Jan Mostaert, 1510 - Egosiri Ndị Mmadụ Kraịst - mbipụta nka mara mma

Onyinye ngwaahịa nka

Nke a gafee 510 afọ artpiece kere site na n'ebe ugwu renaissance nwe- Jan Mostaert. Ihe gafere 510 okike izizi nke dị afọ tụrụ nha: N'ozuzu 12 x 8 7/8 inch (30,5 x 22,5 cm); elu agba 11 1/2 x 8 1/4 inch (29,2 x 21 cm) ma jiri ya rụọ ya Usoro of oil on wood. This piece of art is in the the The Metropolitan Museum of Art's art collection. The nka ochie public domain artpiece is being included with courtesy of The Metropolitan Museum of Art, New York, The Jack and Belle Linsky Collection, 1982. Additionally, the work of art has the following creditline: The Jack and Belle Linsky Collection, 1982. In addition to that, the alignment of the digital reproduction is Eserese na nwere akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Jan Mostaert was a Netherlandish painter, whose art style can mainly be classified as Northern Renaissance. The Northern Renaissance artist lived for 58 years - born in 1498 and died in the year 1556.

Họrọ ngwa ngwaahịa masịrị gị

In the product dropdown selection you can select a material and a sizeaccording to your personal preferences. Pick your favorite size and material among the following options:

• Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. A canvas produces the typical effect of three-dimensionality. A printed canvas generates a nice and pleasing effect. A canvas print has the advantage of being low in weight. This means, it is quite simple to hang the Canvas print without extra wall-mounts. Because of thatcanvas prints are suited for any type of wall.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print material with a true depth - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is the excellent start to fine art reproductions with aluminum. For our Aluminium Dibond option, we print your chosen artwork onto the surface of the white-primed aluminum.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a UV printed canvas paper with a granular finish on the surface. It is used for framing the fine art print with a special frame. Please note, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the artwork, which facilitates the framing.
• Ihe odide acrylic glass: A glossy print on acrylic glass, often denoted as a plexiglass print, makes your favorite original artwork into brilliant décor and is a distinct alternative option to dibond or canvas art prints. The acrylic glass protects your selected art replica against sunlight and heat for between 4 and 6 decades.

Ederede iwu dị mkpa: We try everything to depict the art products as accurately as possible and to exhibit them visually. Please bear in mind that the tone of the printed materials and the imprint might vary marginally from the representation on the device's monitor. Depending on your screen settings and the quality of the surface, color pigments may not be printed as exactly as the digital version. Given that our fine art prints are processed and printed by hand, there may as well be minor differences in the size and exact position of the motif.

Ngwaahịa a

Tebụl a haziri ahazi nke mpempe nka

Ozi ndabere izugbe gbasara onye na-ese ihe

© Copyright - ikike ọgụgụ isi nke | www.artprinta.com (Artprinta)

Nkọwa zuru oke site na The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Perhaps part of a diptych, the panel depicts Pilate presenting Christ to the Hebrews for judgment. In keeping with its devotional function, Mostaert places the main figures close to the picture plane, showing them only half length. The dialogue of hands and the insertion of the Virgin, who has fainted in grief, between the foreground figures, contribute to the expressive force.