Pinturicchio, 1509 - Galatea - mbipụta nka mara mma

Nhọrọ akụrụngwa ngwaahịa gị

The product dropdown menu ofers you the chance to select the size and material of your choice. Choose among the following product options now to match your preferences in size and material:

• Akwụkwọ mmado na ihe kwaaji: The poster is a UV printed sheet of canvas with a slightly roughened surface texture. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the print in order to facilitate the framing with a custom frame.
• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is the ideal start to art reproductions produced on aluminum. For your Aluminium Dibond print, we print the favorite artwork onto the surface of the aluminum. The colors of the print are luminous in the highest definition, fine details are clear and crisp. The direct UV print on aluminium is one of the most popular entry-level products and is a truly stylish way to display art prints, as it puts 100% of the viewer’s focus on the artwork.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, which is often referenced as a an art print on plexiglass, will convert an artwork into décor. Beyond that, the acrylic fine art print makes a great alternative to aluminium or canvas fine art replicas. The artwork is being custom-made with state-of-the-art UV printing technology. It creates sharp and vivid colors. Our plexiglass with real glass coating protects your custom art print against sunlight and external influences for between 40-60 years.
• Kwaaji: A UV printed canvas stretched on a wood frame. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without additional wall-mounts. That is why, a canvas print is suited for any type of wall.

Ederede iwu: We try our utmost to describe our products as exact as possible and to demonstrate them visually on the respective product detail pages. However, the tone of the printed materials, as well as the print result can vary to a certain extent from the image on the monitor. Depending on the screen settings and the nature of the surface, colors may not be printed 100% realistically. Bearing in mind that all our fine art prints are printed and processed by hand, there may also be minor variations in the motif's size and exact position.

Additional information on the original artwork from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Otu n'ime ogwe iri abụọ na abụọ (14.114.1-.22) na-akpụ ụlọ si n'obí Pandolfo Petrucci, nke a na-akpọ Il Magnifico, Siena. Nkesa n'ozuzu na nkebi nke uko ụlọ dị ka ọ na-enweta site na nke ụlọ a gbanyere mkpọrọgwụ na nke e sere n'ụlọ Nero's Golden House na Rome. Ọtụtụ n'ime ọnụ ọgụgụ mmadụ n'otu n'otu dịkwa ka ọ na-enweta site na ọrụ nka ochie - karịsịa sarcophagi.

Nkọwapụta akụkọ

N’afọ 1509 the painter Pinturicchio made the early renaissance work of art. The 510 ihe osise dị otu afọ tụrụ nha: N'ozuzu: 24 7/8 × 39 3/8 na (63,2 × 100 cm) na arụpụtara ya na Usoro fresco, bufee na kwaaji ma tinye ya na ogwe osisi. Today, the artwork is part of the collection of Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke - The Metropolitan Museum of Art, New York, Rogers Fund, 1914 (ikike - ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Rogers Fund, 1914. What is more, the alignment is landscape with an aspect ratio of 3 : 2, which means that ogologo bụ 50% ogologo karịa obosara. Pinturicchio was a painter, whose art style was primarily Early Renaissance. The Early Renaissance artist lived for a total of 59 afọ a mụrụ ya n'afọ 1454 ma nwụọ na 1513.

Nkọwa gbasara akụkụ nka

Nkọwa ngwaahịa ahaziri ahazi

Tebụl nkọwa omenkà

© Nwebiisinka - ikike ọgụgụ isi nke - Artprinta (www.artprinta.com)