Pieter Casteels, 1685 - Ọnụ ụzọ ámá nke Nzukọ ahụ, 1685 - ọmarịcha nka.

63,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

This 17th century painting was painted by the painter Pieter Casteels. Ihe gafere 330 ụdị izizi nke afọ gbara nha: Ogologo: 28,5 cm, obosara: 40 cm. E wezụga nke ahụ, a pụrụ ịhụ ihe osise a n'ime Ụlọ ihe nkiri Carnavalet Paris nchịkọta dijitalụ na Paris, France. Site n'ikike nke Ụlọ ihe nkiri Carnavalet Paris (ọha na eze).: . Na mgbakwunye na nke a, nhazi ahụ dị na odida obodo format ya na oke nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.

Họrọ ngwa ngwaahịa gị

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Nhọrọ ndị a dị maka n'otu n'otu:

  • Ugogbe acrylic ebipụtara: An print on acrylic glass, often named a plexiglass print, will turn your favorite artwork into wall decoration. What is more, it forms a viable alternative to canvas and aluminidum dibond prints. The real glass coating protects your chosen fine art print against sunlight and external influences for up to 60 years.
  • Kwaaji: The canvas direct print is a printed canvas mounted on a wood stretcher. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without any wall-mounts. Therefore, canvas prints are suited for any type of wall.
  • Poster (akwa akwa akwa): The Artprinta poster print is a UV printed cotton canvas with a slightly roughened surface texture. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm around the work of art, which facilitates the framing with a custom frame.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with a true depth - for a modern impression and non-reflective surface.

Ederede iwu dị mkpa: We try whatever we can to depict the art products in as much detail as possible and to exhibit them visually on the product detail pages. Although, the pigments of the printing material, as well as the printing might diverge somehwat from the image on the monitor. Depending on the settings of your screen and the nature of the surface, not all colors are printed 100% realistically. Because all our fine art prints are processed and printed by hand, there may also be slight deviations in the size and exact position of the motif.

Ngwaahịa a

Nkewa edemede: ọrụ mgbidi
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Nlụpụta: Germany
Ụdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: mgbidi mgbidi, nka mgbidi
Nhazi nka nka: usoro odida obodo
Oke akụkụ onyonyo: ogologo: obosara - 1.4: 1
Ntụgharị nkọwa akụkụ onyonyo: ogologo bụ 40% ogologo karịa obosara
Ihe mmeputakwa dị: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 70x50cm - 28x20", 140x100cm - 55x39"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 70x50cm - 28x20", 140x100cm - 55x39"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 70x50cm - 28x20"
Nhọrọ mbipụta aluminom: 70x50cm - 28x20", 140x100cm - 55x39"
Nhazi mbipụta nka: na-enweghị etiti

Tebụl a haziri ahazi nke ọrụ nka

Aha nka nka: "The Gate of the Conference, 1685"
nhazi ọkwa: sere
Nhazi nka: nka ochie
Time: 17th narị afọ
Afọ okike: 1685
Afọ nka: karịa afọ 330
Akụkụ ihe osise izizi: Ogologo: 28,5 cm, obosara: 40 cm
Ụlọ ihe ngosi nka / mkpokọta: Ụlọ ihe nkiri Carnavalet Paris
Ebe ngosi nka: Paris, France
Ebe nrụọrụ weebụ ihe ngosi nka: www.carnavalet.paris.fr
Licensedị ikike: ngalaba ọha
Site n'aka: Ụlọ ihe nkiri Carnavalet Paris

Ozi omenka

Ihe nkiri: Pieter Casteels
Ọrụ: onye na-ese ihe
Nkewa onye nka: nna ukwu ochie
Akwụsị: 50 afọ
Afọ ọmụmụ: 1684
Afọ nwụrụ: 1734

Edochiri ederede a site na nwebiisinka © | www.artprinta.com (Artprinta)

Nkọwapụta nka nka izizi nke Musée Carnavalet Paris (© Nwebiisinka - nke Musée Carnavalet Paris - Ụlọ ihe nkiri Carnavalet Paris)

Quai des Tuileries Pavillon de Flore, Pont Royal, Notre Dame.

Table inspired by the burning Perelle "The Gate of the Conference."

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