Vincenzo Foppa, 1480 - Madonna na Nwa - mbipụta nka mara mma

a nka ochie work of art named "Madonna and Child" was created by the Italian artist Vincenzo Foppa n'afọ 1480. The masterpiece nwere nke a size: 17 1/4 x 12 5/8 na (43,8 x 32,1 cm). Tempera, oil, and gold on wood was used by the artist as the medium of the masterpiece. It is part of the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka. The kpochapụwo nka ngalaba ọha a na-enye ihe osise site n'ikike nke The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Arịrịọ nke Theodore M. Davis, 1915. Creditline of the artwork: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. Furthermore, alignment of the digital reproduction is Eserese ya na oke nke 3: 4, meaning that the length is 25% shorter than the width. The painter Vincenzo Foppa was an artist from Italy, whose art style was primarily Early Renaissance. The European artist was born in 1456 and deceased at the age of 60 in 1516 in Brescia, Brescia province, Lombardy, Italy.

Ozi mgbakwunye nke The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Foppa was the founder of Renaissance painting in Milan, where he worked for the dukes. In addition to major fresco cycles and altarpieces, he also painted touching images of the Madonna and Child for private devotion. This one dates to about 1480 and shows the Madonna and Child before a rose hedge—the Madonna was sometimes referred to as the "rose without thorns" (i.e., without sin). The finely drawn hands and gray flesh tones are typical of Foppa’s work, as is the delicate modeling with gold.

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Nweta ihe ebipụta nka mara mma ịchọrọ

Ngwa ndetu ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed sheet of canvas paper with a granular surface finish, that resembles the original artwork. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• Kwaaji: A canvas print, not to be mistaken with a painting on a canvas, is a digital image printed on an industrial printing machine. The printed canvas creates a cosy and enjoyable atmosphere. Canvas Prints have the advantage of being relatively low in weight. This means, it is quite simple to hang your Canvas print without the help of additional wall-mounts. Hence, a canvas print is suited for all types of walls.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with an impressive depth, which creates a fashionable impression by having a surface structure, which is non-reflective. A direct Direct Print on Aluminum Dibond is your best start to reproductions with aluminum. For the Aluminium Dibond option, we print your selected work of art right onto the aluminium surface. The white and bright parts of the artwork shimmer with a silky gloss but without glow.
• Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is often referenced as a plexiglass print, will convert the original into marvellous home decoration. Furthermore, it forms a viable alternative option to dibond or canvas prints. The plexiglass protects your chosen fine art print against light and heat for up to 6 decades.

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Ederede iwu: We try our utmost to describe the products with as many details as possible and to exhibit them visually on the various product detail pages. Nonetheless, the tone of the print materials and the printing might vary slightly from the representation on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Given that all the art prints are processed and printed by hand, there might as well be slight deviations in the motif's size and exact position.

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