Adolphe Léon Willette, 1903 - Gavroche na-ebuli bọọlụ na mgbochi - mbipụta nka mara mma.

73,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

The painting with the title "Gavroche picking up balls to the barricade" as your art copy

N’afọ 1903 Adolphe Léon Willette made this artwork. The over 110 year-old original creation measures the size: Ogologo: 125,2 cm, obosara: 64,8 cm and was painted with the medium Oil, Canvas (material). The painting has the following inscription: Signature - Bottom left "A. Willette". Nowadays, the work of art belongs to the Maison de Victor Hugo - Hauteville House's collection, which is a house museum where the writer Victor Hugo lived for 16 years. We are happy to state that this masterpiece, which belongs to the ngalaba ọha a na-enye ya, site n'ikike nke Maison de Victor Hugo - Ụlọ Hauteville.Ebe E Si Nweta nke ihe osise:. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ dị n'ime Eserese format ya na oke akụkụ nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.

Additional description by Maison de Victor Hugo - Hauteville House website (© - Maison de Victor Hugo - Ụlọ Hauteville - Maison de Victor Hugo - Ụlọ Hauteville)

Illustration of "Les Misérables", Part V "Jean Valjean", Book I "War within four walls", Chapter XV "Gavroche outside" corerspondant the following passage: "And with one bound he plunged into the street .We recall that the Fannicot company, retiring, had left behind a trail of cadavres.Une twenty lay dead here and there throughout the length of the street on the pavement. twenty cartridge-boxes for Gavroche, a provision cartridges for smoke barricade.La was in the street like a fog. Anyone who has seen a cloud fallen into a mountain gorge between two steep escarpments can imagine this smoke and constricted as thickened by two dark lines of tall houses . it rose slowly and renewed constantly, hence a gradual darkening even that paled full day This is hardly a across the street, though very short, the combatants perceived.. this obfuscation, probably desired and calculated by are leaders who should lead the assault of the barricade, was useful to Gavroche.Sous the folds of this veil of smoke, and thanks to its small size, he could advance far enough into the street without being seen. He robbed the first seven or eight cartridge-boxes without much danger.Il crawled flat belly, galloped on all fours, took his cart to the teeth, twisted, glided, undulated, wound a death to another, and emptied the pouch or the bandolier as a monkey opens a noix.De the barricade, which he was still close enough, we did not dare shout back, for fear of drawing attention to lui.Sur a corpse, who was a corporal, he found a pear poudre.- for the thirsty, he said, putting his poche.À strength to go forward, he reached the point where the fog of firing became transparent. "

The work is the only one of Paul Meurice in order not to be reproduced in Arsène Alexandre book "La Maison de Victor Hugo" published for the inauguration of the Museum. She n''est not mentioned by Gustave Simon in the guide published in 1904). It is however one of five shipments of Wilette the fifteenth exhibition 1905 Salon of the National Society of Fine stoppages where it is listed in the catalog without mention of belonging to the city of Paris or the Maison de Victor Hugo ".. WILLETTE (LEON-Adolphe), born at Chalons-sur-Marne - 37, rue Lacroix (XVII) .122 - The Death of Gavroche" We can therefore think that it has been delivered to the museum that after the show, since however much mentioned in the catalog Planes Eugene in 1907, as is also suggested in the letters of Paul Meurice Willette, evoking his problems Santee.

Gavroche (literary character)

Ndị na-adịghị mma (V.Hugo)

Tebụl nka nka

Aha eserese: "Gavroche picking up balls to the barricade"
Nhazi nke ọrụ nka: sere
Okwu mkpokọta: nkà nke oge a
Narị afọ nka: 20th narị afọ
Emepụtara na: 1903
Afọ nka: ihe karịrị 110 afọ
Ihe osise izizi: Mmanụ, Canvas (ihe)
Akụkụ nke nka nka izizi: Ogologo: 125,2 cm, obosara: 64,8 cm
Akara aka nka nka: Signature - Bottom left "A. Willette"
Ụlọ ihe ngosi nka / ebe: Maison de Victor Hugo - Ụlọ Hauteville
Ebe ngosi nka: Paris, France
Ibe weebụ: www.maisonsvictorhugo.paris.fr
Licensedị ikike: ngalaba ọha
Site n'aka: Maison de Victor Hugo - Ụlọ Hauteville

Ozi ndabere izugbe gbasara onye na-ese ihe

Aha onye nka: Adolphe Léon Willette
Ọrụ: onye na-ese ihe
Nhazi nke onye nka: omenkà nke oge a
Oge ndu: 69 afọ
A mụrụ: 1857
Obodo amụrụ: Chalons-sur-Marne
Afọ nwụrụ: 1926
Ebe ọnwụ: Paris

Họrọ ihe ngwaahịa gị

Maka mbipụta nka ọ bụla, anyị na-enye ụdị nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Mbipụta kanvas: The UV printed canvas material applied on a wooden stretcher frame. In addition to that, a canvas creates a attractive and enjoyable atmosphere. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for all types of walls.
  • Mpempe iko acrylic na-egbuke egbuke: An print on acrylic glass, which is often described as a print on plexiglass, will turn the original work of art into lovely décor. Besides, the acrylic glass art print is a good alternative option to dibond and canvas fine art replicas.
  • Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster print is a printed flat cotton canvas paper with a slightly roughened finish on the surface. It is excellently designed for putting your fine art print with a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin 2-6cm around the work of art in order to facilitate the framing with a custom frame.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding depth. The Aluminium Dibond Print is your perfect introduction to the sophisticated world of fine art replicas with aluminum. The colors of the print are luminous and vivid in the highest definition, details appear crisp.

Ozi ndabere edemede

Ụdị ngwaahịa: ọrụ mgbidi
Usoro mmeghari: dijitalụ mmeputakwa
Production usoro: Mbipụta UV / dijitalụ
Ihe ngosi: emere na Germany
Ụdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: mgbidi gallery, mgbidi ịchọ mma
Ndepụta: nhazi ihe osise
Oke akụkụ: ogologo ruo obosara 9: 16
Nkọwa: ogologo bụ 45% mkpụmkpụ karịa obosara
Nhọrọ ihe dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 50x90cm - 20x35", 100x180cm - 39x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 50x90cm - 20x35", 100x180cm - 39x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x90cm - 20x35"
Nhọrọ nha mbipụta aluminium dibond: 50x90cm - 20x35"
ụba: agunyeghi

Ederede iwu: We try our utmost in order to depict the art products as accurate as possible and to illustrate them visually on the respective product detail pages. Although, the tone of the print products, as well as the print result can vary marginally from the representation on your monitor. Depending on the settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. Given that all the art prints are processed and printed by hand, there might also be minor variations in the motif's size and exact position.

© Nchekwa ikike nwebisiinka, Artprinta.com

Ị nwere ike na-amasị

Anya na nso nso a