Jacques-Louis David, 1792 - Madame de Pastoret na Ọkpara ya - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Additional information from Art Institute Chicago (© - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)
Ihe omume na-agbanwe agbanwe na mmalite afọ nke mgbanwe mgbanwe French na-eme ka ọ ghara ikwe omume iji n'aka na ụbọchị Jacques-Louis David na-ekpo ọkụ, ihe osise ọhụrụ nke Adélaïde de Pastoret. Ha nwekwara ike na-aza maka ọnọdụ ihe osise ahụ emechabeghị. David, onye a ma ama na-ese ihe nkiri Neoclassical, bụ onye na-agbasi mbọ ike n'oge ahụ; Madame de Pastoret bụ nwunye onye na-achị eze. Ọ ga-abụrịrị na oche ndị ahụ mere mgbe a mụsịrị nwa, na mmalite 1791, nwa ya nwoke, bụ onye e gosiri n'ụra n'akụkụ ya, na tupu a tụrụ ya mkpọrọ nkenke n'oge Ọchịchị Ụjọ na 1792. N'ebe a, David dechara stippled, fọrọ nke nta ka ọ bụrụ monochromatic underpainting ma ọ bụghị ya. mepụta nke siri ike, enamel-ezi elu nke e ji mara ihe osise ya emechara. O ruteghị ebe dị anya wee tinye agịga na eri n'aka Madame de Pastoret. Ka o sina dị, nnukwu ihe osise a nke ezinaụlọ a na-enwetụbeghị ụdị ya na-ejide nne na-eto eto nke ọma yana nkwanye ùgwù ma gosipụta nkà Devid dị ka onye na-ese ihe. N'ịbụ ndị na-emegide echiche mgbanwe nke David, Madame de Pastoret (onye ghọrọ Marquise de Pastoret na 1817) jụrụ eserese ahụ n'oge ndụ onye na-ese ihe. Mgbe Devid nwụsịrị, ọ mụtara nwa ya nwoke, bụ́ onye toworo eto, zụta ihe osise ahụ n’ala ụlọ onye na-ese ihe.
Nkọwa na ọrụ nka
Aha eserese: | "Madame de Pastoret na Ọkpara ya" |
Nhazi nke ọrụ nka: | sere |
Otu sara mbara: | nka ochie |
Century: | 18th narị afọ |
Emepụtara na: | 1792 |
Afọ nka: | ihe karịrị afọ 220 |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | Jacques-Louis David |
Aliases: | jaques louis david, David L., David Jaques Louis, Louis David, David J. L., David Jacques Louis, Jacques Louis David, david j.l., Ta-wei Lu-i, David Cen, David Louis, J.L. David, David J.-L., M. Louis David, David Jacques-Louis, j. l. david, david jacques-louis, Ta-wei-tʻe, David Louis, David, M. le baron David, Jacques-Louis David, David Zhak Lui, David Lui, jac. louis david, L. David, jacques l. david, david jean louis |
okike onye nka: | nwoke |
Nationality: | French |
Ọrụ nke onye na-ese ihe: | onye ndọrọ ndọrọ ọchịchị, onye na-ese ihe |
Mba onye si: | France |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Neoclassicism |
Ndụ: | 77 afọ |
A mụrụ: | 1748 |
Obodo ọmụmụ: | Paris, Ile-de-France, France |
Afọ nwụrụ: | 1825 |
Nwuru na (ebe): | Brussels, Bruxelles mpaghara, Belgium |
Banyere ihe
Nkewa bipụta: | nka nka |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | UV kpọmkwem obibi |
Nlụpụta: | German mmepụta |
Stockdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa emebere: | ime ụlọ, gallery mgbidi |
Nhazi: | nhazi ihe osise |
Oke akụkụ onyonyo: | 1: 1.4 |
Nkọwa: | ogologo bụ 29% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x70cm - 20x28", 100x140cm - 39x55" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x70cm - 20x28", 100x140cm - 39x55" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x70cm - 20x28" |
Mbipụta aluminom: | 50x70cm - 20x28", 100x140cm - 39x55" |
Nhazi mbipụta nka: | enweghị etiti |
Akụrụngwa ị nwere ike isi na ya nweta
Maka ngwaahịa ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Aluminom dibond mbipụta (ọla): This is a metal print made on aluminium dibond material with a true depth effect. A non-reflective surface make a modern impression. The Direct Print on Aluminum Dibond is the best start to fine replicas on aluminum. The white and bright parts of the original artwork shine with a silky gloss, however without any glow. The colors of the print are luminous in the highest definition, fine details appear crisp, and you can notice the matte appearance of the print. The UV print on Aluminum Dibond is the most popular entry-level product and is a truly stylish way to showcase fine art prints, as it puts 100% of the viewer’s focus on the whole artwork.
- Poster (akwa akwa akwa): Our poster print is a UV printed canvas with a fine finish on the surface. It is particularly designed for placing the art copy using a customized frame. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the painting, which facilitates the framing.
- Mpempe iko acrylic na-egbuke egbuke: The acrylic glass print, often referenced as a print on plexiglass, changes the original into wonderful décor. With an acrylic glass fine art print contrasts and minor details become more visible because of the fine gradation.
- Kwaaji: A printed canvas material stretched on a wooden stretcher frame. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up the Canvas print without extra wall-mounts. Hence, a canvas print is suited for any kind of wall.
Ozi ndabere ngwaahịa
Ọ bụ ndị kere ihe osise a neoclassicist Onye na-ese ihe bụ Jacques-Louis David 1792. Tụkwasị na nke a, ọrụ nka dị n'ime Ụlọ ọrụ Art nke Chicago nchịkọta. Site n'ikike nke Ụlọ ọrụ Art Chicago (public domain license).Creditline of the artwork: . Further, the alignment of the digital reproduction is Eserese ya na oke onyonyo nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Jacques-Louis David was a male politician, painter from France, whose style can be attributed primarily to Neoclassicism. The Neoclassicist artist lived for 77 afọ - A mụrụ na 1748 na Paris, Ile-de-France, France na nwụrụ na 1825.
Ozi dị mkpa: We try whatever we can in order to describe the art products with as many details as we can and to showcase them visually. Nonetheless, the colors of the print materials and the printing may vary slightly from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. In view of the fact that all the art prints are processed and printed manually, there might as well be minor differences in the motif's size and exact position.
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