Frederick Waters Watts, 1828 - Akwa ochie na Hendon, Middlesex - mbipụta nka mara mma.

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

A follower of John Constable, Watts exhibited widely as a landscapist but ceased painting around 1860. In this canvas, his meticulous attention to setting—as in the crumbling brickwork at the end of the bridge—is animated by sprightly figures: passersby on the road, a wader in the water, and a dog hovering at the stream’s edge. This painting is thought to have been sent by Watts to the Royal Academy exhibition of 1828. A second version of the subject is in the Philadelphia Museum of Art; a third version is unlocated.

Nkọwapụta nka nka

Iberibe aha nka: "An Old Bridge at Hendon, Middlesex"
nhazi ọkwa: sere
Otu sara mbara: nkà nke oge a
Nhazi oge: 19th narị afọ
Afọ nka: 1828
Ogologo afọ nka nka: ihe dị ka afọ 190
Usoro nka izizi: mmanụ na kwaaji
Akụkụ izizi: 21 3/4 x 32 3/4 na (55,2 x 83,2 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye George A. Hearn, 1897
kreditline ọrụ nka: Onyinye nke George A. Hearn, 1897

Banyere omenka

aha: Frederick Waters Watts
Obodo onye nka: British
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo onye nka: United Kingdom
nhazi ọkwa: omenkà nke oge a
Ụdị nka: Ihe ngosi
Akwụsị: 70 afọ
Afọ amụrụ: 1800
Nwuru: 1870

Ngwaahịa a

Ụdị ngwaahịa: ọrụ mgbidi
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: ime ụlọ, ụlọ mmepụta nka nka
Ndozi onyonyo: usoro odida obodo
Ụdị anya: 3: 2 ogologo: obosara
Mmetụta akụkụ: ogologo bụ 50% ogologo karịa obosara
Nhọrọ ihe dị: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhazi nke nnomi nka: na-enweghị etiti

Họrọ ngwa ngwaahịa gị

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:

  • Mbipụta iko acrylic na-egbuke egbuke: The acrylic glass print, which is sometimes labelled as a fine art print on plexiglass, will convert an original artwork into magnificient home décor. Your favorite artwork is made with modern UV direct print technology. This creates intense, deep print colors. With a glossy acrylic glass art print contrasts and minor details will be more recognizeable due to the subtle tonal gradation in the picture.
  • Mbipụta kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden frame. What is more, printed canvas produces a familiar and pleasant ambience. Your canvas print of your favorite masterpiece will give you the opportunity to transform your into a large collection piece. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the help of extra wall-mounts. A canvas print is suitable for any type of wall.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an impressive depth. A non-reflective surface structure make a modern impression. The Aluminium Dibond Print is the ideal introduction to reproductions with aluminum. For the Aluminium Dibond option, we print the favorite work of art right onto the surface of the white-primed aluminum composite. The white and bright parts of the original artpiece shine with a silky gloss, however without any glow. The colors of the print are bright and luminous, the details appear crisp. The print on aluminium is one of the most demanded entry-level products and is a truly stylish way to display art prints, since it draws focus on the replica of the artwork.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): A poster print is a UV printed flat canvas with a slight finish on the surface. The poster is appropriate for placing your fine art print with the help of a personal frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the work of art in order to facilitate the framing.

Ngwaahịa a

In 1828 Frederick Waters Watts tee ihe a 19th narị afọ painting. The original has the size: 21 3/4 x 32 3/4 na (55,2 x 83,2 cm) e weputara ya na ihe ndi ozo mmanụ na kwaaji. N'oge a, artpiece bụ nke Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka, nke dị na New York City, New York, Njikota Obodo Amerika. Ihe osise a, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye George A. Hearn, 1897. In addition, the artpiece has the following creditline: Gift of George A. Hearn, 1897. What is more, the alignment of the digital reproduction is in odida obodo format and has an image ratio of 3 : 2, which implies that the length is 50% longer than the width. The painter Frederick Waters Watts was an artist from the United Kingdom, whose artistic style can be classified as Realism. The Realist artist lived for a total of 70 years, born in 1800 and died in the year 1870.

Ihe dị mkpa: We try everything to depict our products as clearly as it is possible and to exhibit them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the imprint may diverge somehwat from the presentation on your device's monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Because our art prints are processed and printed manually, there might also be slight variations in the motif's size and exact position.

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