Anthony van Dyck, 1636 - Queen Henrietta Maria - mbipụta nka mara mma

39,99 €

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Nkọwa ndị ọzọ sitere na ihe ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

In Van Dyck’s portrait, the pregnant queen of England cradles her arms above her abdomen while standing next to a crown that advertises her rank. Henrietta Maria commissioned this painting as a gift for Cardinal Francesco Barberini, who viewed the devout French-born queen as a critical collaborator in his dream of regaining England for the Catholic Church. Destined for a leading patron of the arts in Baroque Rome, Van Dyck’s portrait was one of many diplomatic gifts that spread the artist’s fame and influence throughout Europe.

Data ngwaahịa nka

Na 1636 na nwoke onye na-ese ihe Anthony Van Dyck created the masterpiece. The original was painted with the size of 41 5/8 × 33 1/4 na (105,7 × 84,5 cm). Oil on canvas was applied by the European artist as the technique for the artpiece. Nowadays, the piece of art is included in the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019 (nwere ikike - ngalaba ọha). Ebe kredit nke ọrụ nka: Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019. Besides this, the alignment of the digital reproduction is portrait with a ratio of 3 : 4, which means that ogologo bụ 25% mkpụmkpụ karịa obosara. Anthony van Dyck was a translator, author, dramaturge, painter, theater director, etcher, whose style was mainly Baroque. The Dutch artist was born in 1599 na Antwerp, Antwerpen n'ógbè, Flanders, Belgium na nwụrụ na afọ nke 42 N'afọ 1641 na London, Greater London, England, United Kingdom.

Ngwa ngwaahịa a na-ahọpụta

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, which is sometimes referred to as a plexiglass print, will transform your favorite original into décor and forms a great alternative to canvas or dibond prints. The work of art is made thanks to the help of state-of-the-art UV printing technology. With a glossy acrylic glass art print contrasts and also smaller details become identifiable because of the delicate gradation. Our plexiglass protects your selected art replica against sunlight and external influences for several decades.
  • Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond with an impressive effect of depth. The non-reflective surface make a modern look. The white & bright parts of the artwork shine with a silk gloss, however without glow.
  • Kwaaji: The printed canvas, not to be confused with a real canvas painting, is a digital replica applied onto canvas. Your canvas print of this work of art will let you turn your very own fine art print into a large size artwork like you know from galleries. Hanging your canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster print is a UV printed flat canvas paper with a slightly roughened structure on the surface, that resembles the original artwork. It is perfectly suited for framing your art copy in a personal frame. Please note, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the work of art to facilitate the framing with a custom frame.

Banyere onye na-ese ihe

Ihe nkiri: Anthony Van Dyck
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Gender: nwoke
Obodo onye nka: Dutch
Ọrụ: etcher, painter, theater director, translator, dramaturge, author
Country: mba netherland
Nkewa onye nka: nna ukwu ochie
styles: Baroque
Afọ ọnwụ: 42 afọ
A mụrụ: 1599
Amụrụ na (ebe): Antwerp, Antwerpen n'ógbè, Flanders, Belgium
Nwụrụ n'afọ: 1641
Nwuru na (ebe): London, Greater London, England, United Kingdom

Data ndabere na nka nka izizi

Aha nka: "Queen Henrietta Maria"
Nhazi nke ọrụ nka: sere
Okwu mkpokọta: nka ochie
Time: 17th narị afọ
Afọ nka: 1636
Ogologo afọ nka nka: karịa afọ 380
Agba na: mmanụ na kwaaji
Nha nke ihe nka izizi: 41 5/8 × 33 1/4 na (105,7 × 84,5 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019
kreditline ọrụ nka: Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019

Nkọwa ngwaahịa ahaziri ahazi

Nkewa edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: emere na Germany
Ụdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: ihe ndozi ụlọ, ụlọ mmepụta nka nka
Ndozi onyonyo: nhazi ihe osise
Ụdị anya: (ogologo: obosara) 3: 4
Ntụgharị asụsụ oke onyonyo: ogologo bụ 25% mkpụmkpụ karịa obosara
Nhọrọ akwa: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Ụdị mbipụta aluminom dibond: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Igwe onyonyo: na-enweghị etiti

Ederede iwu dị mkpa: We try our best to depict our art products as precisely as possible and to illustrate them visually in our shop. At the same time, some colors of the print materials, as well as the imprint can diverge slightly from the presentation on the screen. Depending on your screen settings and the nature of the surface, not all color pigments are printed 100% realistically. Since the fine art prints are printed and processed by hand, there might also be slight discrepancies in the motif's size and exact position.

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