Gaetano Gandolfi, 1789 - Àjà nke Iphigenia - ọmarịcha nka

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Nchịkọta ngwaahịa nka

In 1789 onye omenkà Gaetano Gandolfi made this neoclassicist painting. The 230 year-old work of art was made with the size: 26 7/8 × 18 in (68,3 × 45,7 cm) and was painted with the medium oil on canvas. The piece of art belongs to the Ụlọ ihe ngosi nka nke Metropolitan digital art collection, which is located in New York City, New York, United States of America. The ngalaba ọha work of art is being supplied with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 2015. The creditline of the artwork is the following: Rogers Fund, 2015. Further, the alignment of the digital reproduction is Eserese na nwere akụkụ ruru nke 2: 3, which means that the length is 33% shorter than the width. Gaetano Gandolfi was a painter, sculptor, whose artistic style was primarily Neoclassicism. The artist was born in the year 1734 in Emilia-Romagna, Italy, region, administrative division and deceased at the age of 68 N'afọ 1802 na Bologna, Bologna Province, Emilia-Romagna, Italy.

Ozi mgbakwunye sitere na ihe ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

This oil sketch for a ceiling in a room of Palazzo Gnudi Scagliarini in Bologna takes its subject from the great Greek playwright Euripides (ca. 480–406 BC). Agamemnon's daughter is about to be sacrificed to appease the goddess Diana, who at the climactic moment appears and substitutes a deer on the altar. A flying putto stays the hand of the priest while the warrior Achilles, who had attempted to intervene, lies on the ground, astonished at the turn of events. Brilliantly staged, the picture is painted with extraordinary verve and liveliness. The frame was specifically designed for the picture.

Nkọwa ahaziri nke ihe osise

Aha nka: "The Sacrifice of Iphigenia"
Nhazi nka: sere
Category: nka ochie
Nhazi oge: 18th narị afọ
Emepụtara na: 1789
Ogologo afọ nka nka: ihe karịrị 230 afọ
Agba na: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 26 7/8 × 18 na (68,3 × 45,7 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị nke ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 2015
Ebe E Si Nweta: Rogers Fund, 2015

Onye na-ese ihe

Aha onye nka: Gaetano Gandolfi
A makwaara dịka: Gaetano Gandolfi, gandolfi gaet., Gandolfi Gaetano
Gender: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-akpụ ihe, onye na-ese ihe
Country: Italy
Otu nka: nna ukwu ochie
Ụdị nka: Neoclassicism
Nwụrụ na afọ nke: 68 afọ
Amụrụ n'afọ: 1734
Amụrụ na (ebe): Emilia-Romagna, Italy, mpaghara, nhazi nkewa
Nwuru: 1802
Nwuru na (ebe): Bologna, Bologna n'ógbè, Emilia-Romagna, Italy

Akụrụngwa ị nwere ike ịhọrọ

Maka mbipụta nka ọ bụla mara mma anyị na-enye ụdị nha na ihe dị iche iche. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

  • Kwaaji: A canvas direct print is a printed canvas mounted on a wooden stretcher. Your canvas print of your favorite masterpiece will let you turn your custom fine art print into a large artpiece as you would see in a gallery. Hanging your canvas print: Canvas prints are relatively low in weight, which means that it is quite simple to hang up the Canvas print without the help of any wall-mounts. Because of thata canvas print is suitable for any kind of wall.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an outstanding depth effect. The Direct Print on Aluminum Dibond is the perfect start to art prints made with aluminum. For your Direct Aluminium Dibond print, we print the chosen work of art onto the aluminium composite surface. The bright components of the artwork shine with a silky gloss but without the glare. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly sophisticated way to showcase artworks, since it puts the viewer’s focus on the artwork.
  • Mbipụta enyo acrylic: A glossy print on acrylic glass, often denoted as a plexiglass print, will convert the original work of art into décor and forms a good alternative option to canvas or aluminium dibond art prints. The great advantage of an acrylic glass fine art copy is that sharp contrasts and smaller details become more visible due to the very subtle tonal gradation.
  • Akwụkwọ mmado na ihe kwaaji: The Artprinta poster is a printed canvas paper with a slightly rough structure on the surface. It is qualified for putting your art copy with a customized frame. Please note, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the print to facilitate the framing.

Banyere ihe a

Bipụta ụdị ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Production usoro: UV kpọmkwem obibi
Ihe ngosi: arụpụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: art mmeputakwa gallery, ụlọ imewe
Ndozi onyonyo a: nhazi ihe osise
Njikwa oyiyi: 2: 3
Nkọwa nha onyonyo: ogologo bụ 33% mkpụmkpụ karịa obosara
Nhọrọ dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nha aluminom dibond (ihe aluminom) nha: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nhazi mmeputa nka nka: enweghị etiti

Nkwupụta iwu: We try everything in order to depict our products in as much detail as possible and to display them visually on the different product detail pages. However, the tone of the printing material, as well as the printing might differ somehwat from the representation on your screen. Depending on your screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. Since all the fine art prints are printed and processed by hand, there may as well be slight variations in the motif's size and exact position.

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