Jacob Cornelisz van Oostsanen, 1526 - Sọl na Amoosu nke Endor - ọmarịcha nka.

63,99 €

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This masterpiece was made by the Dutch artist Jacob Cornelisz van Oostsanen in 1526. Ọzọkwa, artpiece bụ akụkụ nke dijitalụ art collection nke Rijksmuseum emi odude ke Amsterdam, Netherlands. Site n'ikike nke - Rijksmuseum (public domain).Moreover, the artwork has the following creditline: . Furthermore, alignment of the digital reproduction is in odida obodo format na akụkụ ruru nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. Jacob Cornelisz van Oostsanen was a painter, whose artistic style was primarily Northern Renaissance. The artist was born in the year 1472 in Netherlands, Europe and died at the age of 61 na 1533.

Họrọ ihe ị ga-ekwu

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print material with an outstanding effect of depth. A direct Aluminium Dibond Print is the best introduction to fine art reproductions produced with aluminum. For our Direct Print On Aluminum Dibond, we print your favorite artpiece right onto the surface of the white-primed aluminum composite. The bright and white parts of the original artpiece shine with a silk gloss, however without the glow.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): A poster print is a printed flat canvas paper with a slightly rough texture on the surface. Please bear in mind, that depending on the size of the poster we add a white margin 2-6cm around the artwork, which facilitates the framing.
  • Mbipụta kanvas: A canvas print is a printed canvas stretched on a wooden frame. It has the extra look of three-dimensionality. A printed canvas of this artpiece will let you turn your personal fine art print into a large work of art as you know from art galleries. Hanging your canvas print: Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the support of extra wall-mounts. Canvas prints are suited for any type of wall.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often named a UV print on plexiglass, will change your favorite original into great décor. Further, the acrylic print is a great alternative option to canvas and aluminidum dibond fine art prints. Your favorite work of art is manufactured with modern UV print technology.

Disclaimer: We try what we can to describe our art products as accurately as possible and to showcase them visually on the various product detail pages. Although, the tone of the printing material and the imprint might vary to a certain extent from the image on the monitor. Depending on the settings of your screen and the condition of the surface, not all colors can be printed 100% realistically. Because all art reproductions are processed and printed manually, there may as well be slight differences in the motif's exact position and the size.

Ngwaahịa a

Nkewa ngwaahịa: ọmarịcha nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: mkpokọta nka (mmeputakwa), nka mgbidi
Ntuziaka onyonyo: usoro odida obodo
Oke akụkụ onyonyo: ( Ogologo: obosara) 1.4: 1
Akụkụ akụkụ pụtara: ogologo bụ 40% ogologo karịa obosara
Ụdị dị iche iche dị: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ.
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 70x50cm - 28x20", 140x100cm - 55x39"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 70x50cm - 28x20"
Nhọrọ nha mbipụta aluminium dibond: 70x50cm - 28x20", 140x100cm - 55x39"
Nhazi mbipụta nka: biko mara na ngwaahịa a enweghị etiti

Nkọwa gbasara ọrụ nka mbụ

Aha ọrụ nka: "Saul and the Witch of Endor"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Narị afọ nka: 16th narị afọ
Afọ okike: 1526
Ogologo afọ nka nka: karịa afọ 490
Ụlọ ihe ngosi nka / mkpokọta: Rijksmuseum
Ebe ngosi nka: Amsterdam, Netherlands
Weebụsaịtị ihe ngosi nka: Rijksmuseum
Ụdị ikike nka: ngalaba ọha
Site n'aka: Rijksmuseum

Ozi nka ahaziri

aha: Jacob Cornelisz van Oostsanen
Aliases: Jacob Cornelisz. van Oostsanen, Cornelisz. van Oostsanen Jacob, Cornelisz. van Amsterdam Jacob, Jacob Cornelisz van Amsterdam, Cornelisz. of Amsterdam Jacob, Cornelisz. Jacob, Jacob Cornelisz, Cornelisz. Jakob van Amsterdam, Cornelisz. van Oostsaanen Jacob, Cornelisz von Amsterdam Jakob, Jacob Cornelisz. van Amsterdam, Van Oostsanen Jacob, Amsterdam Jacob Cornelisz. van, von Amsterdam Jacob, Cornelisz. Van Amsterdam Jacob Van Amsterdam, Cornelisz. van Oostsanen, Jacob Cornelissen van Oostzaanen, Cornelisz. von Amsterdam Jacob, Oostsanen Jacob van, Cornelisz Jacob, Oostsanen Jacob Cornelisz. van, Cornelisz von Amsterdam Jacob, Van Oostsanen Jacob Van Amsterdam, Van Amsterdam Jacob, Jacob Cornelisz van Oostsanen, Jacob van Amsterdam, Cornelisz van Oostanen Jacob, Cornelisz. Jakob, Van Oostsanen Jacob Cornelisz, Cornelisz van Amsterdam Jacob, Cornelisz van Oostsanen Jacob, Cornelisz Jacob, Oostanen Jacob Cornelisz van
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Mba onye si: mba netherland
Nkewa onye nka: nna ukwu ochie
Ụdị nka: Northern Renaissance
Afọ ọnwụ: 61 afọ
Amụrụ n'afọ: 1472
Ebe amụrụ onye: Netherlands, Europe
Nwuru: 1533
Ebe ọnwụ: Netherlands, Europe

© Copyright - Artprinta.com (Artprinta)

Ozi mgbakwunye sitere na ihe ngosi nka (© - site na Rijksmuseum - Rijksmuseum)

Fearing the outcome of a battle, Saul, king of the Israelites, consulted the fortune-telling witch of Endor. On hearing that he would lose, the king threw himself on his sword. His suicide – in the middle background – is a warning against witchcraft. In the foreground is a Witches’ Sabbath: the fortune-teller sits within a chalk circle, surrounded by other witches, satyrs and imaginary figures.

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