John Frederick Kensett, 1869 - Ọdọ Mmiri George - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nkowa mgbakwunye on the original artwork by The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Kensett visited Lake George in the Adirondacks on numerous occasions and made many studies of the area (see also 74.7, 74.11, 74.20). This painting is Kensett's largest and most accomplished treatment of the subject, as well as a fine example of his mature style. He has taken considerable liberties with the topography in composing the work, but certain specific sites can be identified. Kensett's vantage point was probably from Crown Island, off Bolton Landing on the west shore, looking across the lake northeast toward the Narrows. The distance has been substantially reduced in the representation, some of the islands have been omitted, and others relegated to the shore.
Nkọwapụta nka nka
Aha eserese ahụ: | "Ọdọ Mmiri George" |
Nhazi nka nka: | sere |
Nhazi nka: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Emepụtara n'afọ: | 1869 |
Afọ nka: | ihe karịrị 150 afọ |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ ihe osise izizi: | 44 1/8 x 66 3/8 na (112,1 x 168,6 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
website: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Arịrịọ nke Maria DeWitt Jesup, site na nchịkọta nke di ya, Morris K. Jesup, 1914 |
Ebe E Si Nweta: | Arịrịọ nke Maria DeWitt Jesup, sitere na nchịkọta nke di ya, Morris K. Jesup, 1914 |
Nchịkọta dị mkpirikpi nke onye na-ese ihe
aha: | John Frederick Kensett |
Aliases: | kensett j.f., Kensett, Kensett John F., Kensett John Frederick, j. f. kensett, Kensett John, j.f. kensett, John Frederick Kensett |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Mba onye si: | United States |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihunanya |
Oge ndu: | 56 afọ |
A mụrụ: | 1816 |
Ebe omuma: | Cheshire, New Haven County, Connecticut, Njikota Obodo Amerika |
Nwuru: | 1872 |
Nwụrụ na (ebe): | New York City, New York State, Njikota Obodo Amerika |
Ngwaahịa a
Ụdị ngwaahịa: | mmepụta nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo |
Production: | arụpụtara na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | mkpokọta nka (mmeputakwa), gallery mgbidi |
Nhazi nka nka: | usoro odida obodo |
Oke akụkụ: | (ogologo: obosara) 3: 2 |
Mmetụta akụkụ: | ogologo bụ 50% ogologo karịa obosara |
Ụdị dị iche iche dị: | mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mbipụta aluminom (ihe alumini debond ihe): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
ụba: | na-enweghị etiti |
Ihe ndị a na-ahọrọ
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Nhọrọ ndị a dị maka n'otu n'otu:
- Kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang up your Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often denoted as a print on plexiglass, will transform the original work of art into beautiful wall decoration and makes a good alternative option to aluminium and canvas fine art replicas. The artwork is manufactured with state-of-the-art UV print machines. The real glass coating protects your chosen fine art print against light and external influences for decades.
- Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a UV printed cotton canvas with a slightly roughened finish on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm round about the print, which facilitates the framing with your custom frame.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true effect of depth. For your Aluminium Dibond print, we print your work of art onto the surface of the white-primed aluminum. The colors are luminous, the fine details appear crisp, and there’s a matte look you can literally feel. This print on Aluminum Dibond is the most popular entry-level product and is a truly stylish way to showcase art reproductions, because it puts 100% of the viewer’s focus on the artwork.
Ozi ndabere ngwaahịa
The masterpiece was painted by the male American painter John Frederick Kensett n’afọ 1869. Ụdị nke nka nwere nha: 44 1/8 x 66 3/8 na (112,1 x 168,6 cm). Mmanụ na kwaaji was applied by the painter as the technique for the painting. The artwork is in the the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This ngalaba ọha artwork is being included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914. The creditline of the artwork is: Arịrịọ nke Maria DeWitt Jesup, sitere na nchịkọta nke di ya, Morris K. Jesup, 1914. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo na nwere akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. John Frederick Kensett was a male painter, whose artistic style can be classified as Romanticism. The American painter lived for a total of 56 afọ, amuru na afo 1816 in Cheshire, New Haven county, Connecticut, United States and died in 1872 in New York City, New York state, United States.
Legal note: We try whatever we can to describe our art products as closely as possible and to exhibit them visually on the various product detail pages. Although, the colors of the printing material, as well as the imprint may vary to a certain extent from the presentation on your monitor. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed as realistically as the digital version on this website. Since all art reproductions are printed and processed manually, there might as well be slight differences in the motif's exact position and the size.
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