Cornelis Troost, 1740 - Ọ dịghị onye kwuru okwu (Ọ dịghị onye na-ekwu okwu) - ọmarịcha nka

Ihe osise a akpọrọ "No one spoke for (No one was speaking)"dị ka ihe osise nka gị

Ihe osise a No one spoke for (No one was speaking) e sere ya Baroque nwe- Cornelis Troost. The 280 year old original version of the painting measures the size - elu: 58,1 cm obosara: 74,7 cm | elu: 22,9 n'obosara: 29,4 inch na e ji teknuzu nke pastel, gouache na akwụkwọ na kwaaji. The masterpiece nwere ihe odide a: bịanyere aka na ya na ụbọchị: C. Troost / 1740. Nowadays, this work of art can be viewed in in the collection of Mauritshuis. With courtesy of: Maurithuis, Hague (ikike - ngalaba ọha). Ebe kredit nke ọrụ nka: Theodoor van Snakenburg, Leiden, 1740-1750; Jan Tak, Leiden, na ma ọ bụ tupu 1774-1780 (nke a zụrụ maka guilder 3,000); ire ya, Zoeterwoude, 5 Septemba 1781 (Lugt 3295), mba. 118-122 (nke a zụtara maka ndị agha guilder 2,030; nwanyị di ya nwụrụ); Jan Arnout Bennet (nwa nwoke nke Tak), Leiden; ire ya, Leiden, 1 Eprel 1829 (Lugt 11989), mba. 60 (nke a zụtara maka guilder 1,600); zụrụ, 1829. Kedu ihe ọzọ, nhazi ahụ dị na odida obodo format na nha onyonyo nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The actor, painter Cornelis Troost was a European artist, whose artistic style can be attributed primarily to Baroque. The Dutch painter lived for 54 afọ Amụrụ na 1696 wee nwụọ na 1750.

Nkọwa mgbakwunye site na webụsaịtị ihe ngosi nka (© - nke Mauritshuis - Maurithuis)

Theodoor van Snakenburg, Leiden, 1740-1750; Jan Tak, Leiden, na ma ọ bụ tupu 1774-1780 (nke a zụrụ maka guilder 3,000); ire ya, Zoeterwoude, 5 Septemba 1781 (Lugt 3295), mba. 118-122 (nke a zụtara maka ndị agha guilder 2,030; nwanyị di ya nwụrụ); Jan Arnout Bennet (nwa nwoke nke Tak), Leiden; ire ya, Leiden, 1 Eprel 1829 (Lugt 11989), mba. 60 (nke a zụtara maka guilder 1,600); zụrụ, 1829

Nkọwa ihe nka

Data omenka ahaziri ahazi

Họrọ ngwa ngwaahịa gị

The product dropdown menu provides you with the chance to choose your prefered size and material. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an outstanding depth. The bright and white parts of the original artpiece shimmer with a silk gloss, however without the glow.
• Mbipụta enyo acrylic: A glossy print on acrylic glass, which is often described as a plexiglass print, transforms your favorite original work of art into beautiful wall décor. Besides, the acrylic print makes a viable alternative option to canvas or dibond prints. Your own version of the work of art is being printed with state-of-the-art UV direct printing technology. This creates the impression of sharp, intense colors. With an acrylic glass art print contrasts and also smaller image details will be more recognizeable because of the very fine tonal gradation. The plexiglass with real glass coating protects your chosen art replica against sunlight and heat for up to six decades.
• Mbipụta kanvas: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. A canvas print of your favorite masterpiece will provide you with the unique chance to turn your art print into a large collection piece like you know from galleries. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the support of extra wall-mounts. A canvas print is suited for any kind of wall.
• Akwụkwọ mmado na ihe kwaaji: A poster is a printed flat canvas with a slightly roughened finish on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the painting, which facilitates the framing with your custom frame.

Banyere ihe a

Disclaimer: We try whatever we can to depict the art products as clearly as possible and to exhibit them visually on the respective product detail pages. Please keep in mind that the pigments of the printed materials and the printing may differ somehwat from the presentation on your monitor. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that the fine art prints are processed and printed manually, there might also be slight variations in the exact position and the size of the motif.

© Nchekwa ikike nwebisiinka | www.artprinta.com (Artprinta)