Jan Steen, 1662 - Nwanyị na-egwu Cittern - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi nkowa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Mauritshuis - Maurithuis)

Dutch private collection; G. Smith et al. sale, London, 10 April 1880 (Lugt 40066), no. 94 (110 guilders); J.P. Heseltine, London; Frits Lugt, Maartensdijk, 1919; E.G. Verkade, Delft; H.J. Verkade-Van Gelder, The Hague, May 1928 (on loan to the Mauritshuis, since 1919); purchased with the aid of private individuals, 1928

Edemede nka mara mma nkeonwe gị

a nka ochie nwoke na-ese ihe osise Dutch artist Jan Steen. The original version measures the size: elu: 31 cm obosara: 27,5 cm | elu: 12,2 n'obosara: 10,8 inch. Mmanụ na panel was applied by the European artist as the medium of the artwork. The original painting has the following inscription: "signed: JSteen". The artwork belongs to the art collection of Maurithuis, nke Mauritshuis bụ ebe obibi nke ihe osise kacha mma nke ihe osise Dutch nke narị afọ nke iri na asaa. Nke a ngalaba ọha a na-enye ihe osise site n'ikike nke Maurithuis, Hague. The creditline of the artpiece is the following: Dutch private collection; G. Smith et al. sale, London, 10 April 1880 (Lugt 40066), no. 94 (110 guilders); J.P. Heseltine, London; Frits Lugt, Maartensdijk, 1919; E.G. Verkade, Delft; H.J. Verkade-Van Gelder, The Hague, May 1928 (on loan to the Mauritshuis, since 1919); purchased with the aid of private individuals, 1928. In addition to this, the alignment is Eserese ma nwee oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Jan Steen was a painter, whose artistic style can be attributed primarily to Baroque. The European painter lived for 53 afọ - a mụrụ n'afọ 1626 in Alkmaar, North Holland, Netherlands and passed away in the year 1679 in Alkmaar, North Holland, Netherlands.

Họrọ nhọrọ ihe

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

  • Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang your Canvas print without additional wall-mounts. A canvas print is suitable for any type of wall.
  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an outstanding depth effect, which creates a fashionable look throuch a non-reflective surface. The Direct Print on Aluminum Dibond is the best introduction to fine prints produced on aluminum. For your Print On Aluminum Dibond, we print the chosen artpiece onto the surface of the aluminum. The colors of the print are luminous in the highest definition, the details of the print are crisp.
  • Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often referenced as a an art print on plexiglass, changes your favorite original into marvellous décor. Your favorite work of art is being printed with the help of state-of-the-art UV print machines. With an acrylic glass art print contrasts and image details become identifiable thanks to the granular gradation in the print.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a UV printed sheet of canvas with a granular finish on the surface. A printed poster is perfectly designed for putting your art replica with a custom-made frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6 cm round about the painting in order to facilitate the framing.

Ozi izugbe gbasara onye na-ese ihe

Aha onye nka: Jan Steen
Aha utu aha: Jan Steen de Alkmaarsche, Steen Jan 'de Alkmaarsche, Jan Steen de Alkmaarsche, Jan Steen, Steen Jan
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Afọ ọnwụ: 53 afọ
A mụrụ: 1626
Ebe amụrụ onye: Alkmaar, North Holland, Netherlands
Afọ ọnwụ: 1679
Nwuru na (ebe): Alkmaar, North Holland, Netherlands

Ozi ndabere nka

Aha nka nka: "Woman Playing the Cittern"
Nhazi nka nka: sere
Nhazi nka: nka ochie
Nhazi oge: 17th narị afọ
Year: 1662
Ogologo afọ nka nka: karịa afọ 350
Agba na: mmanụ na panel
Nha izizi: elu: 31 cm obosara: 27,5 cm
Akara aka na nka nka: signed: JSteen
Egosiputara na: Maurithuis
Ebe ngosi nka: Hague, South Holland, Netherlands
Weebụsaịtị ihe ngosi nka: Maurithuis
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Maurithuis, Hague
kreditline ọrụ nka: Dutch private collection; G. Smith et al. sale, London, 10 April 1880 (Lugt 40066), no. 94 (110 guilders); J.P. Heseltine, London; Frits Lugt, Maartensdijk, 1919; E.G. Verkade, Delft; H.J. Verkade-Van Gelder, The Hague, May 1928 (on loan to the Mauritshuis, since 1919); purchased with the aid of private individuals, 1928

Banyere ihe a

Bipụta ngwaahịa: ezi nka mmeputakwa
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Production usoro: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: emere na Germany
Ụdị ngwaahịa: a na-achọ
Ngwaahịa were: ihe ndozi mgbidi, nka mgbidi
Nhazi nka nka: usoro eserese
Ụdị anya: 1:1.2- ogologo: obosara
Nsonaazụ nke oke onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Ihe mmeputakwa dị: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nka nka: biko chere na ngwaahịa a enweghị etiti

Nkwupụta iwu: We do what we can in order to depict the products as accurately as possible and to display them visually. At the same time, the colors of the printed materials, as well as the imprint might vary to a certain extent from the representation on your device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Because all our art reproductions are printed and processed manually, there may as well be minor variations in the motif's size and exact position.

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