Joos van Cleve, 1525 - Annunciation - mbipụta nka mara mma

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  • Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print with a true depth - for a modern impression and non-reflective surface. The Aluminium Dibond Print is the ideal introduction to fine art reproductions produced with aluminum. For the Print On Aluminum Dibond, we print your favorite artpiece onto the surface of the white-primed aluminum.
  • Mbipụta kwaaji: The canvas print, which should not be mistaken with an artwork painted on a canvas, is a digital image printed onto cotton canvas. Besides, canvas print generates a attractive, warm look. A canvas of this masterpiece will let you turn your personal fine art print into a large artwork. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without the use of additional wall-mounts. Therefore, a canvas print is suited for any kind of wall.
  • Bipụta na enyo acrylic: An print on acrylic glass, often named a print on plexiglass, changes an original work of art into lovely décor. In addition to that, it makes a viable alternative to canvas and dibond fine art prints. The artwork is manufactured with modern UV printing machines. The special effect of this are and rich color tones. The great upside of an acrylic glass print is that contrasts and granular color details will be more identifiable due to the very subtle gradation in the picture.
  • Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster print is a printed cotton canvas paper with a slight structure on the surface, that resembles the actual masterpiece. It is excellently designed for placing the fine art print with the help of a customized frame. Please note, that depending on the size of the poster print we add a white margin 2-6 cm around the artwork in order to facilitate the framing.

Disclaimer: We try what we can to depict our products as accurately as it is possible and to showcase them visually in our shop. At the same time, the tone of the printing material and the printing may differ to a certain extent from the representation on your screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. Given that all the are processed and printed manually, there may also be minor variations in the motif's size and exact position.

Ozi izizi gbasara ọrụ nka sitere na weebụsaịtị The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. The altarpiece and the woodcut on the wall, for example, show Old Testament prophets as prefigurations of New Testament themes. Influenced by Italian art, Joos appropriated a new canon of beauty, a new repertory of rhetorical gesture, and a striking grace of movement in his figures.

Ozi ndabere maka ọrụ nka ihe karịrị afọ 490

Ọkpụkpọ was created by Joos van Cleve. The artpiece had the size: 34 x 31 1/2 na (86,4 x 80 cm). Oil on wood was used by the European painter as the medium of the work of art. Besides, this artpiece can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are glad to state that this masterpiece, which is part of the public domain is provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931. The creditline of the artwork is the following: The Friedsam Collection, Bequest of Michael Friedsam, 1931. In addition to that, the alignment is in square usoro ma nwee oke nke 1: 1, nke pụtara na ogologo ya na obosara. The Netherlandish painter Joos van Cleve was a European artist from the Netherlands, whose artistic style can primarily be assigned to Northern Renaissance. The Dutch painter was born in the year 1485 in Cleves, North Rhine-Westphalia, Germany and passed away at the age of 56 Na 1541 na Antwerp, Antwerpen Province, Flanders, Belgium.

Ozi ndabere ọrụ nka

Aha nke ihe nka: "The Annunciation"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Narị afọ nka: 16th narị afọ
Emepụtara na: 1525
Afọ nka: 490 afọ
Usoro nka izizi: mmanụ n'elu osisi
Akụkụ izizi (ọrụ nka): 34 x 31 1/2 na (86,4 x 80 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
E Nwere na: Museumlọ ihe ngosi nka nke Obodo
License: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931
Ebe kredit nke ọrụ nka: Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931

Banyere ngwaahịa a

Bipụta ngwaahịa: ọmarịcha nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: nka mgbidi, mgbidi gallery
Nhazi nka nka: nhazi square
Oke akụkụ onyonyo: 1: 1 - ogologo: obosara
Mmetụta ihe onyonyo: ogologo ya na obosara
Akụrụngwa ị nwere ike ịhọrọ: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
ụba: mbipụta nka na-enweghị isi

Ose okwu

Aha onye nka: Joos van Cleve
Aha ndi ozo: Sotte Cleef, Sotte Kleef, Cleve Joos van the elder, joos van cleve d. a., Cleve Joos van, Joos van Cleve d.Ä., Cleve Joos van D. A., Van Cleve Joos, Sottecleet, Meister des Todes Mariae, Kleef Joos van, Cleef Joos van der Beke, de Sotte van Kleeff, Zotte van Kleef, Cleef Joos van, de Zotte Kleef, Joos van Cleve alias Sotte Cleef, Cleve Joos van der Beke van, J. Van Cléef, de Sotte Cleef, de Sotte Kleef, Cleve Joos van d.Ä., Zotte Kleef, Beke Joos van der, joost van cleve, Sotte Cleeff, Master of the Death of the Virgin, Joos van Cleef, Sottecleef, Josse van Cleve, Joos van Cleve, Cleve, Cleve Joos van der Beke
okike onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ onye na-ese ihe: Onye na-ese ihe na Netherlands
Obodo obibi: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Northern Renaissance
Akwụsị: 56 afọ
Amụrụ n'afọ: 1485
Amụrụ na (ebe): Cleves, North Rhine-Westphalia, Germany
Afọ ọnwụ: 1541
Nwụrụ na (ebe): Antwerp, Antwerpen n'ógbè, Flanders, Belgium

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