Joseph Mallord William Turner, 1795 - Watermill dị nso na Flowing Brook - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Onyinye ngwaahịa ebipụta
Watermill near a Flowing Brook bụ ọrụ nka nke onye nka mere Joseph Mallord William Turner. N'ịgafe, mpempe nka bụ akụkụ nke nchịkọta nka dijitalụ nke Rijksmuseum, which is the largest museum for Dutch art and history from the Middle Ages to the present day. This masterpiece, which belongs to the ngalaba ọha a na-enye ya site n'ikike nke Rijksmuseum.: . E wezụga nke ahụ, nhazi ahụ dị na odida obodo format ya na oke onyonyo nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. The painter Joseph Mallord William Turner was a European artist, whose art style was mainly Romanticism. The Romanticist artist lived for 76 afọ, born in the year 1775 in London, Greater London, England, United Kingdom and passed away in 1851.
Nweta ihe ebipụta nka kacha amasị gị
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche na nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a UV printed canvas with a slightly rough surface finish. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the print to facilitate the framing with a custom frame.
- Mbipụta iko acrylic na-egbuke egbuke: The print on acrylic glass, often labelled as a print on plexiglass, makes your favorite original work of art into brilliant décor. Beyond that, the acrylic art print is a great alternative option to aluminium and canvas art prints. Your artwork is custom-made thanks to modern UV print technology. It creates rich, deep colors. The major benefit of a plexiglass print is that contrasts and also small artwork details become more exposed due to the delicate gradation of the picture.
- Mbipụta kwaaji: The UV printed canvas mounted on a wooden stretcher frame. A canvas makes the plastic look of three dimensionality. Hanging your canvas print: Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. That is why, canvas prints are suitable for any kind of wall.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an outstanding depth. Its non-reflective surface make a contemporary impression. For the Aluminium Dibond option, we print the chosen work of art right on the surface of the aluminum.
Ihe dị mkpa: We try everythig possible to describe the products as closely as possible and to exhibit them visually in our shop. At the same time, the pigments of the printing material, as well as the imprint can diverge slightly from the representation on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments can be printed as exactly as the digital version on this website. Bearing in mind that our are printed and processed by hand, there may as well be slight deviations in the size and exact position of the motif.
Nkọwapụta edemede
Nkewa edemede: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | mgbidi gallery, nchịkọta nka (mmepụta) |
Nhazi nka nka: | nhazi odida obodo |
Oke akụkụ onyonyo: | 1.4: 1 |
Mmetụta nke akụkụ akụkụ: | ogologo bụ 40% ogologo karịa obosara |
Ngwa ngwaahịa dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 70x50cm - 28x20" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi mbipụta nka: | mmeputakwa na-enweghị isi |
Tebụl a haziri ahazi nke ihe osise
Aha nka nka: | "Watermill near a Flowing Brook" |
Nhazi: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 18th narị afọ |
Afọ nka: | 1795 |
Afọ nka: | ihe karịrị afọ 220 |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ebe ngosi nka: | Amsterdam, Netherlands |
Ibe weebụ: | Rijksmuseum |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Data omenka ahaziri ahazi
Ihe nkiri: | Joseph Mallord William Turner |
Aliases: | טרנר ג'וזף מאלורד ויליאם, Tʻou-na Yüeh-se-fu Ma-lo-te Wei-lien, j. m. w. turner r. a., Joseph Mallord William Turner, טרנר ג׳וזף מאלור ויליאם, joseph m. w. turner, W. M. Turner R.A., I.W.M. Turner RA, Terner Dzhozef Mallord Uilʹi︠a︡m, Turner J M. W., Turner Joseph Mallord William, jmw turner, Tarner Tzozeph Mallornt Ouilliam, Turner Joseph Mallord William, J.M.W. Turner R.A., J. M. W. Turner, Turnor, J.M.W. (Joseph Mallord William) Turner, J. W. Turner, Turner William, I.M.W. Turner, Tŭrnŭr Dzhouzef Mŭlord Uili︠a︡m, Turner RA, J.W.M. Turner R.A., J.M.W. Turner RA, Turner James Mallord William, Turner R.A., J.W.M. Turner RA, Turner J.M.W., J. M. W. Turner R. A., Turner J. M. W., Tʻou-na, Turner, turner j.m.w., Turner J.M.W. (Joseph Mallord William), j.m.w. turner, W. Turner |
okike nke onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | United Kingdom |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nka: | Ihunanya |
Akwụsị: | 76 afọ |
Afọ ọmụmụ: | 1775 |
Amụrụ na (ebe): | London, Greater London, England, United Kingdom |
Nwuru: | 1851 |
Nwuru na (ebe): | Chelsea, London, Greater London, England, United Kingdom, agbataobi |
© Nwebiisinka nke - Artprinta.com
Kedu ihe Rijksmuseum say about the artwork from the painter Joseph Mallord William Turner? (© - Rijksmuseum - www.rijksmuseum.nl)
With his grand visionary landscapes, William Turner would become one of the most important artists of the 19th century. The seed of this development is already contained in this early watercolour. By eliminating clear contours, Turner created a great sense of unity in the scene. He scraped off areas of pigment in places, as a result of which the water of the brook seems to be in constant motion.