Carl Larsson, 1895 - N'akụkụ. Site na Ụlọ (26 watercolor) - ọmarịcha nka

The painting "In the Corner. From A Home (26 watercolours)" by Carl Larson dị ka ihe osise nke gị

In 1895 onye omenkà Carl Larson created the masterpiece "In the Corner. From A Home (26 watercolours)". The masterpiece has the following size of Ogologo: 32 cm (12,5 ″); Obosara: 43 cm (16,9 ″) Ekebere: Elu: 38 cm (14,9 ″); Obosara: 54 cm (21,2 ″); Omimi: 4 cm (1,5 ″). The artpiece is part of the collection of Nationalmuseum Stockholm in Stockholm, Stockholm County, Sweden. With courtesy of Nationalmuseum Stockholm na Wikimedia Commons (public domain).Creditline of the artwork: . Besides, the alignment of the digital reproduction is in landscape format with an aspect ratio of 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Họrọ ihe gị

Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ nha na akụrụngwa masịrị gị. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is sometimes described as a plexiglass print, will change the original work of art into brilliant wall decoration and is a viable alternative option to canvas or dibond prints.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a UV printed sheet of flat canvas paper with a nice finish on the surface. A poster print is appropriate for placing the art replica in a personal frame. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing with your custom frame.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a print material with an outstanding depth. The Direct Print on Aluminum Dibond is the ideal introduction to reproductions with aluminum. The colors of the print are luminous, fine details appear crisp.
• Mbipụta kwaaji: The printed canvas material stretched on a wooden stretcher frame. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without the support of extra wall-mounts. Because of thata canvas print is suited for all kinds of walls.

Disclaimer: We try everythig possible to describe our art products as exact as possible and to demonstrate them visually on the different product detail pages. Still, the colors of the print materials and the print result might differ marginally from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed 100% realistically. Because all our art reproductions are processed and printed manually, there may also be minor variations in the motif's size and exact position.

Ngwaahịa a

Nkọwa gbasara akụkụ nka mbụ

Ozi ndabere gbasara onye na-ese ihe

© nwebiisinka | www.artprinta.com (Artprinta)

Additional specifications from Nationalmuseum Stockholm (© Nwebiisinka - National museum Stockholm - National Museum nke Stockholm)

Bekee: Carl na Karin Larsson jikọtara imewe ọhụrụ na omenala ochie. Ihe bara uru mere ka imewe ha dị n'ime, mana ọ dịkwa mkpa ka arịa ụlọ na ihe na-etolite nkwekọ mara mma. Ndị ọzọ gbasakwara echiche a, gụnyere Ellen Key, onye kwadoro ụlọ ndị dị n'ụdị ọhụụ na nke dị ọkụ, n'edemede ya "Skönhet för alla" (Beauty for All) na 1899. Larssons kwagara Lilla Hyttnäs, ụlọ dị na ya. Sundborn, n'oge okpomọkụ nke 1889. N'ebe a, Carl na Karin jikọtara ọnụ na-emepụta ime ụlọ nke mere ka ụlọ ha mara amara. Karin kpụrụ ngwá ụlọ na ákwà, bụ́ ndị ọ dụnyere ihe n’ákwà na kpara akpa. A rụnyere ụlọ ihe nkiri n'otu n'ime paseeji. Ọ na-egosipụta ọtụtụ nkọwa na-adọrọ adọrọ, gụnyere nwoke na-atọ ọchị na-ekpu okpueze. Mgbe agbakwunyere mgbatị ụlọ ihe nkiri ka ukwuu, ime ụlọ a ghọrọ ihe ọmụmụ maka ezinụlọ dum. E ji ịdị mfe ime obodo mara ime ime ụlọ Larsson. Ka o sina dị, ejiri nlezianya hazie nkọwa ọ bụla, yana mmetụta sitere na England, Scotland na Japan. Ụlọ kichin, bụ nke mbụ bụ ebe a na-arụ ọrụ ụlọ, egosipụtaghị ụdị ime ime nke oge a na nkasi obi dị ka ụlọ ndị ọzọ. Hos Carl och Karin Larsson möttes ett nytt formpråk och gammal omenala. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa ideer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899. Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den in. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, ruo exempel den lustige Figuren på krönet ruo stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen. Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat si England, Skottland na Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.