Nicolaes Pietersz Berchem, 1670 - Allegory nke mgbụsị akwụkwọ - ọmarịcha nka.

Additional specifications from Mauritshuis (© Copyright - by Mauritshuis - Maurithuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1222 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1222); his sale, London (Christie’s), 30 November 1979, no. 3; Leger Gallery, London 1981 (together with inv. no. 1222); Noortman Gallery, Maastricht-London (together with inv. no. 1222); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1222 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220 and 1222)

Ozi ndabere na ọrụ nka

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Ngwa ngwaahịa a na-ahọpụta

Na nhọrọ ndọpụta ngwaahịa ị nwere ike ịhọrọ ihe na nha ọkacha mmasị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Kwaaji: A printed canvas, not to be confused with a canvas painting, is a digital replica printed from an industrial printing machine. Canvas prints are relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often named a print on plexiglass, will change an original work of art into décor and is a good alternative option to dibond and canvas fine art replicas. Your favorite artwork will be printed with the help of modern UV printing machines. This has the impression of and vivid colors. With an acrylic glass fine art print contrasts as well as details become visible with the help of the granular tonal gradation of the print. The acrylic glass protects your selected art replica against light and external influences for several decades.
• Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with a true depth effect. For your Direct Print On Aluminum Dibond, we print the chosen artwork right onto the aluminium composite white-primed surface. The colors of the print are luminous in the highest definition, the fine details are clear and crisp. This direct print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to showcase fine art prints, as it draws attention on the artwork.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster print is a UV printed sheet of flat canvas with a fine surface texture. It is best used for putting your art copy with the help of a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing.

Ozi ngwaahịa nka izugbe

In 1670 nwoke Dutch artist Nicolaes Pietersz Berchem painted the painting. The version of the piece of art measures the size: height: 94,3 cm width: 88,5 cm | height: 37,1 in width: 34,8 in and was painted on the medium mmanụ na kwaaji. Signed: Berchem f is the artwork's original inscription. This artpiece belongs to the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The nka ochie work of art, which belongs to the public domain is supplied - courtesy of Maurithuis, Hague. Ebe kredit nke ọrụ nka: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1222 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1222); his sale, London (Christie’s), 30 November 1979, no. 3; Leger Gallery, London 1981 (together with inv. no. 1222); Noortman Gallery, Maastricht-London (together with inv. no. 1222); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1222 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220 and 1222). Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ bụ square ma nwee akụkụ akụkụ nke 1: 1, nke na-egosi na ogologo ya hà nhata.

Ihe dị mkpa: We try what we can in order to describe our art products as exact as possible and to showcase them visually. Please bear in mind that the tone of the print materials and the print result may diverge slightly from the image on your monitor. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Since all the art prints are printed and processed by hand, there might as well be minor variations in the motif's size and exact position.

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