Paul Joseph Constantin Gabriël, 1860 - ụbọchị anwụ: igwe igwe ruo n'akụkụ mmiri - ọmarịcha nka.

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Kedu ihe nkọwa mbụ nke Rijksmuseum say about this 19th century artwork painted by Paul Joseph Constantin Gabriël? (© - Rijksmuseum - www.rijksmuseum.nl)

'Sunny day'. Landscape with a mill on the water in the foreground. Left a man with a fishing pole in a shed, right reed.

Data ndabere gbasara nka nka pụrụ iche

Aha ọrụ nka: "sunny day: a mill to a watercourse"
nhazi ọkwa: sere
Otu sara mbara: nkà nke oge a
oge: 19th narị afọ
Afọ nka: 1860
Afọ nka: ihe karịrị 160 afọ
Ụlọ ihe ngosi nka / ebe: Rijksmuseum
Ebe ngosi nka: Amsterdam, Netherlands
E Nwere na: www.rijksmuseum.nl
License: ngalaba ọha
Site n'aka: Rijksmuseum

metadata nka nka

aha: Paul Joseph Constantin Gabriël
okike onye nka: nwoke
Nationality: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
Nkewa onye nka: omenkà nke oge a

Ihe omuma

Ụdị ngwaahịa: ọmarịcha nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: UV kpọmkwem obibi
Mmalite ngwaahịa: arụpụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa emebere: nka mgbidi, ihe ndozi ụlọ
Ndozi onyonyo: nhazi odida obodo
Ụdị anya: 4: 3
Nsonaazụ: ogologo bụ 33% ogologo karịa obosara
Akwa mmeputakwa dị: mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nha mbipụta aluminium dibond: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: biko buru n'uche na ngwaahịa a enweghị okpokolo agba

Ngwa ngwaahịa dị

The product dropdown menu gives you the chance to select a material and a sizeaccording to your personal preferences. Thus, we allow you to choose among the following options:

  • Ihe odide acrylic glass: An print on acrylic glass, which is sometimes named as a an art print on plexiglass, makes your favorite artwork into brilliant home decoration. Above all, the acrylic glass art print makes a viable alternative to canvas and aluminidum dibond fine art replicas. The artwork is being manufactured with modern UV printing technology. The major benefit of a plexiglass art print is that contrasts and also smaller color details become more recognizeable because of the subtle tonal gradation of the picture.
  • Metal (aluminium debond mbipụta): This is a metal print manufactured on alu dibond with an impressive effect of depth, which makes a fashionable look with a surface , which is non-reflective. For your Direct Print On Aluminum Dibond, we print the artpiece right onto the aluminium white-primed surface. The bright and white parts of the original work of art shine with a silky gloss, however without glare. Colors are luminous and vivid, details of the print are clear and crisp, and the print has a a matte look you can literally feel. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase fine art reproductions, because it puts all of the viewer’s attention on the whole artwork.
  • Mbipụta kanvas: A printed canvas material mounted on a wooden stretcher frame. Your canvas of this artpiece will let you turn your art print into a large size work of art. Canvas prints are relatively low in weight, which means that it is quite simple to hang the Canvas print without the use of additional wall-mounts. A canvas print is suited for any type of wall.
  • Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed flat cotton canvas paper with a slightly roughened finish on the surface. A print poster is best appropriate for putting the art print with the help of a custom frame. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6 cm around the artwork to facilitate the framing with your custom frame.

In the year 1860 the Dutch painter Paul Joseph Constantin Gabriël kee ihe 19th narị afọ mpempe nka sunny day: a mill to a watercourse. Ọzọkwa, a pụrụ ịhụ mpempe nka ahụ n'ime Rijksmuseum's nchịkọta dijitalụ, nke dị na Amsterdam, Netherlands. The nkà nke oge a ọrụ nka, nke bụ akụkụ nke ngalaba ọha a na-enye ya site n'ikike nke Rijksmuseum.In addition, the work of art has the following creditline: . The alignment is in landscape format na nha nke 4: 3, nke pụtara na ogologo ya bụ 33% ogologo karịa obosara.

Ederede iwu: We try everythig possible to depict our products in as much detail as possible and to showcase them visually on the various product detail pages. Still, the colors of the printed materials, as well as the print result might diverge marginally from the representation on the screen. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as exactly as the digital version. Bearing in mind that all our art prints are processed and printed manually, there may as well be slight variations in the size and exact position of the motif.

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