Louis Courtin, 1832 - Echiche ime nke Saint-Benoît-the-Bestouné: Saint-Pierre ma ọ bụ Tournelle. - ọmarịcha nka

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  • Mpempe akwụkwọ mmado ebipụtara na akwa akwa: Our poster print is a printed canvas paper with a granular texture on the surface. A poster print is designed for putting your art replica with a custom-made frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive depth, which creates a contemporary look throuch a non-reflective surface structure. The bright & white sections of the artpiece shimmer with a silk gloss, however without any glow. The colors of the print are luminous and vivid in the highest definition, fine details of the print appear very clear, and the print has a a matte look you can literally feel.
  • Kwaaji: The printed canvas, not to be mistaken with a canvas painting, is a digital copy printed on a UV direct printing machine. A canvas makes a unique impression of three dimensionality. What is more, canvas produces a homelike, pleasing effect. Your canvas print of your favorite artpiece will provide you with the unique opportunity to transform your own art print into a large size artpiece like you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang up your Canvas print without extra wall-mounts. Therefore, canvas prints are suited for any type of wall.
  • Ihe odide acrylic glass: A glossy acrylic glass print, which is often labelled as a fine art print on plexiglass, changes your original artwork into great home decoration. What is more, it offers a distinct alternative to aluminium or canvas fine art replicas. The work of art is printed with modern UV direct printing technology. It makes intense, stunning color hues. Our acrylic glass protects your selected art print against light and external influences for many decades.

Nkwupụta iwu: We try everything to describe our art products in as much detail as possible and to demonstrate them visually on the different product detail pages. However, the colors of the printing material, as well as the imprint may vary somehwat from the image on the device's screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed as exactly as the digital version on this website. Since all our fine art prints are processed and printed by hand, there might also be slight variations in the motif's size and exact position.

What does the website of the Musée Carnavalet Paris write about the 19th century artwork from the painter Louis Courtin? (© Nwebiisinka - nke Musée Carnavalet Paris - Ụlọ ihe nkiri Carnavalet Paris)

Painting exhibited at the Salon of 1833, nº498 (?). The location of the Saint-Benoît-the-Bestourné is now occupied by the northeast corner of the Sorbonne. The church was closed in 1790, returned to worship in 1795, sold in 1797, made again for worship in 1800 and sold in 1812. She served in a flour trade, and in 1831 a theater, "Theater Hall of Fame ". It disappeared in 1850 and the church was démollie in 1854. The portal of the facade was recovered in the garden of the Hotel de Cluny.

In 1832 Louis Courtin created the piece of art. The artpiece had the following size: Ogologo: 114,5 cm, obosara: 98 cm. Oil painting was used by the artist as the medium of the piece of art. "Date and signature - Signed and dated lower right: "L. Courtin 1832"" is the artwork's original inscription. Furthermore, the artpiece can be viewed in in the Ụlọ ihe nkiri Carnavalet Paris nchịkọta dijitalụ, nke bụ ụlọ ngosi ihe ngosi nke raara nye akụkọ ihe mere eme nke obodo Paris. Site n'ikike nke: Ụlọ ihe nkiri Carnavalet Paris (public domain license).: . On top of that, alignment of the digital reproduction is in portrait format n'akụkụ akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Nkọwa nka ahaziri

Aha nke eserese ahụ: "Interior view of the Saint-Benoît-the-Bestouné: the Saint-Pierre or the Tournelle."
Nhazi: sere
Nhazi nka: nkà nke oge a
Time: 19th narị afọ
Emepụtara n'afọ: 1832
Afọ nka: karịa afọ 180
Ọkara nke ihe osise izizi: Agba mmanụ
Akụkụ izizi (ọrụ nka): Ogologo: 114,5 cm, obosara: 98 cm
Akara mbinye aka: Date and signature - Signed and dated lower right: "L. Courtin 1832"
Egosiputara na: Ụlọ ihe nkiri Carnavalet Paris
Ebe ngosi nka: Paris, France
Weebụsaịtị nke ihe ngosi nka: www.carnavalet.paris.fr
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Ụlọ ihe nkiri Carnavalet Paris

Ozi ederede ahaziri

Nkewa ngwaahịa: mmepụta nka
Usoro mmeghari: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV / dijitalụ
Production: emepụtara na Germany
Ụdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: nka mgbidi, mkpokọta nka (mmeputakwa)
Ndozi onyonyo a: nhazi ihe osise
Njikwa oyiyi: 1: 1.2
Ntụgharị nkọwa akụkụ akụkụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ mbipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: ngwaahịa anaghị emebi emebi

Nkọwa onye nka

Aha onye nka: Louis Courtin
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Nkewa onye nka: omenkà nke oge a
Obodo: Strasbourg
Nwụrụ na (ebe): Strasbourg

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