Thomas Waterman Wood, 1866 - ntakịrị akụkọ ihe mere eme agha: Veteran - mbipụta nka mara mma

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In the product dropdown lists you can pick your favorite size and material. Choose among the following product options now to match your preferences in size and material:

• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes described as a plexiglass print, will convert your favorite original work of art into great décor. Your own copy of the artwork will be printed with modern UV printing technology.
• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print with an outstanding effect of depth. A non-reflective surface make a fashionable look. A direct Direct Print on Aluminum Dibond is your ideal start to reproductions produced on aluminum.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster is a UV printed canvas paper with a granular structure on the surface. It is suited for placing the art print using a custom frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2 - 6cm round about the print in order to facilitate the framing with your custom frame.
• Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the support of extra wall-mounts. Canvas prints are suited for any type of wall.

Disclaimer: We try everythig possible in order to describe our products in as much detail as possible and to illustrate them visually in our shop. Nonetheless, the tone of the printing material, as well as the printing may vary slightly from the representation on your device's screen. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Bearing in mind that the are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.

Nkọwa ihe osise sitere na webụsaịtị Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

This painting is one of a group of three canvases (84.12a--c) said to have been inspired by the imagined narrative of an African American soldier in the Civil War. In "The Contraband," (84.12a) the newly emancipated slave, his belongings wrapped in an old kerchief, seeks enlistment in the Union army. Having been trained for service and wearing his uniform, he looks happy and proud in "The Recruit" (84.12b). In "The Veteran," he is an amputee returning to the same office to draw his back pay or pension. Wood used a slightly different palette and handling in each picture, suggesting that the works were not painted in quick succession.

Nchịkọta ngwaahịa nka

N'elu 150 year old work of art was painted by the painter Thomas Waterman Wood in 1866. E ji akụkụ ndị a see ụdị izizi ahụ: 28 1/4 x 20 1/4 in (71,8 x 51,4 cm) (framed with 84,12a and 84,12b). Mmanụ na kwaaji was used by the artist as the technique for the masterpiece. Besides, the artpiece is included in the digital art collection of The Metropolitan Museum of Art. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Charles Stewart Smith, 1884 (ikike ngalaba ọha). : Onyinye nke Charles Stewart Smith, 1884. E wezụga nke ahụ, nhazi ahụ dị n'ime Eserese format na a akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara.

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