Amaghi ama, 1820 - Prince Holding a Falcon - mbipụta nka mara mma

Background information on the painting by Unknown

Nke a kariri 200 onye na-ese ihe na-ese ihe nka afọ afọ Unknown in 1820. E ji nha zuru oke sere nke mbụ ya: H: 75,2 in (191 cm) x W: 29,5 in (75 cm). Mmanụ na kwaaji was applied by the painter as the technique for the artwork. This artwork is included in the The Metropolitan Museum of Art's digital collection, which is located in New York City, New York, Njikota Obodo Amerika. Obi dị anyị ụtọ ịkpọ nke a ngalaba ọha A na-enye ihe osise na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Purchase, 2017 NoRuz at The Met Benefit, 2017. : Purchase, 2017 NoRuz at The Met Benefit, 2017. Furthermore, alignment is in portrait format and has an image ratio of 1 : 1.4, which means that ogologo bụ 29% mkpụmkpụ karịa obosara.

Ozi mgbakwunye sitere na ụlọ ngosi ihe mgbe ochie (© Copyright - site na The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The arch shape of this painting suggests it was intended for a niche in an architectural setting, probably a palace or pavilion, where it would have been displayed as part of a larger decorative program along with other portraits of the ruler, princes, and other court members. Typical of Qajar lifesize oil portraits from the first quarter of the nineteenth century, it shows the prince standing in front of a window with a pierced wooden balustrade. The background is undecorated in order to accentuate the opulence of the his costume and accoutrements. Based on the treatment of the textiles, jeweled elements, palette, and articulation of the facial features, the portrait can be related to two signed paintings of princes by the artist Muhammad Hasan, one of the foremost portrait artists during the reign of Fath ʽAli Shah Qajar (reigned 1797–1834). Here, the prince wears a jewel-studded robe and red sash with paisley designs, carries a sword with a bejeweled sheath, and dons a black astrakhan hat with a jeweled aigrette. Touching the saber sheath with one hand, he holds a falcon with the other. Falconry, the privileged sport of royalty and nobility in Iran for centuries, was enjoyed by numerous Qajar princes.

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Kedu ihe eji ebipụta nka mara mma m nwere ike iburu?

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Poster (akwa akwa akwa): A poster is a printed sheet of canvas paper with a granular surface texture, that reminds the original masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: A canvas direct print is a printed canvas stretched on a wooden frame. A canvas of your favorite masterpiece will let you turn your very own into a large artpiece as you know from art galleries. Canvas prints are relatively low in weight. That means, it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often denoted as a print on plexiglass, changes an original work of art into décor. Furthermore, it offers a great alternative to aluminium and canvas fine art prints. Your artwork is being printed thanks to modern UV direct print machines. This makes deep and vivid colors. The major benefit of a plexiglass fine art copy is that sharp contrasts and also granular details become visible because of the fine tonal gradation of the print. Our plexiglass with real glass coating protects your selected fine art print against light and heat for many decades.
• Mbipụta nke aluminom: Mbipụta Aluminom Dibond bụ mbipụta nwere ezi mmetụta nke omimi.

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Ihe dị mkpa: We do everything to describe our art products as precisely as possible and to display them visually. Nonetheless, the colors of the print products, as well as the print result can vary marginally from the representation on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as realisitcally as the digital version on this website. Bearing in mind that the fine art prints are processed and printed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

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