ebe amụrụ onye: Alkmaar, North Holland, Netherlands
Afọ ọnwụ: 1679
Nwuru na (ebe): Alkmaar, North Holland, Netherlands

Nhọrọ akụrụngwa ngwaahịa

For every fine art print we offer different materials and sizes. Pick your favorite size and material between the subsequent preferences:

  • Poster (akwa akwa akwa): The poster is a printed flat canvas with a slightly roughened surface finish. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm round about the painting to facilitate the framing with a custom frame.
  • Kwaaji: A canvas print is a printed canvas mounted on a wood frame. A canvas generates the plastic look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an impressive depth - for a modern look and a non-reflective surface. A direct Direct Print on Aluminum Dibond is your perfect introduction to the sophisticated world of art reproductions with aluminum. The white & bright sections of the original work of art shimmer with a silk gloss, however without glow. The colors of the print are bright and luminous, the fine details of the print appear crisp.
  • Mbipụta enyo acrylic: An print on acrylic glass, often denoted as a print on plexiglass, will convert the original into great home décor. In addition to that, it makes a distinct alternative option to canvas or dibond prints. The artwork will be printed with modern UV printing technology. The acrylic glass protects your selected art replica against light and heat for many decades.

Ozi ederede ahaziri

Nkewa ngwaahịa: ọrụ mgbidi
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Nlụpụta: German mmepụta
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: mgbidi mma, art ebipụta gallery
Ndozi onyonyo a: nhazi ihe osise
Ụdị anya: 1: 1.2 - ( Ogologo: obosara)
Mmetụta akụkụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: adịghị

Ozi dị mkpa: We try everything to depict our products as closely as we can and to exhibit them visually on the different product detail pages. Although, the colors of the printed materials and the imprint can vary to a certain extent from the presentation on your device's screen. Depending on the screen settings and the nature of the surface, not all colors will be printed one hundret percent realistically. Since all the fine art prints are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.

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