Christoph Franz Hillner, 1780 - Eserese nke nwoke - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ngwa ngwaahịa dị
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Nhọrọ ndị a dị maka n'otu n'otu:
- Mpempe akwụkwọ (ihe kwaaji): A poster print is a UV printed flat cotton canvas with a nice surface texture. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing.
- Mbipụta enyo acrylic: A glossy print on acrylic glass, often described as a UV print on plexiglass, transforms the original into marvellous wall décor. Besides, it offers a distinct alternative to canvas and aluminidum dibond fine art replicas. With a glossy acrylic glass art print sharp contrasts and granular painting details will be exposed because of the subtle tonal gradation in the print. The plexiglass protects your custom art print against sunlight and external influences for many years.
- Mbipụta kanvas: A canvas print, which shall not be confused with a real artwork painted on a canvas, is a digital copy printed directly on cotton canvas. Besides, canvas creates a charming and comfy effect. Your canvas of your favorite work of art will give you the unique opportunity of turning your fine art print into a large size collection piece as you would see in a gallery. Canvas prints are relatively low in weight. This means, it is easy to hang the Canvas print without the help of extra wall-mounts. A canvas print is suited for all types of walls.
- Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a material with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is the ideal introduction to fine art replicas made with aluminum. For your Direct Print On Aluminum Dibond, we print your selected artwork onto the surface of the white-primed aluminum.
Ozi dị mkpa: We try our best in order to describe our art products as accurately as possible and to display them visually on the product detail pages. Although, the pigments of the printing material, as well as the print result may differ somehwat from the presentation on the device's monitor. Depending on your screen settings and the quality of the surface, color pigments may not be printed as exactly as the digital version depicted here. In view of the fact that all our are printed and processed by hand, there may also be slight deviations in the size and exact position of the motif.
Original description from Musée Cognacq-Jay Paris (© Copyright - by Musée Cognacq-Jay Paris - Ụlọ ihe nkiri Cognacq-Jay Paris)
miniature rectangular canted
This type of suit is wearing in the second half of the reign of Louis XV.
On the back face, portrait on ivory of money on mine, a text (or signature?): "C f Hillner 1780..." The only artist that we know the name of Hillner is the German painter Christoph Hillner sometimes named Franz, but it is usually not listed as a miniaturist. No miniature of his hand being known to date, allocation is proposed with caution (see Lemoine-Bouchard, Nathalie 2002, p.90).
Nkọwapụta ngwaahịa zuru ezu
Nke a mpempe nka aha Eserese nke nwoke was painted by Christoph Franz Hillner in 1780. E ji nha ya see nke mbụ ya: Ogologo: 4,7 cm, obosara: 5,9 cm. "Signature - Signed the back, bottom right, the silver mine "c Hillner 1780 f.."" was the painting's original inscription. This work of art is in the the Ụlọ ihe nkiri Cognacq-Jay Paris digital art collection. With courtesy of Musée Cognacq-Jay - le goût du XVIIIe Paris (ikike ngalaba ọha).: . E wezụga nke ahụ, nghazi bụ odida obodo na a ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.
Tebụl a haziri ahazi nke ihe osise
Iberibe aha nka: | "Ihe osise nke nwoke" |
Nhazi nka: | sere |
Okwu nche anwụ: | nka ochie |
oge: | 18th narị afọ |
Afọ nka: | 1780 |
Afọ nka: | karịa afọ 240 |
Nha izizi nka: | Ogologo: 4,7 cm, obosara: 5,9 cm |
Akara aka na nka nka: | Signature - Signed the back, bottom right, the silver mine "c Hillner 1780 f.." |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ihe nkiri Cognacq-Jay Paris |
Ebe ebe ngosi nka: | Paris, France |
website: | Ụlọ ihe nkiri Cognacq-Jay Paris |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Musée Cognacq-Jay - le goût du XVIIIe Paris |
Product nkọwa
Ụdị edemede: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV / dijitalụ |
Nlụpụta: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | ịchọ mma mgbidi, ihe ndozi ụlọ |
Nhazi: | usoro odida obodo |
Njikwa oyiyi: | 1.2: 1 ogologo: obosara |
Pụtara nha onyonyo: | ogologo bụ 20% ogologo karịa obosara |
Ụdị dị iche iche dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ nha nha nke Dibond (ihe alumnium): | 60x50cm - 24x20", 120x100cm - 47x39" |
ụba: | biko mara na edeghị nka nka |
Tebụl nyocha nke onye na-ese ihe
Aha onye nka: | Christoph Franz Hillner |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Nkewa onye nka: | nna ukwu ochie |
Akwụsị: | 67 afọ |
Afọ ọmụmụ: | 1745 |
Ebe omuma: | Wroclaw |
Afọ ọnwụ: | 1812 |
Ebe ọnwụ: | Potsdam |
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