Jean-Louis Bezard, 1832 - Na-ewere Louvre, Julaị 29, 1830; mgbuchapụ nke ndị nche Switzerland - ọmarịcha nka nka

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Background information on the artpiece painted by Jean-Louis Bezard

Ihe karịrị 180 afọ ọrụ nka e mere site Jean-Louis Bezard. Emere izizi ihe karịrị afọ 180 na nha: Ogologo: 74 cm, obosara: 98 cm. The artpiece has the following inscription: "Signing of the running - Signed lower right: "Bézard"". The work of art belongs to the digital collection of Ụlọ ihe nkiri Carnavalet Paris. Site n'ikike nke Ụlọ ihe nkiri Carnavalet Paris (ọha na eze).Kridi n'obi nke artpiece bụ ndị a: . Ọzọkwa, alignment na-na odida obodo format ma nwee oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

Ngwa ngwaahịa dị

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a printed cotton canvas with a nice surface finish. The poster print is optimally used for placing your fine art print with a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6 cm round about the artwork in order to facilitate the framing with your custom frame.
  • Kwaaji: The printed canvas, not to be mistaken with a painting on a canvas, is a digital copy printed directly on canvas fabric. A printed canvas makes a homelike and comfy atmosphere. Hanging your canvas print: A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Therefore, a canvas print is suitable for all kinds of walls.
  • Mbipụta enyo acrylic: A glossy print on acrylic glass, which is often referenced as a UV print on plexiglass, will transform the original into brilliant décor. Moreover, the acrylic print forms a viable alternative option to dibond and canvas fine art prints. The work of art will be custom-made with the help of modern UV printing technology. The result of this are vibrant, stunning colors. The plexiglass protects your selected art replica against sunlight and external influences for many decades.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print material with a true depth effect. A direct Direct Print on Aluminum Dibond is your perfect introduction to art replicas with aluminum. Colors are luminous, the fine details of the print appear very clear, and you can really feel the matte appearance.

Disclaimer: We try the best we can to describe the art products as closely as possible and to exhibit them visually. However, the pigments of the print products and the imprint might diverge marginally from the representation on the monitor. Depending on the screen settings and the quality of the surface, color pigments may not be printed as realistically as the digital version on this website. Bearing in mind that the fine art prints are processed and printed manually, there may as well be minor deviations in the motif's size and exact position.

Banyere akụkọ

Ụdị edemede: nka nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Ihe ngosi: arụpụtara na Germany
Ụdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: foto mgbidi, nchịkọta nka (mmepụta)
Nhazi: usoro odida obodo
Ụdị anya: 4: 3
Nsonaazụ: ogologo bụ 33% ogologo karịa obosara
Ụdị dị iche iche dị: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi nke nnomi nka: mbipụta nka na-enweghị isi

Iberibe nkọwa nka

Aha nke ihe nka: "Taking the Louvre, July 29, 1830; massacre of the Swiss Guards"
Nhazi nka nka: sere
Otu izugbe: nkà nke oge a
Time: 19th narị afọ
Emepụtara na: 1832
Afọ nka: ihe karịrị afọ 180
Akụkụ izizi: Ogologo: 74 cm, obosara: 98 cm
mbinye aka izizi nka: Signing of the running - Signed lower right: "Bézard"
Egosiputara na: Ụlọ ihe nkiri Carnavalet Paris
Ebe ngosi nka: Paris, France
ibe weebụ: Ụlọ ihe nkiri Carnavalet Paris
Licensedị ikike: ngalaba ọha
Site n'aka: Ụlọ ihe nkiri Carnavalet Paris

Nchịkọta ihe nkiri

Aha onye nka: Jean-Louis Bezard
Ọrụ: onye na-ese ihe
nhazi ọkwa: omenkà nke oge a
Nwụrụ anwụ: 82 afọ
Afọ ọmụmụ: 1799
Obodo amụrụ: Toulouse
Nwụrụ n'afọ: 1881
Obodo ọnwụ: Paris

© Nchekwa ikike nwebisiinka - Artprinta.com

(© nwebiisinka - Musée Carnavalet Paris - www.carnavalet.paris.fr)

The scene takes place in a Louvre windows leading to the courtyard; Swiss Guards, the insurgents, Polytechnique, corpses, wounded, guns, bayonets, tricolor.

Deposit at the police headquarters in 1927. End of the deposit in 1943

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