Nna-ukwu nke Eggenburg, 1490 - Olili ozu nke Saint Wenceslas - mbipụta nka mara mma

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Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true effect of depth - for a modern impression and a non-reflective surface. The white & bright parts of the artwork shimmer with a silk gloss but without glow. Colors are luminous in the highest definition, details are very clear. The direct print on Aluminum Dibond is one of the most popular entry-level products and is a sophisticated way to showcase fine art prints, since it draws focus on the image.
• Bipụta na iko acrylic na-egbuke egbuke: An acrylic glass print, which is often referred to as a print on plexiglass, will transform the original work of art into brilliant décor and makes a good alternative to aluminium or canvas fine art prints. The artwork will be custom-made thanks to the help of modern UV direct printing technology. The special effect of this are vibrant, deep colors. The real glass coating protects your custom fine art print against light and heat for many years to come.
• Mbipụta kwaaji: The printed canvas, which shall not be mistaken with a real artwork painted on a canvas, is a digital copy printed on a UV direct printer. In addition to that, a canvas print produces a attractive, enjoyable appearance. Your printed canvas of this artpiece will let you turn your customized fine art print into a large artpiece as you know from galleries. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without extra wall-mounts. A canvas print is suited for all kinds of walls.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a UV printed canvas with a granular finish on the surface. The poster is optimally suited for placing the art copy in a special frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm around the artwork, which facilitates the framing.

Mbipụta nka nkeonwe gị

The Burial of Saint Wenceslas is a work of art by Master of Eggenburg in 1490. Eserese dị afọ 530 tụrụ nha: Elu agba agba, gụnyere oke ojii, 27 1/8 x 17 in (68,9 x 43,2 cm). Oil and gold on spruce was applied by the artist as the technique for the painting. Today, the piece of art is included in the digital collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Nke a nka ochie public domain masterpiece is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of William Rosenwald, 1944. Creditline of the artwork: Gift of William Rosenwald, 1944. On top of that, alignment of the digital reproduction is in portrait format with a side ratio of 2 : 3, which implies that the length is 33% shorter than the width. Master of Eggenburg was a painter, whose art style was primarily Northern Renaissance. The artist lived for a total of 10 years and was born in the year 1490 ma nwụọ n’afọ 1500.

Ihe dị mkpa: We try the best we can to describe the products in as much detail as possible and to illustrate them visually. Nonetheless, the colors of the print materials, as well as the printing might diverge somehwat from the image on your screen. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. Since the are processed and printed manually, there may as well be slight variations in the exact position and the size of the motif.

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