Louis Gauffier, 1799 - Swedish Johan Claes Lagersvärd (1756-1836) na Florence - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Eziokwu na-adọrọ mmasị gbasara ihe osise a aha ya bụ "Swedish Johan Claes Lagersvärd (1756-1836) in Florence"
a nka ochie onye na-ese ihe sere ọrụ nka Louis Gauffier. E ji nha ya see nke mbụ ya: Ogologo: 67,3 cm (26,4 ″); Obosara: 50,2 cm (19,7 ″) Ekebere: Elu: 89,5 cm (35,2 ″); Ogologo: 62 cm (24,4 ″). Oil on canvas was applied by the French artist as the medium of the painting. This artpiece is included in the National Museum nke Stockholm nchịkọta. Site n'ikike nke - Nationalmuseum Stockholm na Wikimedia Commons (public domain license).Creditline of the artwork: . In addition to this, the alignment of the digital reproduction is Eserese ya na oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Louis Gauffier was a European artist, whose style was primarily Neoclassicism. The European artist was born in the year 1761 in Poitiers, Nouvelle-Aquitaine, France and passed away at the age of 40 in the year 1801 in Livorno, Livorno province, Tuscany, Italy.
Artwork information by the museum's website (© Copyright - Nationalmuseum Stockholm - National Museum nke Stockholm)
English: As a promising French history painter, Gauffier had settled in Italy, first in Rome and from 1793 in Florence. He was eventually forced to abandon the prestigious genre of history painting to earn a living as a portrait painter and by selling landscapes to travellers on their Grand Tour. In Florence he portrayed two Swedish diplomats living in the city – this is Johan Claes Lagersvärd, seated in front of a view of the Dome. Gauffier’s portraits, like his history paintings, are characterised by distinct lines and cool colours in accordance with prevailing classicist ideals. Gauffier hade som lovande fransk historiemålare slagit sig ner i Italien, först i Rom och från 1793 i Florens. Med tiden tvingades han överge det prestigefyllda historiemåleriet, för att livnära sig som porträttmålare och genom att sälja landskap till Grand Tour-resenärer. I Florens avporträtterade han två svenska diplomater verksamma i staden – här Johan Claes Lagersvärd sittande framför en utsikt mot Domen. Gauffiers porträtt kännetecknas, liksom hans historiemålningar, av distinkta linjer och kyliga färger enligt tidens klassicerande ideal.
Ozi ahaziri na mpempe nka
Aha nke ihe nka: | "Swedish Johan Claes Lagersvärd (1756-1836) in Florence" |
Nhazi nka: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 18th narị afọ |
Afọ okike: | 1799 |
Ogologo afọ nka nka: | gbara afọ 220 |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi: | Ogologo: 67,3 cm (26,4 ″); Obosara: 50,2 cm (19,7 ″) Ekebere: Elu: 89,5 cm (35,2 ″); Ogologo: 62 cm (24,4 ″) |
Egosiputara na: | National Museum nke Stockholm |
Ebe ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
website: | www.nationalmuseum.se |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Nchịkọta ihe nkiri
aha: | Louis Gauffier |
Aha nka ndị ọzọ: | Gaufier, Gauffier Louis, Monsieur Goffier, Louis Gauffier, Gauffier, Gauffer |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | France |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Neoclassicism |
Oge ndu: | 40 afọ |
A mụrụ: | 1761 |
Ebe amụrụ onye: | Poitiers, Nouvelle-Aquitaine, France |
Afọ ọnwụ: | 1801 |
Nwuru na (ebe): | Livorno, mpaghara Livorno, Tuscany, Italy |
Họrọ nhọrọ ihe
Na menu ndọpụta ngwaahịa ị nwere ike ịhọrọ nha na akụrụngwa masịrị gị. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes referenced as a UV print on plexiglass, will convert the original into brilliant wall décor and forms a great alternative option to canvas or dibond fine art prints.
- Kwaaji: The UV printed canvas material stretched on a wood stretcher frame. How do I hang a canvas on the wall? The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang your Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for any type of wall.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed cotton canvas paper with a fine structure on the surface. It is optimally suited for framing the fine art print with the help of a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm around the artwork, which facilitates the framing.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an impressive depth effect - for a modern impression and non-reflective surface structure. For our Direct Aluminium Dibond print, we print the selected work of art right onto the surface of the white-primed aluminum composite. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly modern way to display art reproductions, since it puts all of the viewer’s attention on the artwork.
Banyere ngwaahịa
Bipụta ngwaahịa: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite nke ngwaahịa a: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Ojiji ngwaahịa: | Ụlọ ihe osise nka, foto mgbidi |
Nhazi: | usoro eserese |
Ụdị anya: | (ogologo: obosara) 3: 4 |
Ihe: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Ngwa ngwaahịa dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 30x40cm - 12x16" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x40cm - 12x16" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 30x40cm - 12x16" |
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: | 30x40cm - 12x16" |
Igwe onyonyo: | mbipụta nka na-enweghị isi |
Nkwupụta iwu: We try whatever we can in order to describe the products with as many details as possible and to display them visually in our shop. Please bear in mind that the colors of the printed materials, as well as the imprint might diverge marginally from the image on the device's monitor. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version on this website. Given that all are printed and processed by hand, there may also be minor differences in the motif's size and exact position.
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