Jules Pascin, 1915 - Ụmụ agbọghọ abụọ - ọmarịcha akwụkwọ nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
A na-ese ihe osise ahụ Jules Pascin in 1915. The version of the piece of art was made with the size of Overall: 5 x 4 3/4 in (12,7 x 12,1 cm) and was painted on the medium watercolor, black crayon, graphite, and pen and ink on wove paper. N'ịga n'ihu, ọrụ nka a nwere ike ile anya na nchịkọta nka nke Ntọala Barnes in Philadelphia, Pennsylvania, United States of America. This nkà nke oge a ọrụ nka, nke bụ nke ngalaba ọha is being provided with courtesy of Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania.Creditline of the artwork: . Besides, the alignment of the digital reproduction is portrait with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Jules Pascin was an artist from United States, whose style was primarily Expressionism. The American painter lived for a total of 45 afọ a mụrụ ya n'afọ 1885 in Vidin, Vidin, Bulgaria and passed away in the year 1930 in Paris, Ile-de-France, France.
Họrọ ngwa ngwaahịa gị
In the dropdown selection right next to the article you can choose your prefered material and size. Choose among the following product options now to match your preferences in size and material:
- Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with a true depth effect. The non-reflective surface structure creates a modern impression. The bright and white parts of the original artpiece shimmer with a silk gloss, however without the glow.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster is a printed sheet of canvas with a slight texture on the surface, that resembles the actual masterpiece. It is particularly suited for framing your art print in a special frame. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the painting in order to facilitate the framing with your custom frame.
- Kwaaji: A printed canvas mounted on a wooden stretcher frame. It makes the unique look of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without extra wall-mounts. A canvas print is suitable for any kind of wall.
- Bipụta na enyo acrylic: An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes the original work of art into marvellous décor and offers a great alternative option to aluminium or canvas fine art prints. The artwork is manufactured with the help of modern UV printing technology. The great benefit of a plexiglass print is that contrasts and smaller color details will be identifiable because of the very fine tonal gradation.
Tebụl nyocha nke onye na-ese ihe
Ihe nkiri: | Jules Pascin |
Aha ndị ọzọ: | Pascin Julius Pincas, Pascin, פאסקן ז'ול, j. pascin, pascin j., Julius Pascin, Jules Pascin, Pincas Julius, Pintas Julius Mordecai, Paskin I︠U︡liĭ, Pinkas I︠U︡liĭ, פסקין ז'ול, Pinkas Julius, Pascin Jules, Pincus Julius Mordecai |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Country: | United States |
nhazi ọkwa: | omenkà nke oge a |
styles: | Nkwupụta |
Nwụrụ anwụ: | 45 afọ |
Afọ amụrụ: | 1885 |
Ebe omuma: | Vidin, Vidin, Bulgaria |
Afọ ọnwụ: | 1930 |
Nwuru na (ebe): | Paris, Ile-de-France, France |
Tebụl a haziri ahazi nke ihe osise
Aha nke ọrụ nka: | "Two Young Girls" |
Nhazi nka nka: | sere |
Okwu nche anwụ: | nkà nke oge a |
Time: | 20th narị afọ |
Emepụtara n'afọ: | 1915 |
Afọ nka: | 100 afọ |
Agba na: | watercolor, black crayon, graphite, and pen and ink on wove paper |
Nha nke ihe osise izizi: | N'ozuzu: 5 x 4 3/4 na (12,7 x 12,1 cm) |
Ụlọ ihe ngosi nka: | Ntọala Barnes |
Ebe ngosi nka: | Philadelphia, Pennsylvania, Njikota Obodo Amerika |
Ibe weebụ: | www.barnesfoundation.org |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania |
Nkọwapụta ngwaahịa
Bipụta ngwaahịa: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | emepụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | mkpokọta nka (mmeputakwa), nka mgbidi |
Ntuziaka onyonyo: | nhazi ihe osise |
Oke akụkụ onyonyo: | 1: 1.2 |
Ntụgharị nkọwa akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ ihe: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta nke aluminom (ihe aluminom): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | adịghị |
Disclaimer: We try our best in order to depict the products as clearly as it is possible and to display them visually. However, the pigments of the printed materials, as well as the printing might diverge somehwat from the representation on your device's screen. Depending on the settings of your screen and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version. Because the art reproductions are processed and printed by hand, there may as well be minor discrepancies in the motif's exact position and the size.
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