Robert Bell, 1905 - Jane na-acha anụnụ anụnụ na akwụkwọ ndụ akwụkwọ ndụ - ọmarịcha nka

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Maka ngwaahịa ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often named a an art print on plexiglass, transforms the original into great décor and forms a distinct alternative to dibond or canvas art prints. Your work of art is being manufactured with the help of state-of-the-art UV direct printing machines. It makes stunning, vivid color shades. The plexiglass protects your selected fine art print against light and heat for many years to come.
• Kwaaji: The canvas print, not to be confused with a canvas painting, is a digital replica printed from a UV direct printer. A canvas print has the advantage of being low in weight, which means that it is easy to hang your Canvas print without the help of additional wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
• Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an impressive depth. Its non-reflective surface creates a contemporary impression. The Direct Print on Aluminum Dibond is your best start to the sophisticated world of fine prints manufactured on aluminum. For our Direct Aluminium Dibond option, we print your chosen work of art onto the surface of the white-primed aluminum material. The direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to display art prints, as it draws attention on the image.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster is a printed cotton canvas paper with a fine structure on the surface. It is particularly designed for placing the art print with a custom frame. Please note, that depending on the size of the poster we add a white margin between 2-6 cm around the work of art, which facilitates the framing.

Ozi dị mkpa: We try our utmost in order to depict our products with as many details as possible and to showcase them visually on the product detail pages. Nevertheless, the colors of the printing material and the printing may diverge marginally from the representation on your screen. Depending on the screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version. Bearing in mind that all our art reproductions are processed and printed manually, there may also be slight discrepancies in the motif's size and exact position.

Nkọwa mgbakwunye site na ụlọ ngosi nka (© - site na Museum of New Zealand - Te Papa Tongarewa - Museum of New Zealand - Te Papa Tongarewa)

Jane in blue and green, 1905, by Robert Bell. Gift of the New Zealand Academy of Fine Arts, 1936. Te Papa (1936-0012-39)

Nke a mpempe nka na aha Jane in blue and green kere site na nwoke onye na-ese ihe Robert Bell. Nke mbụ nwere nha ndị a: Foto: 178mm (obosara), 225mm (ịdị elu). Watercolour on gesso on canvas mounted on panel was used by the artist as the technique for the piece of art. Nowadays, the artwork is in the the Museum of New Zealand - Te Papa Tongarewa's art collection, which is the national museum of New Zealand, with a great collection of artworks that contain deep ancestral links to the indigenous Māori population of New Zealand. This ngalaba ọha a na-enye ọrụ nka site n'ikike nke Jane in blue and green, 1905, by Robert Bell. Gift of the New Zealand Academy of Fine Arts, 1936. Te Papa (1936-0012-39). Additionally, the artpiece has the following creditline: Gift of the New Zealand Academy of Fine Arts, 1936. Besides this, the alignment of the digital reproduction is Eserese na a akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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