Mather Brown, 1790 - General George Eliott - ọmarịcha nka

29,99 €

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Nchịkọta ngwaahịa nka

The 18th narị afọ sere General George Eliott e sere ya neoclassicist master Mather Brown in 1790. The over 230 year old original was painted with the size: 98 3/16 x 64 3/8 na (249,4 x 163,5 cm) e tekwara ya na ọkara mmanụ na kwaaji. Today, the artpiece is in the the collection of The Metropolitan Museum of Art. With courtesy of - The Metropolitan Museum of Art, New York, Purchase, 2003 Benefit Fund; Morris K. Jesup, Maria DeWitt Jesup, Dale T. Johnson, John Osgood and Elizabeth Amis Cameron Blanchard and Joel B. Leff Charitable Funds; Iola Haverstick, Dorothy Schwartz and David Hicks Gifts; and Gift of Alice and Evelyn Blight and Mrs. William Payne Thompson, by exchange, 2004 (ikike - ngalaba ọha). Ọzọkwa, ihe nkiri ahụ nwere akara kredit ndị a: Purchase, 2003 Benefit Fund; Morris K. Jesup, Maria DeWitt Jesup, Dale T. Johnson, John Osgood and Elizabeth Amis Cameron Blanchard and Joel B. Leff Charitable Funds; Iola Haverstick, Dorothy Schwartz and David Hicks Gifts; and Gift of Alice and Evelyn Blight and Mrs. William Payne Thompson, by exchange, 2004. Moreover, alignment of the digital reproduction is portrait and has an aspect ratio of 2 : 3, which implies that ogologo bụ 33% mkpụmkpụ karịa obosara. Mather Brown was a male painter, whose style can primarily be assigned to Neoclassicism. The North American artist was born in 1761 ma nwụọ na afọ nke 70 n'afọ 1831.

Ihe di

The product dropdown list provides you with the chance to pick your individual size and material. Choose your preferred material and size between the options:

  • Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with an impressive effect of depth, which creates a modern impression throuch a non-reflective surface structure. For our Aluminium Dibond print, we print the work of art onto the aluminium surface.
  • Ihe odide acrylic glass: A glossy acrylic glass print, often referred to as a UV print on plexiglass, transforms the artwork into wonderful décor and forms a distinct alternative option to canvas and dibond prints. The artwork will be manufactured with modern UV direct printing technology. With an acrylic glass art print sharp contrasts as well as smaller color details will be more recognizeable because of the granular gradation. Our acrylic glass protects your selected art replica against light and external influences for many years.
  • Akwụkwọ mmado na ihe kwaaji: The Artprinta poster print is a printed sheet of flat canvas paper with a slightly roughened structure on the surface, which resembles the actual masterpiece. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.
  • Kwaaji: A canvas direct print is a printed cotton canvas mounted on a wooden stretcher. A canvas generates a special look of three dimensionality. Also, a canvas print generates a cosy and pleasant look. A canvas of your favorite masterpiece will allow you to transform your into a large size artwork as you would see in a real gallery. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suitable for any type of wall.

Disclaimer: We try our best in order to depict our art products as clearly as possible and to showcase them visually in our shop. Nonetheless, the tone of the print materials and the printing might vary to a certain extent from the representation on your device's monitor. Depending on your settings of your screen and the condition of the surface, color pigments may not be printed as realistically as the digital version depicted here. Bearing in mind that the are processed and printed by hand, there might as well be minor variations in the exact position and the size of the motif.

Nkọwa ngwaahịa

Nkewa edemede: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Production usoro: UV kpọmkwem obibi
Mmalite ngwaahịa: emere na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: mgbidi mgbidi, ụlọ mmepụta nka nka
Nhazi onyonyo: nhazi ihe osise
Oke akụkụ: 2: 3 ogologo: obosara
Mmetụta akụkụ onyonyo: ogologo bụ 33% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nhọrọ Dibond (ihe alumnium) nhọrọ: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
ụba: na-enweghị etiti

Nkọwa ahaziri nke ihe nka

Aha ọrụ nka: "General George Eliott"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
Nhazi oge: 18th narị afọ
Ekepụtara: 1790
Afọ nka: ihe dị ka afọ 230
Usoro nka izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 98 3/16 x 64 3/8 na (249,4 x 163,5 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
E Nwere na: Museumlọ ihe ngosi nka nke Obodo
Ụdị nka nka: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Purchase, 2003 Benefit Fund; Morris K. Jesup, Maria DeWitt Jesup, Dale T. Johnson, John Osgood and Elizabeth Amis Cameron Blanchard and Joel B. Leff Charitable Funds; Iola Haverstick, Dorothy Schwartz and David Hicks Gifts; and Gift of Alice and Evelyn Blight and Mrs. William Payne Thompson, by exchange, 2004
Ebe E Si Nweta: Purchase, 2003 Benefit Fund; Morris K. Jesup, Maria DeWitt Jesup, Dale T. Johnson, John Osgood and Elizabeth Amis Cameron Blanchard and Joel B. Leff Charitable Funds; Iola Haverstick, Dorothy Schwartz and David Hicks Gifts; and Gift of Alice and Evelyn Blight and Mrs. William Payne Thompson, by exchange, 2004

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Aha onye nka: Mather Brown
Aha ndị ọzọ: Brown Mather, M. Brown, Mather Browne, Mather Brown, M Brown, Brown, brown mather
okike nke onye nka: nwoke
Obodo onye nka: American
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo obibi: United States
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Neoclassicism
Ndụ: 70 afọ
Afọ amụrụ: 1761
Afọ nwụrụ: 1831

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Artwork information by the museum (© - by The Metropolitan Museum of Art - www.metmuseum.org)

Brown’s grand-manner portrait of General George Eliott (1717–1790) is a great spectacle that captured both the painter and his subject at the pinnacle of their respective careers. Descended from America’s earliest settlers, Brown grew up in Boston and trained in London under Benjamin West. General Eliott commanded the British garrison against the allied Spanish and French forces at Gibraltar (1779–83). The pyrotechnic portrait shows Eliott during a battle in September 1782, when the British deployed the newly devised technique of heated shot, annihilating the enemy fleet. (Eliott is also portrayed in John Trumbull’s painting of the scene; 1976.332.)

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