Jan Anthonisz van Ravesteyn, 1618 - Eserese nke Ernestine Yolande (1594-1663), Princess of Line - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndabere na nka nwere aha Portrait of Ernestine Yolande (1594-1663), Princess of Line
Ihe karịrị 400 onye na-ese ihe mere afọ ochie Jan Anthonisz van Ravesteyn in 1618. The beyond 400 years old original creation has the following size: elu: 63,5 cm obosara: 53,4 cm | elu: 25 n'obosara: 21 inch. Mmanụ na panel onye omenkà ji mee ihe dị ka usoro maka eserese. Inscription: Femme.de.Conte.Ian.de.Nass.. is the artpiece's original inscription. This work of art belongs to the Ndị Maurithuis collection. We are delighted to state that this artwork, which is part of the ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Maurithuis, Hague. : Frederik Hendrik, Stadholder’s Quarter, The Hague, 1632; by descent to Prince William V, Honselaarsdijk Palace, Naaldwijk, 1755; transferred, 1820. In addition to this, the alignment of the digital reproduction is Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Họrọ ihe ngwaahịa gị
In the product dropdown selection you can choose the material and sizeaccording to your preferences. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: An acrylic glass print, which is often labelled as a fine art print on plexiglass, will convert your favorite original into lovely décor. Our acrylic glass protects your custom fine art print against sunlight and heat for decades.
- Mbipụta kanvas: The canvas print, not to be confused with a real painting on a canvas, is a digital image printed from a UV direct printing machine. A canvas has the special impression of three dimensionality. A canvas of your favorite masterpiece will allow you to transform your new fine art print into a large size work of art as you know from galleries. A canvas print has the advantage of being low in weight, meaning that it is quite simple to hang your Canvas print without the support of extra wall-mounts. Hence, canvas prints are suitable for any kind of wall.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an impressive depth - for a modern look and non-reflective surface structure. The Direct Print on Aluminum Dibond is the perfect introduction to the sophisticated world of art replicas on aluminum.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster is a printed flat cotton canvas paper with a slightly rough texture on the surface, that resembles the actual masterpiece. It is ideally appropriate for placing the art replica with a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print motif in order to facilitate the framing.
Ozi dị mkpa: We try all that we can to depict the art products as precisely as possible and to exhibit them visually on the various product detail pages. Nevertheless, the colors of the print products and the imprint might differ somehwat from the presentation on your device's monitor. Depending on your screen settings and the condition of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version depicted here. Given that all our fine art prints are printed and processed manually, there may as well be slight discrepancies in the exact position and the size of the motif.
Banyere akụkọ
Nkewa bipụta: | ọmarịcha nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Mmalite ngwaahịa: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | nka mgbidi, mgbidi gallery |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ: | ( Ogologo: obosara) 1: 1.2 |
Ihe: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | adịghị |
Nkọwa ahaziri nke ihe nka
Aha nke ọrụ nka: | "Portrait of Ernestine Yolande (1594-1663), Princess of Line" |
Nhazi nka: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 17th narị afọ |
Emepụtara na: | 1618 |
Afọ nka: | ihe dị ka afọ 400 |
Ihe osise izizi: | mmanụ na panel |
Akụkụ izizi (ọrụ nka): | elu: 63,5 cm obosara: 53,4 cm |
Akara aka na nka nka: | inscription: Femme.de.Conte.Ian.de.Nass.. |
Ụlọ ihe ngosi nka: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
Webụsaịtị ihe ngosi nka: | www.mauritshuis.nl |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
kreditline ọrụ nka: | Frederik Hendrik, Stadholder’s Quarter, The Hague, 1632; by descent to Prince William V, Honselaarsdijk Palace, Naaldwijk, 1755; transferred, 1820 |
Tebụl ozi omenkà
Aha onye nka: | Jan Anthonisz van Ravesteyn |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Nkewa onye nka: | nna ukwu ochie |
Nwụrụ anwụ: | 85 afọ |
Afọ amụrụ: | 1572 |
Nwuru: | 1657 |
© Nwebiisinka nke - Artprinta (www.artprinta.com)
Ozi mgbakwunye site na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Mauritshuis - Maurithuis)
Frederik Hendrik, Stadholder’s Quarter, The Hague, 1632; by descent to Prince William V, Honselaarsdijk Palace, Naaldwijk, 1755; transferred, 1820