Lovis Kọrint, 1924 - Herbert Eulenberg - ọmarịcha nka

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Herbert Eulenberg was alive one of the most important German dramatist and writer. His pacifist attitude was transformed by the experience of World War I in an open anti-militarism, which would certainly be almost become him under the Nazi regime's undoing, he would have been in the Düsseldorf bourgeoisie and the German artistic circles not as well integrated. His portrait lives primarily from the intense gaze of the sitter, which is to escape almost impossible. This look, the narrow mouth and the book collected come to represent an intensive survey, urging them to take a stand and to examine the conscience. Certainly Corinth met so that the main characteristic of this man who was the face of adversity to his unconditional political and humanitarian commitment with all its consequences. Before breast Eulenberg keeps a small book unopened in both hands. It appears to be small, in 1917 published font Corinth to trade a painter of our time, keeps the Eulenberg with the back to the viewer. [Dietrun Otten, 2009] Lovis Corinth is one of the most important German painters of the late 19th and early 20th century. On his oeuvre, the stylistic transformations along the way can be read to modernity: in a variety of genres has his work a confrontation with the painting tradition with contemporary French influences and combines the impressionistic style with protoexpressionistischen tendencies. As a founding member and central protagonist of the Berlin Secession as art theory as a teacher and author of writings was Corinth part of a movement that those opposed to the reactionary Wilhelmine art notions of internationalizing modernity. Corinth painted the influential dramatist and author Herbert Eulenberg, in 1917 the book Lovis Corinth. A painter of our time; had brought his life's work twice: during the first portrait from 1918 Eulenberg in profile view shows and is of a muted color, survived the second of 1924 alone the drilling-questioning look of the sitter. The psychologizing intensity is amplified by the open, sometimes impasto aufschichtenden, sometimes drawing scarce brush stroke and is characteristic of the expressive late work of the artist. [Source: Luisa Ziaja, in: Flirting with Strangers. Encounters with works from the collection, exh. Cat. Belvedere Vienna, 9.9.2015-31.1.2016, p.24]

Herbert Eulenberg dị ka akwụkwọ nka nke gị

Herbert Eulenberg was made by Lovis Corinth in 1924. The work of art measures the size: 60 x 50 cm - frame dimensions: 78 x 67 x 8 cm and was crafted on the medium mmanụ na kwaaji. The original artwork was inscribed with the information: "signed and dated top left: LOVIS CORINTH. / 1924; Designation center right: Herbert / Eulenberg". Nowadays, this piece of art is included in the collection of Belvedere, nke dị na Vienna, Austria. Site n'ikike nke © Belvedere, Vienna, nọmba ngwa ahịa: 2884 (ikikere: ngalaba ọha). Ihe kredit nke artpiece bụ nke a: Ịzụta na Charlotte Berend-Corinth, Berlin na 1929. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Lovis Corinth was a male painter, sculptor, university teacher, graphic artist, drawer, lithographer from Germany, whose artistic style can be classified as Modern Art. The European artist was born in 1858 in Gvardeysk, Kaliningradskaya Oblast�, Russia and passed away at the age of 67 na 1925.

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