Onye isi ala Demah Barnes, 1773 - Eserese nke William Duguid - mbipụta nka mara mma

"Portrait of William Duguid" nke ochie nna ukwu kere Onye isi ala Demah Barnes dị ka ihe osise nke gị

Ihe osise narị afọ nke 18 a Portrait of William Duguid mere site na nwoke artist Prince Demah Barnes in 1773. The 240 year-old masterpiece measures the size: Canvas: 20 3/4 × 15 3/4 × 1 1/8 in (52,7 × 40 × 2,9 cm) Framed: 22 1/2 × 17 1/2 × 1 1/2 in (57,2 × 44,5 × 3,8 cm). Mmanụ na kwaaji was used by the artist as the medium of the work of art. The artwork is included in the digital collection of The Metropolitan Museum of Art. With courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, ndị enyi nke American Wing Fund, 2010 (ikike ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Ndị enyi nke American Wing Fund, 2010. Ọzọkwa, alignment bụ Eserese na nwere oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Ozi nka site na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

William Duguid, a Scottish immigrant textile importer based in Boston, is the subject of this engaging portrait. In 1773 he sat for Prince Demah, a painter of African descent, who was the "property" of merchant Henry Barnes. Impressed with his talent, Barnes took Demah to London in 1771, where he studied briefly with Robert Edge Pine. Demah’s story is extraordinary—he is the only enslaved artist working in colonial America whose paintings are known to have survived. To date, three portraits by him have been identified. When his Loyalist owners fled to England in 1775, the artist remained in Boston, identifying himself as "Prince Demah, limner" and a "free Negro." He enlisted in the Massachusetts militia in 1777 to fight against the British, but died of an unknown illness the following year.

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The product dropdown menu ofers you the possibility to pick the material and size of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster print is a printed sheet of cotton canvas with a slight surface texture, which resembles the original masterpiece. Please bear in mind, that depending on the size of the poster print we add a white margin between 2 - 6cm round about the print, which facilitates the framing with a custom frame.
• Mbipụta aluminom (aluminium dibbond): These are metal prints on aluminium dibond material with an impressive effect of depth, which creates a fashionable impression throuch a surface structure, which is not reflective. The Aluminium Dibond Print is the excellent start to the sophisticated world of fine art prints made with aluminum. For the Direct Print On Aluminum Dibond, we print the selected work of art onto the aluminium composite surface. The colors of the print are luminous and bright, fine details appear clear and crisp.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often referred to as a plexiglass print, will turn your favorite original work of art into wonderful wall decoration and makes a great alternative option to aluminium or canvas art prints. The work of art will be printed with the help of modern UV print technology. This creates the impression of intense, sharp colors.
• Kwaaji: A canvas print is a printed canvas stretched on a wood stretcher. A canvas generates a typical impression of three dimensionality. Further, a printed canvas produces a charming, comfy effect. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the help of additional wall-mounts. A canvas print is suited for any kind of wall.

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Ozi dị mkpa: We try everythig possible to depict the art products as exact as it is possible and to demonstrate them visually. Nevertheless, the pigments of the print products and the print result can differ slightly from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, colors might not be printed as exactly as the digital version shown here. Given that our are processed and printed by hand, there may as well be slight discrepancies in the motif's size and exact position.

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