Thomas de Keyser, 1626 - Eserese Loef Vredericx (1590-1668) dị ka ihe nrịbama - mbipụta nka mara mma.

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Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ akụrụngwa na nha masịrị gị. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive depth effect, which creates a contemporary look with a non-reflective surface structure. For your Print On Aluminum Dibond, we print your selected artwork right onto the aluminium white-primed surface.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a slightly rough surface structure. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the painting in order to facilitate the framing with a custom frame.
• Mbipụta kwaaji: A printed canvas applied on a wooden stretcher frame. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy to hang the Canvas print without extra wall-mounts. Because of thata canvas print is suitable for any type of wall in your home.
• Ugogbe acrylic ebipụtara: The print on acrylic glass, often named a plexiglass print, changes your favorite original into beautiful décor and offers a viable alternative to dibond or canvas art prints. Your favorite artwork is being printed with modern UV print machines. Our acrylic glass protects your custom art print against light and heat for between four and 6 decades.

Nkwupụta iwu: We try our utmost to describe the art products as exact as possible and to exhibit them visually on the different product detail pages. Please keep in mind that the pigments of the printed materials, as well as the print result may vary marginally from the representation on your device's monitor. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed 100% realistically. Considering that all art reproductions are processed and printed by hand, there may also be slight discrepancies in the size and exact position of the motif.

Additional information from Mauritshuis (© Copyright - by Mauritshuis - Maurithuis)

Loef Vredericx, Amsterdam and Utrecht, 1626-1668; Tsar Paul I, Gatschina Palace, near St Petersburg, before 1924; Hirschmann Gallery, Berlin, before 1930; Van Diemen Gallery, Amsterdam, 1930-1931; purchased with the support of the Rembrandt Association and private individuals, 1931

Nchịkọta nke oyiri

N’afọ 1626 Thomas de Keyser created this baroque work of art. The original had the size: height: 92,5 cm width: 69 cm | height: 36,4 in width: 27,2 in. Mmanụ na panel was applied by the European artist as the technique for the masterpiece. The original artwork's inscription is the following: signed and dated: ANNO TDK 1626inscription: PR[O] [P]A[TRIA]inscription and dated: LOEF, VREDERICX, SOON, VAN V, I. / IST GEWORDEN ANº 1626. .15. AVGVSTI. N'oge a, ọrụ nka a bụ akụkụ nke Ndị Maurithuis digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are glad to state that this ngalaba ọha artwork na-nyere na n'ikike nke Maurithuis, Hague. Na mgbakwunye, ọrụ nka nwere akara kredit: Loef Vredericx, Amsterdam and Utrecht, 1626-1668; Tsar Paul I, Gatschina Palace, near St Petersburg, before 1924; Hirschmann Gallery, Berlin, before 1930; Van Diemen Gallery, Amsterdam, 1930-1931; purchased with the support of the Rembrandt Association and private individuals, 1931. Nhazi ahụ bụ Eserese with a side ratio of 3 : 4, which means that the length is 25% shorter than the width. Thomas de Keyser was a architect, painter from the Netherlands, whose artistic style can mainly be assigned to Baroque. The European painter lived for 71 afọ - amuru n'ime 1596 ma nwụọ n’afọ 1667.

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