Charles Cromwell Ingham, 1846 - The Flower Girl - ọmarịcha nka

Original artwork specifications as provided by The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The Flower Girl is a highly unusual subject for Ingham, an artist who rarely strayed from portraiture. He may have painted it as a speculative work, or on commission from Jonathan Sturges, who owned the work by the time it appeared on exhibition in the spring of 1847 at the National Academy of Design. Images of street vendors were popular in American and European painting at the time, but more often the subjects were enterprising boys rather than girls. Ingham may well have been familiar with a popular image of the same title by the Spanish painter Esteban Murillo. The setting for Murillo’s picture is virtually identical to Ingham’s and the Spanish flower girl offers her wares with a direct appeal to her viewer, as does Ingham’s American girl. Under her left arm, Ingham's girl carries a magnificent bouquet of flowers that he must have painted from life, but were beyond compare not only in contemporary still life painting but also on the streets of New York. In her right hand, she offers a potted fuchsia, the gesture emblematic of the goddess Flora. The plant itself is symbolic of frustrated love.

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• Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. A canvas print has the advantage of being relatively low in weight. This means, it is quite simple to hang your Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suited for any type of wall.
• Ugogbe acrylic ebipụtara: The acrylic glass print, often referenced as a print on plexiglass, will change the original into marvellous décor. Furthermore, it is a great alternative to dibond and canvas art prints. Your own replica of the work of art will be manufactured thanks to the help of modern UV direct print machines. The special effect of this are and vivid colors.
• Mpempe akwụkwọ ederede (akwa akwa akwa): A poster print is a printed sheet of canvas with a slightly rough finish on the surface, which reminds the actual masterpiece. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with an impressive depth. For our Aluminium Dibond print, we print the selected artpiece right onto the surface of the white-primed aluminum material. The colors of the print are bright and luminous in the highest definition, fine details are crisp and clear.

The nkà nke oge a eserese na aha Nwanyị Ifuru onye na-ese ihe sere ya Charles Cromwell Ingham. Ihe osise a tụrụ nha - 36 x 28 3/8 na (91,4 x 72,1 cm) ma were ihe osise ese Usoro of mmanụ na kwaaji. Ọrụ nka bụ nke Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke William Church Osborn, 1902 (ikike ngalaba ọha). Besides, the work of art has the creditline: Gift of William Church Osborn, 1902. The alignment of the digital reproduction is in portrait format na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Ederede iwu dị mkpa: We try our best to depict our art products as closely as possible and to exhibit them visually. Nevertheless, the colors of the printed materials, as well as the printing can differ to a certain extent from the presentation on the screen. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that all the fine art prints are processed and printed manually, there may as well be slight deviations in the motif's exact position and the size.

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