Jens Juel, 1779 - Nlele sitere na Veyrier n'elu ọdọ mmiri Geneva chere ugwu Jura - mbipụta nka mara mma.

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• Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes referred to as a print on plexiglass, transforms an original artwork into décor. Moreover, it offers a good alternative option to dibond or canvas fine art replicas. Your own version of the work of art is custom-made with the help of modern UV direct print machines.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print with an impressive effect of depth - for a modern look and a non-reflective surface. The Aluminium Dibond Print is your perfect introduction to fine art prints made with aluminum. The white & bright sections of the work of art shimmer with a silk gloss but without glow.
• Mbipụta kanvas: A printed canvas mounted on a wood frame. How do I hang a canvas print on my wall? A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without the help of extra wall-mounts. That is why, canvas prints are suited for all kinds of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a UV printed sheet of canvas paper with a slightly rough surface structure. The poster is suited for framing the art replica using a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the print motif to facilitate the framing.

Ihe dị mkpa: We try everything to depict our products as clearly as possible and to showcase them visually on the respective product detail pages. Although, the colors of the printing material, as well as the printing might diverge to a certain extent from the image on your monitor. Depending on the settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version on this website. Since all art reproductions are processed and printed by hand, there might as well be minor discrepancies in the motif's size and exact position.

Original artwork specifications from the museum (© Copyright - Thorvaldsens Museum - Ụlọ ihe ngosi nka Thorvaldsens)

Juel’s speciality was portraiture. But he perhaps had the greatest art-historical importance by virtue of the landscape painting in which he specialised alongside the commissions for portraits. Academy pupils from both Denmark (Eckersberg and J.P. Møller), Norway (Dahl) and northern Germany (P. O. Runge and Caspar David Friedrich) found in it a solid foundation on which to develop their respective national schools of landscape painting in the first half of the 19th century. The painting, with the big, solitary tree is the biggest landscape Juel ever made. In 1772 Juel received a travel grant enabling him to travel through Hamburg, Dresden, Vienna, Rome and Paris, from where he went on to Geneva together with the engraver J. F. Clemens. The two towers in the right background of the painting are those of St Peter’s Cathedral at Geneva. Clemens was the picture’s first owner, and it has been suggested that he received it as a wedding present from Juel, commemorating their time together in Switzerland. J.P. Møller bought the picture in the auction of Clemens’ estate after his death in 1832, and after his return in 1838 Thorvaldsen acquired the picture for his own collection

Ozi ndabere na nka nke aha ya bụ "View from Veyrier over Lake Geneva towards the Jura mountains"

a nka ochie sere View from Veyrier over Lake Geneva towards the Jura mountains was painted by the male painter Jens Juel in 1779. Nke mbụ tụrụ nha 116,4 x 86,9 cm ma were ihe osise ese Usoro mmanụ na kwaaji. E wezụga, a artpiece bụ nke dijitalụ collection nke Ụlọ ihe ngosi nka Thorvaldsens, which is a single-artist museum dedicated to the art of Danish neoclassicistic sculptor Bertel Thorvaldsen. This classic art public domain piece of art is provided with courtesy of Jens Juel, View from Veyrier over Lake Geneva towards the Jura mountains, 1779, Thorvaldsens Museum, www.thorvaldsensmuseum.dk.The creditline of the artpiece is: . The alignment of the digital reproduction is in portrait format ma nwee oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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