Hugues Merle, 1872 - akwụkwọ na-ada ada, ihe atụ nke ụbịa - mbipụta nka mara mma.

73,99 €

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The piece of art "Falling Leaves, Allegory of Autumn" was made by the French artist Hugues Merle in 1872. Ihe gafere 140 year-old original version had the following size 68 7/8 x 43 1/4 na (174,9 x 109,9 cm). Mmanụ na kwaaji was used by the artist as the medium of the masterpiece. The work of art forms part of the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The work of art, which is part of the public domain is provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe mkpokọta, Arịrịọ nke Catharine Lorillard Wolfe, 1887. : Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. The alignment of the digital reproduction is in portrait format na nwere akụkụ ruru nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.

What does the original description of the The Metropolitan Museum of Art say about this artwork created by Hugues Merle? (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

Merle, a friend and sometime rival of Bouguereau, was known for the sentimental images of contented rustic families that he regularly exhibited at the annual Salons. In this painting from 1872, Merle tried his hand at a loosely mythological scene of a languid young woman in the guise of Fall. Catharine Lorillard Wolfe bought the melancholic picture from the New York branch of the art gallery Goupil & Co. on February 21, 1873, while still in mourning for her father. A critic who saw the work in Wolfe’s home remarked, "Here, under russet foliage, a ripe beauty passes…. Nearby, disguised so much in shadow as to be almost invisible, little Love is running away; for this bereavement of affection is the plague of life’s Autumn, as love’s importunity is the plague of its Spring."

Nkọwa ihe nka

Aha ọrụ nka: "Falling Leaves, Allegory of Autumn"
Nhazi nka nka: sere
Nhazi nka: nkà nke oge a
Time: 19th narị afọ
Emepụtara n'afọ: 1872
Afọ nka: ihe dị ka afọ 140
Agba na: mmanụ na kwaaji
Ogo nke ọrụ nka izizi: 68 7/8 x 43 1/4 na (174,9 x 109,9 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Dị n'okpuru: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe mkpokọta, Arịrịọ nke Catharine Lorillard Wolfe, 1887
Ebe kredit nke ọrụ nka: Nchịkọta Catharine Lorillard Wolfe, Arịrịọ nke Catharine Lorillard Wolfe, 1887

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Ihe nkiri: Hugues Merle
Aha nka ndị ọzọ: merle hugues, Georges Merle, Hugues Merle, Merle Hugues, Merle Hugues Georges, Merle, H. merle, H Merle, Hughes Merle
Gender: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Obodo obibi: France
Otu nka: omenkà nke oge a
Nwụrụ anwụ: 58 afọ
Afọ ọmụmụ: 1823
Nwuru: 1881
Nwụrụ na (ebe): Paris, Ile-de-France, France

Nhọrọ ihe onwunwe

In the product dropdown lists you can choose the size and material of your choice. We allow yout to choose among the following variants:

  • Kwaaji: A canvas print, which shall not be confused with a painting on a canvas, is a digital copy printed on an industrial printer. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without additional wall-mounts. A canvas print is suitable for all kinds of walls.
  • Poster (akwa akwa akwa): A poster is a printed flat canvas with a granular surface texture, that resembles the actual version of the work of art. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2 - 6cm round about the painting, which facilitates the framing.
  • Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an outstanding effect of depth. The colors are bright and luminous, fine details are crisp, and there’s a matte look that you can literally feel. The direct print on aluminium is one of the most popular entry-level products and is an extremely sophisticated way to display fine art reproductions, as it draws attention on the image.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes referenced as a fine art print on plexiglass, makes your favorite original work of art into great home decoration. The major benefit of a plexiglass art print is that contrasts and also minor painting details become visible due to the delicate gradation.

Nkọwa akụkọ ahaziri ahazi

Ụdị edemede: mmepụta nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: UV kpọmkwem obibi
Nlụpụta: arụpụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: ịchọ mma mgbidi, foto mgbidi
Ndepụta: nhazi ihe osise
Oke akụkụ onyonyo: 9: 16 (ogologo: obosara)
Nkọwa: ogologo bụ 45% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 50x90cm - 20x35", 100x180cm - 39x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x90cm - 20x35", 100x180cm - 39x71"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x90cm - 20x35"
Mpempe aluminom (aluminium dibond ihe) nha: 50x90cm - 20x35"
Igwe onyonyo: na-enweghị etiti

Ederede iwu: We try what we can to describe our art products as clearly as possible and to demonstrate them visually in our shop. Nonetheless, the tone of the print materials, as well as the print result may differ marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, not all colors are printed as exactly as the digital version on this website. Since all art reproductions are processed and printed by hand, there might as well be minor deviations in the size and exact position of the motif.

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