Karel Dujardin, 1673 - The Waterfalls na Tivoli - ọmarịcha nka

"Waterfalls na Tivoli" from the Baroque painter Karel Dujardin as your new artprint

Aha ọrụ nka a Waterfalls na Tivoli onye na-ese ihe sere ya Karel Dujardin. The original of the masterpiece had the following size - elu: 64,2 cm obosara: 69,5 cm | elu: 25,3 n'obosara: 27,4 inch and was painted on the medium oil on canvas. The original artwork's inscription is: signed and dated: K. dv Iardin / fe / 1673. This artwork belongs to the Mauritshuis's digital collection. With courtesy of - Maurithuis, Hague (public domain license). The creditline of the artwork is the following: Pieter Leendert de Neufville, Amsterdam, 1765; his sale, Amsterdam, 19 June 1765 (Lugt 1470), no. 49 (for 805 guilders to ‘Schouman’); Govert van Slingelandt, The Hague, 1765-1767; his widow, Agatha Huydecoper, The Hague, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 28; the entire collection sold to Prince William V; Prince William V, The Hague, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Moreover, alignment of the digital reproduction is square ya na oke nke 1: 1, nke pụtara na ogologo ya na obosara. The painter. printmaker Karel Dujardin was an artist from the Netherlands, whose art style was mainly Baroque. The European artist was born in 1626 in Amsterdam, North Holland, Netherlands and died at the age of 52 Na 1678 na Venice, Venezia Province, Veneto, Italy.

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In the dropdown selection next to the product you can choose the size and material of your choice. The following options are available for individualization:

• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print with a true depth effect, which makes a contemporary look thanks to a non-reflective surface structure. The Direct Print on Aluminum Dibond is the ideal start to art reproductions on aluminum. For our Direct Aluminium Dibond option, we print your artpiece on the aluminium surface.
• Kwaaji: The canvas print, which shall not be mistaken with a painting on a canvas, is a digital replica printed directly on canvas. Furthermore, a canvas print makes a cosy and comfy atmosphere. A canvas print has the advantage of being relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without additional wall-mounts. Because of thata canvas print is suited for any kind of wall.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a UV printed flat canvas with a nice texture on the surface. It is optimally appropriate for placing the art copy with the help of a custom frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the print motif in order to facilitate the framing with your custom frame.
• Ugogbe acrylic ebipụtara: The print on acrylic glass, which is often labelled as a print on plexiglass, will convert the original work of art into brilliant décor. Furthermore, it is a good alternative option to dibond and canvas fine art replicas. Our acrylic glass protects your selected art replica against light and external influences for between four and 6 decades.

Nkwupụta iwu: We try everything to describe our art products as closely as possible and to demonstrate them visually in our shop. However, the pigments of the printing material and the print result may vary to a certain extent from the image on your screen. Depending on the screen settings and the condition of the surface, not all colors can be printed one hundret percent realistically. Because the fine art prints are printed and processed by hand, there might also be slight variations in the size and exact position of the motif.

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Pieter Leendert de Neufville, Amsterdam, 1765; his sale, Amsterdam, 19 June 1765 (Lugt 1470), no. 49 (for 805 guilders to ‘Schouman’); Govert van Slingelandt, The Hague, 1765-1767; his widow, Agatha Huydecoper, The Hague, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 28; the entire collection sold to Prince William V; Prince William V, The Hague, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822