Gerard David, 1500 - Christ Ngọzi - ọmarịcha nka

Ozi ngwaahịa nka

In 1500 Gerard david kere kpochapụwo nka nka Christ Ngọzi. E sere ihe mbụ dị ihe karịrị afọ 520 na nha: Overall, including engaged frame, 4 3/4 x 3 1/2 in (12,1 x 8,9 cm); painted surface 3 5/8 x 2 3/8 in (9,2 x 6 cm). Mmanụ na osisi was applied by the artist as the medium of the masterpiece. Furthermore, the artwork is included in the The Metropolitan Museum of Art's art collection. With courtesy of - The Metropolitan Museum of Art, New York, Purchase, The Cloisters Collection, Hester Diamond and Kowitz Family Foundation Gifts, Dodge Fund, and Malcolm Hewitt Wiener Foundation Gift, 2009 (ikike - ngalaba ọha). Ebe kredit nke ọrụ nka: Purchase, The Cloisters Collection, Hester Diamond and Kowitz Family Foundation Gifts, Dodge Fund, and Malcolm Hewitt Wiener Foundation Gift, 2009. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The artist, illuminator, painter, drawer, miniaturist Gerard David was an artist, whose artistic style was mainly Northern Renaissance. The painter lived for a total of 63 afọ - amuru n'ime 1460 na Oudewater, Utrecht Province, Netherlands wee nwụọ n’afọ 1523.

Nye iwu ihe ị ga-achọ ka kpọgidere na mgbidi gị

Na menu ndọpụta ngwaahịa ị nwere ike ịhọrọ nha na ihe kacha amasị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Metal (aluminium debond mbipụta): These are metal prints on alu dibond material with an impressive depth effect, which makes a contemporary impression thanks to a surface structure, which is non-reflective. For your Aluminium Dibond print, we print your favorite artpiece on the surface of the white-primed aluminum. The colors of the print are luminous in the highest definition, the fine details of the print are very clear, and you can feel a matte appearance. This UV print on aluminium is one of the most popular entry-level products and is a sophisticated way to display artworks, since it puts 100% of the viewer’s attention on the image.
• Mbipụta enyo acrylic: A glossy print on acrylic glass, which is often labelled as a UV print on plexiglass, will change the original artwork into gorgeous décor. The work of art is being printed thanks to the help of state-of-the-art UV printing technology. The effect of this are sharp and vivid color tones.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a printed sheet of canvas paper with a granular structure on the surface. The poster is optimally suited for putting your art replica in a customized frame. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the print, which facilitates the framing with your custom frame.
• Mbipụta kanvas: A canvas direct print is a printed cotton canvas mounted on a wooden frame. A canvas generates the special look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suitable for all kinds of walls.

Ederede iwu: We try our utmost in order to depict our products with as many details as we can and to showcase them visually in our shop. Nonetheless, some colors of the print products and the imprint can diverge somehwat from the image on your monitor. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Because all our fine art prints are processed and printed manually, there may also be minor differences in the motif's exact position and the size.

Ozi ngwaahịa ahaziri

Ọrụ tebụl nka

metadata nka nka

© Nwebiisinka - ikike ọgụgụ isi nke - Artprinta.com (Artprinta)

Description from The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - www.metmuseum.org)

This highly spiritual and exquisitely rendered Christ Blessing was adapted from Byzantine icons brought to the Low Countries in the fifteenth century. The panel differs from the Byzantine models in the freshness of observation evident in Christ’s face and in the delicate articulation of the hands, the latter based on Gerard David’s drawings made from life.