John Frederick Kensett, 1857 - Hudson River Scene - mbipụta nka mara mma

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Hudson River Scene is an artpiece made by the male painter John Frederick Kensett in 1857. Ihe osise ahụ nwere nha ndị a: 32 x 48 n'ime (81,3 x 121,9 cm) and was crafted on the medium oil on canvas. It is part of the Ụlọ ihe ngosi nka nke Metropolitan collection, nke bụ otu n'ime ụwa kasị na kasị mma art ngosi ihe mgbe ochie, nke na-agụnye ihe karịrị nde abụọ ọrụ nka spanning puku afọ ise nke omenala ụwa, site prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - The Metropolitan Museum of Art, New York, Gift of H. D. Babcock, in memory of his father, S. D. Babcock, 1907 (ọha na eze). Creditline of the artwork: Gift of H. D. Babcock, in memory of his father, S. D. Babcock, 1907. Besides, the alignment of the digital reproduction is odida obodo na akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. John Frederick Kensett was a male painter of American nationality, whose art style can be attributed primarily to Romanticism. The Romanticist painter lived for 56 years, born in the year 1816 in Cheshire, New Haven county, Connecticut, United States and died in 1872.

Nkọwa izizi sitere na The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

At West Point, New York, the Hudson River flows between picturesque mountains, to both the east and the west. The region was a favorite of many of the Hudson River School artists, including Kensett, who painted numerous views of the site seen here. His vantage point was a spot near Fort Putnam, a corner of which can be glimpsed at the far right, looking north toward the bend in the river. The disparate levels of terrain permitted great variety in the depiction of light and shadow: for example, the dark foliage of the trees in the deep ravine provides a strong contrast to the sunlit rocky space in the immediate foreground, at the base of the fort.

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• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with a true depth effect. For the Direct Aluminium Dibond print, we print the chosen work of art onto the surface of the white-primed aluminum. The colors of the print are luminous in the highest definition, fine details appear clear and crisp. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to showcase fine art reproductions, as it draws focus on the artwork.
• Mbipụta iko acrylic na-egbuke egbuke: An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes your favorite original work of art into home décor and forms a distinct alternative option to canvas or aluminium dibond fine art replicas. With a glossy acrylic glass fine art print contrasts as well as color details become more identifiable thanks to the fine tonal gradation in the print.
• Mbipụta kanvas: The UV printed canvas material mounted on a wood frame. Further, a canvas print generates a cosy and pleasing ambience. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without the use of extra wall-mounts. Canvas prints are suited for any kind of wall.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: The poster print is a UV printed sheet of canvas with a fine surface texture. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm round about the artwork, which facilitates the framing with your custom frame.

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Ederede iwu: We try our best to describe our art products as closely as possible and to illustrate them visually in our shop. Nonetheless, some pigments of the printing material, as well as the imprint may differ slightly from the representation on the screen. Depending on your settings of your screen and the nature of the surface, not all colors are printed as realisitcally as the digital version on this website. Considering that the are printed and processed manually, there might as well be slight discrepancies in the size and exact position of the motif.

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