Hendrick Heerschop, 1668 - Gaa na Dọkịta - mbipụta nka mara mma

Ozi zuru ezu gbasara ngwaahịa a

The 17th narị afọ onye nwe ya sere ibe nka Hendrick Heerschop. Ihe osise ahụ nwere nha: elu: 53 cm obosara: 43,5 cm | elu: 20,9 n'obosara: 17,1 inch. Oil on panel was used by the artist as the medium of the piece of art. The masterpiece has the following inscription: signed and dated: HEERSCHOP. / 1668. Taa, ihe osise a bụ akụkụ nke Ndị Maurithuis nchịkọta, nke Mauritshuis bụ ebe obibi nke ihe osise kacha mma nke ihe osise Dutch nke narị afọ nke iri na asaa. Nke nka ochie a na-enye ọrụ nka, nke bụ nke ọha na eze site n'ikike nke Maurithuis, Hague. Ihe kredit nke ọrụ nka bụ: Sale Amsterdam, 19 January 1778 (Lugt 2773), no. 27 (with pendant, for 50 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam; sale Berlin (Lepke), 6 March 1928, no. 20; sale Berlin (Lepke), 29 October 1929, no. 91 (to Svenonius); Birger Svenonius, Stockholm, 1929-1930; sale Berlin (Wertheim), 30 April 1930, no. 29 (unsold); gift of Birger Svenonius, 1930. Nhazi nke mmepụta dijitalụ dị na Eserese format ma nwee oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Additional specifications from Mauritshuis (© - by Mauritshuis - www.mauritshuis.nl)

Sale Amsterdam, 19 January 1778 (Lugt 2773), no. 27 (with pendant, for 50 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam; sale Berlin (Lepke), 6 March 1928, no. 20; sale Berlin (Lepke), 29 October 1929, no. 91 (to Svenonius); Birger Svenonius, Stockholm, 1929-1930; sale Berlin (Wertheim), 30 April 1930, no. 29 (unsold); gift of Birger Svenonius, 1930

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Ozi omenkà Contextal

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Na dropdown nhọrọ ziri ezi na-esote isiokwu ị nwere ike họrọ ọkacha mmasị gị size na ihe onwunwe. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an outstanding depth. Its non-reflective surface make a modern impression. The white and bright parts of the original artwork shimmer with a silky gloss, however without the glare.
• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): The print on acrylic glass, often referred to as a an art print on plexiglass, changes your favorite original into great wall décor. With an acrylic glass fine art print sharp contrasts and smaller artwork details become recognizeable with the help of the granular tonal gradation. Our plexiglass protects your selected art replica against light and heat for decades.
• Mbipụta kanvas: The printed canvas applied on a wooden stretcher frame. It generates a extra effect of three dimensionality. What is more, printed canvas creates a familiar, comfy ambience. Your printed canvas of your favorite artwork will allow you to transform your personal into a large size collection piece as you would see in a gallery. Canvas Prints have the advantage of being low in weight, which means that it is quite simple to hang up the Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for all types of walls.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster is a printed flat cotton canvas with a fine texture on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with your custom frame.

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Ederede iwu dị mkpa: We try what we can to depict the products as closely as possible and to demonstrate them visually. At the same time, the tone of the printing material, as well as the print result might differ to a certain extent from the image on the device's monitor. Depending on the settings of your screen and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version. Since all our art prints are printed and processed manually, there may also be slight differences in the exact position and the size of the motif.

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