Jan Steen, 1662 - Nwanyị na-egwu Cittern - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nkowa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Mauritshuis - Maurithuis)
Dutch private collection; G. Smith et al. sale, London, 10 April 1880 (Lugt 40066), no. 94 (110 guilders); J.P. Heseltine, London; Frits Lugt, Maartensdijk, 1919; E.G. Verkade, Delft; H.J. Verkade-Van Gelder, The Hague, May 1928 (on loan to the Mauritshuis, since 1919); purchased with the aid of private individuals, 1928
Edemede nka mara mma nkeonwe gị
a nka ochie nwoke na-ese ihe osise Dutch artist Jan Steen. The original version measures the size: elu: 31 cm obosara: 27,5 cm | elu: 12,2 n'obosara: 10,8 inch. Mmanụ na panel was applied by the European artist as the medium of the artwork. The original painting has the following inscription: "signed: JSteen". The artwork belongs to the art collection of Maurithuis, nke Mauritshuis bụ ebe obibi nke ihe osise kacha mma nke ihe osise Dutch nke narị afọ nke iri na asaa. Nke a ngalaba ọha a na-enye ihe osise site n'ikike nke Maurithuis, Hague. The creditline of the artpiece is the following: Dutch private collection; G. Smith et al. sale, London, 10 April 1880 (Lugt 40066), no. 94 (110 guilders); J.P. Heseltine, London; Frits Lugt, Maartensdijk, 1919; E.G. Verkade, Delft; H.J. Verkade-Van Gelder, The Hague, May 1928 (on loan to the Mauritshuis, since 1919); purchased with the aid of private individuals, 1928. In addition to this, the alignment is Eserese ma nwee oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Jan Steen was a painter, whose artistic style can be attributed primarily to Baroque. The European painter lived for 53 afọ - a mụrụ n'afọ 1626 in Alkmaar, North Holland, Netherlands and passed away in the year 1679 in Alkmaar, North Holland, Netherlands.
Họrọ nhọrọ ihe
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang your Canvas print without additional wall-mounts. A canvas print is suitable for any type of wall.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an outstanding depth effect, which creates a fashionable look throuch a non-reflective surface. The Direct Print on Aluminum Dibond is the best introduction to fine prints produced on aluminum. For your Print On Aluminum Dibond, we print the chosen artpiece onto the surface of the aluminum. The colors of the print are luminous in the highest definition, the details of the print are crisp.
- Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often referenced as a an art print on plexiglass, changes your favorite original into marvellous décor. Your favorite work of art is being printed with the help of state-of-the-art UV print machines. With an acrylic glass art print contrasts and image details become identifiable thanks to the granular gradation in the print.
- Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a UV printed sheet of canvas with a granular finish on the surface. A printed poster is perfectly designed for putting your art replica with a custom-made frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6 cm round about the painting in order to facilitate the framing.
Ozi izugbe gbasara onye na-ese ihe
Aha onye nka: | Jan Steen |
Aha utu aha: | Jan Steen de Alkmaarsche, Steen Jan 'de Alkmaarsche, Jan Steen de Alkmaarsche, Jan Steen, Steen Jan |
okike nke onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Afọ ọnwụ: | 53 afọ |
A mụrụ: | 1626 |
Ebe amụrụ onye: | Alkmaar, North Holland, Netherlands |
Afọ ọnwụ: | 1679 |
Nwuru na (ebe): | Alkmaar, North Holland, Netherlands |
Ozi ndabere nka
Aha nka nka: | "Woman Playing the Cittern" |
Nhazi nka nka: | sere |
Nhazi nka: | nka ochie |
Nhazi oge: | 17th narị afọ |
Year: | 1662 |
Ogologo afọ nka nka: | karịa afọ 350 |
Agba na: | mmanụ na panel |
Nha izizi: | elu: 31 cm obosara: 27,5 cm |
Akara aka na nka nka: | signed: JSteen |
Egosiputara na: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
Weebụsaịtị ihe ngosi nka: | Maurithuis |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
kreditline ọrụ nka: | Dutch private collection; G. Smith et al. sale, London, 10 April 1880 (Lugt 40066), no. 94 (110 guilders); J.P. Heseltine, London; Frits Lugt, Maartensdijk, 1919; E.G. Verkade, Delft; H.J. Verkade-Van Gelder, The Hague, May 1928 (on loan to the Mauritshuis, since 1919); purchased with the aid of private individuals, 1928 |
Banyere ihe a
Bipụta ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | emere na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | ihe ndozi mgbidi, nka mgbidi |
Nhazi nka nka: | usoro eserese |
Ụdị anya: | 1:1.2- ogologo: obosara |
Nsonaazụ nke oke onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi nke nka nka: | biko chere na ngwaahịa a enweghị etiti |
Nkwupụta iwu: We do what we can in order to depict the products as accurately as possible and to display them visually. At the same time, the colors of the printed materials, as well as the imprint might vary to a certain extent from the representation on your device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Because all our art reproductions are printed and processed manually, there may as well be minor variations in the motif's size and exact position.
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