Giambattista Tiepolo, 1742 - oriri nke Cleopatra - ọmarịcha nka.

63,99 €

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  • Mbipụta kwaaji: A printed canvas, not to be mistaken with a canvas painting, is a digital image printed on an industrial printer. A printed canvas of this masterpiece will give you the unique opportunity of turning your custom art print into a large work of art as you would see in a real gallery. Canvas Prints have the advantage of being relatively low in weight. This means, it is easy to hang your Canvas print without additional wall-mounts. A canvas print is suited for all kinds of walls.
  • Mbipụta enyo acrylic: A glossy acrylic glass print, often labelled as a print on plexiglass, changes the original into stunning décor and is a viable alternative to dibond or canvas fine art replicas. The artwork will be custom-made with the help of state-of-the-art UV direct printing machines. This has the image effect of rich and stunning colors. With an acrylic glass art print contrasts and also small color details become more visible thanks to the very subtle gradation. The plexiglass with real glass coating protects your chosen fine art print against sunlight and heat for between 4 and six decades.
  • Poster (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a slight surface texture, which resembles the original artwork. A poster print is particularly designed for placing your fine art print in a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the work of art, which facilitates the framing with your custom frame.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond material with a true depth effect. The white and bright parts of the work of art shine with a silky gloss but without glow. The colors of the print are luminous and vivid in the highest definition, the fine details appear clear and crisp, and the print has a a matte look you can literally feel.

Ozi dị mkpa: We try the best we can in order to describe the art products as exact as possible and to exhibit them visually in our shop. At the same time, the colors of the print materials, as well as the print result might diverge to a certain extent from the image on the device's monitor. Depending on the screen settings and the nature of the surface, colors might not be printed 100% realistically. Considering that the are printed and processed by hand, there might as well be slight variations in the motif's size and exact position.

Ozi mgbakwunye nke Musée Cognacq-Jay Paris (© nwebiisinka - nke Musée Cognacq-Jay Paris dere - www.museecognacqjay.paris.fr)

Giambattista Tiepolo illustrated in the table an episode in the life of Cleopatra, recounted by Pliny the Elder in his "Naturalis Historia" (Book IX) and by Plutarch in his "Lives of great men." This is the episode of the banquet given by Cleopatra Mark Antony in 41 BC. AD, during which the queen, who told the triumvirate that his feast would be the most expensive in history, melted in a cup of vinegar a priceless pearl. Tiepolo has chosen to surprise the instant the queen shows heavy pearl pearly its guests fascinated, Mark Antony, in costume and ceremonial feathered helmet, and Lucius Plancus, the Roman consul, here transformed by the painter Asiatic potentate .

This painting is a very bright and refined modello of "Banquet of Cleopatra" by Tiepolo preserved in the National Gallery of Victoria in Melbourne (1743-1744). His technique is particularly good for a successful implementation. More than a sketch is a preparatory version that can therefore date from 1742-1743 and is the valuable source of all Tiepolo achievements on this subject that was of particular interest.

Mpempe akwụkwọ nka ọhụụ nkeonwe gị

The more than 270 year old artwork was painted by the master Giambattista Tiepolo. Nke mbụ tụrụ nha - Ogologo: 50,5 cm, obosara: 69 cm. Ihe osise a bụ akụkụ nke mkpokọta nka dijitalụ nke Ụlọ ihe nkiri Cognacq-Jay Paris. The artpiece, nke bụ nke ngalaba ọha a na-agụnye na nkwanye ùgwù nke Musée Cognacq-Jay - le goût du XVIIIe Paris.: . Kedu ihe ọzọ, nhazi ahụ bụ odida obodo na a akụkụ ruru nke 1.4: 1, nke na-egosi na ogologo bụ 40% ogologo karịa obosara.

Iberibe tebụl nka

Iberibe aha nka: "Ori oriri nke Cleopatra"
Nhazi nka nka: sere
Otu sara mbara: nka ochie
Century: 18th narị afọ
Afọ okike: 1742
Ogologo afọ nka nka: karịa afọ 270
Nha izizi nka: Ogologo: 50,5 cm, obosara: 69 cm
Egosiputara na: Ụlọ ihe nkiri Cognacq-Jay Paris
Ebe ngosi nka: Paris, France
E Nwere na: Ụlọ ihe nkiri Cognacq-Jay Paris
License: ngalaba ọha
Site n'aka: Musée Cognacq-Jay - le goût du XVIIIe Paris

Banyere edemede a

Nkewa edemede: ọrụ mgbidi
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: UV kpọmkwem obibi
Production: arụpụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: mgbidi gallery, ime ụlọ
Nhazi nka nka: usoro odida obodo
Ụdị anya: 1.4: 1 ogologo ruo obosara
Mmetụta akụkụ onyonyo: ogologo bụ 40% ogologo karịa obosara
Ụdị ihe dị iche iche: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 70x50cm - 28x20", 140x100cm - 55x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 70x50cm - 28x20", 140x100cm - 55x39"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 70x50cm - 28x20"
Mpempe aluminom (aluminium dibond ihe) nha: 70x50cm - 28x20", 140x100cm - 55x39"
Igwe onyonyo: na-enweghị etiti

Nchịkọta ihe nkiri

Aha onye nka: Giambattista Tiepolo
okike onye nka: nwoke
Obodo onye nka: Italian
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: Italy
nhazi ọkwa: nna ukwu ochie
Afọ ọnwụ: 74 afọ
A mụrụ: 1696
Afọ ọnwụ: 1770

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